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Ethelred Tressider and his agent Elsie Thirkettle have been invited to lecture on a creative writing course at Fell Hall, a remote location in the heart of ragged countryside that even sheep are keen to shun. While Ethelred's success as a writer is distinctly average, Elsie sees this as an opportunity to scout for new, hopefully more lucrative, talent. But heavy snow falls overnight, trapping those early arrivals inside, and tensions are quick to emerge between the assembled group. When one of their number goes missing, Ethelred leads a search party and makes a gruesome discovery. With no phone signal and no hope of summoning the police, can Ethelred and Elsie identify the killer among them before one of them is next?
The life of Aaron Tucker - freelance writer and stay-at-home dad - is anything but boring. In fact, Aaron manages to find himself in way more danger than your typical mild-mannered Jewish guy. He lands in a murder investigation when a leading conservative politician is found dead in his DC hotel room, discovered by his mistress after her long post-coital shower. She (a former object of Aaron's affection) asks Aaron to find the killer. Aaron doesn't see himself as an investigating genius but he takes the assignment, which doesn't sit well with his family.
In this Edgar-nominated cozy series opener, a second-rate British crime novelist and his quirky agent investigate his devious ex-wife’s murder. A mediocre mystery-writer (and thus a purveyor of red herrings), Ethelred Tressider has even less interest in writing his books than his (dwindling) fan base has in reading them, and his agent—the pesky, nosy, vulgar, chocolate-chomping Elsie—has no interest in them at all. But with a name like Ethelred, things can always get worse, and when Ethelred’s dishy ex-wife turns up dead, they do. The Case of the Dead Dish is the most exciting project Elsie’s come across in years, but however much she bullies Ethelred he refuses to take much interest in the mystery. Chalk it up to some pathetic mid-life crisis? Maybe. But how much more interesting would it be to note that Ethelred’s lack of interest raises what might be called some extremely interesting questions? Praise for The Herring-Seller’s Apprentice “Fans of comic mysteries will welcome British author Tyler’s debut.” —Publishers Weekly “Tyler is a stylish writer, and his humor is both subtle and sly.” —Booklist
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BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Albert Crosby, a shrewd and industrious Yankee gentleman travels to Chicago in a prairie schooner with $10,000 worth of mercantile goods to pursue his lifelong quest for financial independence. His business venture becomes so successful family members are summoned to the Midwest to help him. Despite his financial success, Albert's personal life deteriorates because his wife, Margaret, refuses to remain in Chicago. During the Civil War, Albert manufactures medicinal alcohol and becomes a millionaire. He joins a colorful militia group and is befriended by President Lincoln. After the war, Albert assumes the ownership of his cousin's opera house. Following extensive refurbishing, it becomes a victim of the disastrous Chicago Fire of 1871. His losses are staggering, but he manages to salvage his brewery and begin anew. Eventually, Albert divorces his estranged wife and marries Matilda and then plunges into bankruptcy. After years of hard work, many challenges and setbacks, Albert returns to his native Brewster on Cape Cod and builds an ostentatious mansion. With integrity and innate ingenuity, Albert manages to triumph over many adversities and achieves happiness with his second wife, in "Tawasentha," the castle of his dreams.
A politically sensitive murder is detected amid the chaos of a deadly plague in this “stellar . . . well-crafted” mystery set in Restoration London (Publishers Weekly, starred review). It’s 1665, and the Black Death has London in its hideous grip. It’s bad news for everyone . . . almost. For a mysterious killer, it presents an opportunity to hide a dead body among a city full of them. But as corpses are collected and brought to the burial pit, one of the bodies is revealed to have a knife in its back. When the victim is identified as an agent of the King’s spy network, fixer John Grey is called in to handle the situation—and, above all, locate the sensitive documents the agent had been carrying at the time of his demise. Now Grey must navigate the deadly pestilence as he uncovers a potentially explosive conspiracy.
"In The Torrents of Spring, Ernest Hemingway crafted his disillusions into a comedic satire aimed at Sherwood Anderson's Dark Laughter as well as other great writers of the day"--
A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...
An interior designer who is never without the perfect plan learns to renovate her love life without one in this new romantic comedy by Ashley Herring Blake, author of Delilah Green Doesn’t Care. For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she knows she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation, which will be featured on a popular HGTV show, Innside America, Astrid is thrilled. Not only will the project distract her from her failed engagement and help her struggling business, but her perpetually displeased mother might finally give her a nod of approval. However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and the lead carpenter for the renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into some light sabotage to ruffle Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other evolves into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead or the one that she wants?