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Vlad Taltos, an assassin, takes the side of the Teckla, peasants who are in revolt against the Empire and his own family, the House of Jhereg.
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
"Reading Books can get you killed." The series that reviewers have called "Sanderson-esque" and "Genius!" For the first time ever, get the first three parts of this new epic fantasy series in one place! In addition to three novels, the box set includes two, never-before-seen essays by the author about his inspiration for the series and also artwork depicting each of the three main characters! A free preview of Part IV is also included. Part I: The Acktus Trials In the land of Oration, magic is cast by reading aloud words of power from Spoken Books. Only a select few, the Speakers, are born with the ability to do so. But after a disaster nearly destroyed Oration, society grew to fear the Speakers' power and they were hunted and enslaved, never taught to read. Now they live in oppression, unable to use their magic unless a spell is first read aloud to them. Each year, young men and women from Oration's ruling Libraries compete in the Acktus Trials, a journey that takes them through the wilds of Oration to the ruined city of Tome. Once Oration's capital, it is now abandoned, though the Great Library at its center still holds a wealth of Spoken Books. As Speakers are no longer taught to read, they also cannot write, so new Spoken Books have not been created in hundreds of years. The discovery of a new Book is a coveted prize for any young noble. Baztian is a slave to one of Oration's poorer Libraries. When he is selected to accompany his master on the Actkus Trials, he thinks his life is over. The wilds are treacherous, his master incompetent, and their fellow competitors set on winning, whatever the means. But Baz also has a secret—one that could get him killed, but one that also makes him the most valuable of assets during the Trials. Baz can read, and after he saves his master from certain death, he strikes a deal—his secret kept safe in exchange for aiding his master in completing the Trials. But can Baz really help a young man who thinks of him as property? And even if he can, there is much he doesn't know, like the evil that lies in wait beneath the ruins of Tome. Part II: Declaimer's Discovery *Potential Spoilers Below* Baz and his master are called upon to suppress an uprising among the slaves of Fortune, Oration's wealthiest city. But after an attack separates Baz from the rest of his group, he's unwittingly caught up in the very rebellion his master is trying to stop. And as if things couldn't get any worse, Baz discovers that the most powerful man in Erstwhile might know his secret. A secret that could get him killed. Surrounded by enemies and friends he doesn't trust, can Baz survive and help the slaves of Fortune to freedom? Part III: Declaimer's Flight *Potential Spoilers Below* Baz and his friends are on the run, allies at a premium, as they search for the savior who will lead the slaves of Oration to freedom. When no one believes that Baz knows who that savior is, he finds his closest supporter is none other than his one-time master, a member of the ruling class against whom the rebels are fighting. When Baz returns to where his adventure—or is it a nightmare?—began, his path finally becomes clear. But even then, there are forces working to betray him, both external and in Baz's own head. Once more, he must face the dark terror beneath the ruined city of Tome, while simultaneously battling the trauma he suffered in the dungeons of Leamina Library. And that's all before the dragons show up. Will Baz persevere and find Oration's savior?
Peasants, religious heretics, witches, pirates, runaway slaves, prostitutes and pornographers, frequenters of taverns and fraternal society lodge rooms, revolutionaries, blues and jazz musicians, beats, and contemporary youth gangs--those who defied authority, choosing to live outside the defining cultural dominions of early insurgent and, later, dominant capitalism are what Bryan D. Palmer calls people of the night. These lives of opposition, or otherness, were seen by the powerful as deviant, rejecting authority, and consequently threatening to the established order. Constructing a rich historical tapestry of example and experience spanning eight centuries, Palmer details lives of exclusion and challenge, as the "night travels" of the transgressors clash repeatedly with the powerful conventions of their times. Nights of liberation and exhilarating desire--sexual and social--are at the heart of this study. But so too are the dangers of darkness, as marginality is coerced into corners of pressured confinement, or the night is used as a cover for brutalizing terror, as was the case in Nazi Germany or the lynching of African Americans. Making extensive use of the interdisciplinary literature of marginality found in scholarly work in history, sociology, cultural studies, literature, anthropology, and politics, Palmer takes an unflinching look at the rise and transformation of capitalism as it was lived by the dispossessed and those stamped with the mark of otherness.
In Post-War Britain cultural interventions were a feature of fascist parties and movements, just as they were in Europe. This book makes a new major contribution to existing scholarship which begins to discuss British fascism as a cultural phenomenon. A collection of essays from leading academics, this book uncovers how a cultural struggle lay at the heart of the hegemonic projects of all varieties of British fascism. Such a cultural struggle is enacted and reflected in the text and talk, music and literature of British fascism. Where other published works have examined the cultural visions of British fascism during the inter-war period, this book is the first to dedicate itself to detailed critical analysis of the post-war cultural landscapes of British fascism. Through discussions of cultural phenomena such as folk music, fashion and neo-nazi fiction, among others, Cultures of Post-War British Fascism builds a picture of Post-War Britain which emphasises the importance of understanding these politics with reference to their corresponding cultural output. This book is essential reading for undergraduates and postgraduates studying far right politics and British history.
In this provocative and necessary work, Roland Boer, a leading biblical scholar and cultural theorist, develops a political myth for the Left: a powerful narrative to be harnessed in support of progressive policy. Boer focuses on foundational stories in the Hexateuch, the first six books of the Bible, from Genesis through Joshua. He contends that the “primal story” that runs from Creation, through the Exodus, and to the Promised Land is a complex political myth, one that has been appropriated recently by the Right to advance reactionary political agendas. To reclaim it in support of progressive political ends, Boer maintains, it is necessary to understand the dynamics of political myth. Boer elaborates a theory of political myth in dialogue with Ernst Bloch, Theodor Adorno, Alain Badiou, Jacques Lacan, and Slavoj Žižek. Through close readings of well-known biblical stories he then scrutinizes the nature of political myth in light of feminism, psychoanalysis, and Marxism. Turning to contemporary politics, he examines the statements of prominent American and Australian politicians to show how the stories of Creation, conquest, Paradise, and the Promised Land have been distorted into a fantasy of Israel as a perpetual state in the making and a land in need of protection. Boer explains how this fantasy of Israel shapes U.S. and Australian foreign and domestic policies, and he highlights the links between it and the fantasy of unfettered global capitalism. Contending that political myths have repressed dimensions which if exposed undermine the myths’ authority, Boer urges the Left to expose the weakness in the Right’s mythos. He suggests that the Left make clear what the world would look like were the dream of unconstrained capitalism to be realized.
This book presents and engages the world-building capacity of legal theory through cultural legal studies of science and speculative fictions. In these studies, the contributors take seriously the legal world building of science and speculative fiction to reveal, animate and critique legal wisdom: juris-prudence. Following a common approach in cultural legal studies, the contributors engage directly, and in detail, with specific cultural ‘texts’, novels, television, films and video games in order to explore a range of possible legal futures. The book is organized in three parts: first, the contextualisation of science and speculative fiction as jurisprudence; second, the temporality of law and legal theory and third, the analysis of specific science and speculative fictions. Throughout, the contributors reveal the way in which law as nomos builds normative universes through the narration of a future. This book will appeal to scholars and students with interests in legal theory, cultural legal studies, law and the humanities and law and literature.
Malady and Genius examines the recurring theme of self-sacrifice in Puerto Rican literature during the second half of the twentieth and the beginning of the twenty-first centuries. Interpreting these scenes through the works of Frantz Fanon, Kelly Oliver, and Julia Kristeva, Benigno Trigo focuses on the context of colonialism and explains the meaning of this recurring theme as a mode of survival under a colonial condition that has lasted more than five hundred years in the oldest colony in the world. Trigo engages a number of works in Latino and Puerto Rican studies that have of late reconsidered the value of a psychoanalytic approach to texts and cultural material, and also different methodologies including post-colonial theory, cultural studies, and queer studies.
Presents a fresh account of the life history and creative imagination of Jonathan Swift Classic satires such as Gulliver’s Travels, A Modest Proposal, and A Tale of a Tub express radical positions, yet were written by the most conservative of men. Jonathan Swift was born in Dublin and spent most of his life in Ireland, never traveling outside the British Isles. An Anglo-Irish Protestant clergyman, he was a major political and religious figure whose career was primarily clerical, not literary. Although much is known about Swift, in many ways he remains an enigma. He was admired as an Irish patriot yet was contemptuous of the Irish. He was both secretive and self-dramatizing. His talent for friendship was matched by his skill for making enemies. He hated the English but yearned to live in England. The Life of Jonathan Swift explores the writing life and personal history of the foremost satirist in the English language. Accessible and engaging, this critical biography brings Swift’s writing and creative sensibility into the narrative of his life. Author Thomas Lockwood provides the historical and modern critical context of Swift’s prose satires and poetry, as well as his political journalism, essays, manuscripts, and personal correspondence. Throughout the book, biographically contextualized descriptions of Swift’s most famous works help readers better understand both the writing and the writer. Provides critical profiles of Gulliver’s Travels, An Argument Against Abolishing Christianity, Drapier’s Letters, and Swift’s other famous works Offers insights into Swift’s relationships with Esther Johnson, “Stella,” and Esther Vanhomrigh, “Vanessa” Highlights Swift’s poetry and how verse writing was a vital part of his creative being Summarizes and contextualizes lesser-known works such as The Conduct of the Allies Addresses the historic critical bias against comedy or satire as inferior forms of art, both in Swift’s lifetime and the present The Life of Jonathan Swift is an essential resource for general readers of literature and literary biography, university instructors and researchers, and undergraduate students taking courses in English literature.
Wear Your Mask—in the smog-choked city of Einsam it's not just a good idea, it's the law. Every aspect of life in the Great Society is regulated, your every action observed. The only thoughts you can trust are your own. Seventeen years of oppression boil in Evelyn's mind and she's desperate for a way out. In an act of defiance, Evelyn breaks from routine and discovers a world of radicals and dissidents. Beliefs she thought immutable crumble away like ash. Standing on the threshold between the world she's always known and an uncertain path toward freedom, Evelyn must decide how much she's willing to sacrifice to learn the truth about the Great Society.