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Vladimir Vetrov, joined the KGB to work as a spy. Following a couple of murky incidents, he is removed from the field and placed at a desk as an analyst. Soon, burdened by a troubled marriage and frustrated at a failing career, Vetrov turns to alcohol. Desparate and in need of redemption, in 1980 he offers his services to the DST, the French counterintelligence service. Thus Agent Farewell is born. Soon he is sneaking files and photographing sensitive dcouments, keeping the West informed of the USSR's plans--right in the heart of KGB headquarters, hastening the end of the Cold War.
“A vivid portrait…and thoughtful consideration of George Washington’s wisdom that couldn’t be timelier” (Kirkus Reviews, starred review). A revealing look at the first President’s Farewell Address, a still-relevant warning against partisan politics and foreign entanglements. George Washington’s Farewell Address was a prophetic letter he wrote to his fellow citizens and signed from a “parting friend,” addressing the forces he feared could destroy our democracy: hyper-partisanship, excessive debt, and foreign wars. In it, Washington called for unity among “citizens by birth or choice,” advocated moderation, defended religious pluralism, proposed a foreign policy of independence (not isolation), and proposed that education is essential to democracy. He established the precedent for the peaceful transfer of power. Washington’s urgent message was adopted by Jefferson after years of opposition and quoted by Lincoln in defense of the Union. Woodrow Wilson invoked it for nation-building; Eisenhower for Cold War; Reagan for religion. Once celebrated as civic scripture, more widely reprinted than the Declaration of Independence, the Farewell Address is now almost forgotten. Yet its message remains starkly relevant today. In Washington’s Farewell, John Avlon offers a stunning portrait of our first president and his battle to save America from self-destruction. Washington’s Farewell “brings to light Washington’s goodbye by elucidating what it meant not only during the early days of the republic, but its lasting effect through the centuries” (Library Journal, starred review). Now the Farewell Address may inspire a new generation to re-center their politics and reunite our nation through the lessons rooted in Washington’s shared experience.
Simon, a young kitchen boy and magician's apprentice, finds his dreams of great deeds and heroic wars becoming an all too shocking reality in a terrifying civil war.
Poetry. Art. Edited by Vincent Katz. "I swore I would never write another blurb, but Jim Dine's COLLECTED POEMS has pulled me temporarily out of blurb retirement. The same verve that drives his paintings drives these poems, and added to it are a wonderfully goofy playfulness and a no-holds-barred, slightly scary exhilaration. Arp, Schwitters, and Picabia, move over." Ron Padgett "In the flutter of blue alcohol flame a figure enters its shadow asking where do you keep all the things / that don't fit in your mind? Characters appear, vanish, reappear in the darkness but there is no space behind language. A mountain opens and red is registered. I've carried Jim Dine's first book Welcome Home, Lovebirds through many moves since 1969. Now almost half a century later I have the delight of being again in that mind. The poems are as direct as brush-strokes, as casual as conversation, as passionate as loss. The background shifts. 'The Short History of New York' beautifully nails that. London in the 1960s is palpable; Paris, Rome, flicker. Friends share the space. 'Portrait' is a concisely brilliant one of Robert Creeley. Kenneth Koch, a hometown boy, makes occasional appearances. But all these are tones, not the foreground that is the restlessness, the questioning, the observation inhabited by the reader. For me a particular pleasure of these poems has been the privilege of at times perceiving the world as a painter Jim Dine made my eyes feel. POEMS TO WORK ON is not only 'NIGHT'S / FRIABLE / RAGE, ' but 'making life / without reason / is the reason / for a / common dream.' Writing well worth reading." Tom Raworth"
Paul Vrolijk recalls the last two months of his father’s life and the two months that followed his funeral in Farewell to my father. His experience included the emptying and selling of a family home that had been in the family for half a century. The book serves as a touching account of familial love, memories from youth, doubt and faith, God’s love and faithfulness working in and through all things, and the love and care of a village community. Moreover, it’s a celebration of gratitude. The author’s story encourages readers to think about what it means to die well, as well as what needs to be said and done when someone comes to the end of their life. It also serves as a helpful guide on what to expect if you’re preparing for the death of a loved one. The book serves as a bold proclamation that “nothing can separate us from the love of God.” In fact, God is always working even amid suffering, dying, and all the practical details that must be considered when someone dies
Rabindranath Tagore reinvented the Bengali novel with Farewell Song; blurring the lines between prose and poetry and creating an effervescent blend of romance and satire. Through Amit and Labanya and a brilliantly etched social milieu; the novel addresses contemporary debates about ‘good’ and ‘bad’ writing; the nature of love and conjugality; and the influence of Western culture on Bengali society. Set against the idyllic backdrop of Shillong and the mannered world of elite Calcutta society; this sparkling novel expresses the complex vision and the mastery of style that characterized Tagore’s later works.
Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways. The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.
In this lavish retrospective authored by the icon himself, Elton John shares his fondest memories, most unforgettable moments, and previously untold stories from his record-breaking final tour. Farewell Yellow Brick Road is a full-color celebration of Elton John's record-breaking, globe-spanning farewell tour—from Allentown to Auckland, from Sydney to San Francisco. Featured concerts include Elton’s dazzling performances at Los Angeles’ Dodger Stadium in November 2022, the finale of which streamed live on Disney+. Fans will be treated to a behind-the-scenes glimpse into every aspect of these spectacular shows, including Elton’s legendary touring wardrobe by Gucci, the set design, official photography, and more. As the tour weaves across the world, Elton reaches back in time to reflect on key moments from his life on the road and to reminisce about the beginning of his career while sharing never-before-seen images and memorabilia. A poignant foreword by David Furnish, Elton’s husband and manager, as well as the tour’s creative director, rounds out this incredible insider’s look. Join Elton on his remarkable, career-affirming farewell.
This Italian fiction is a true drama about disappointment, with little action but a fantastic psychological breakdown of characters and their circumstances. It is filled with themes of revolt, disillusioned remorse, and willful condemnation as a means to redemption. After a thoughtful reading of this remarkable work, one can find several other significant themes. The title, Addio, Amore! (Farewell, Love!), carries with it the anguished cry of a soul fated to pursue love in a world that seems to have none at all. The characters in this work are induced with sensitive power and sympathetic extent of spirit. The author of this work, Matilde Serao, was a Greek-born Italian journalist and novelist and was the first woman called to edit an Italian newspaper. She was also nominated for Nobel Prize six times. The pressure of a journalistic profession in no way restricted her literary career, and between 1890 and 1902, she produced seven superhit novels, including Farewell, Love!.