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Drawing fantasy, manga and comic book characters is very popular at the moment. These areas appeal to a wide range of budding artists from schoolboys wanting to make their own graphic novels to those wanting to develop fantasy games on their computers. This book is a good, sound text on how to develop characters - a bit of personality but mostly how to work up preliminary sketches to the final finished character. There are sample pages from various artists' sketchbooks and lots of drawings in different poses to show how to convey different features, postures and movement. There are also outline figures that can be traced and then coloured in or developed further. All in all, this is a useful sourcebook for anyone interested in drawing fantasy figures. It is in the handy wirobound format.
"A comprehensive guide for fantasy and science-fiction artists and students working in traditional or digital media."--Page 4 of cover
A guide to drawing and coloring fantasy and science fiction art, with techniques and tools to bring your ideas to life. With photographs, illustrations and diagrams, The Fantasy Art Bible makes the learning process simple and fun for beginners and provides useful tips for more advanced readers. With a thorough description of the tools and techniques used in fantasy and science fiction drawing, painting, and digital design, this book is a must-have for anyone who desires to transfer the characters and settings in their imagination onto paper or canvas. Instructions show readers how to use pencils, graphite, charcoal, conte, colored pencils, inks, pens, markers, inks, watercolors, and paints, any style of artist can find guidance and detailed advice in this book. Drawing concepts and inspirational images like swords, sorcery, dragons and beasts will hold the interest of any artist. Tips on drawing anatomy and using body language and anthropomorphic qualities will help readers challenge their creativity to draw amazing fantasy and science fiction artwork.
This practical guide offers artists a huge resource of ideas and techniques for creating extraordinary fairy creatures.
In a nutshell, Christianity is one of the greatest if not the greatest hoax ever perpetuated on people in the history of the universe. It is practically all fantasy of one sort of another that millions of people believe in all over the world and have done so for many centuries since Christianity began. It all could have been made up out of whole cloth. The Old Testament cannot be taken at face value as the creation story was most likely borrowed from other sources and adapted to fit with the author’s purpose of explaining how the world began. The Exodus may be entirely fiction and most certainly did not happen the way it is described in the Bible. As far as the New Testament is concerned, it was written decades after the crucifixion of Jesus by people who were not eyewitnesses to the events they described. There may have been a prophet whose teachings drew many followers, but there was certainly no virgin birth, no miracles, and no resurrection. The purpose of all the apocalyptic writing and second coming of Christ may have been motivated by the oppression of the Roman Empire where the Jewish people felt powerless and needed to believe in something that would provide them with a feeling that in the final analysis justice would be done and they would get their revenge. Thus, Christianity needs to be exposed for the fraud that it is which is what this book attempts to do by looking at the history of Christianity, Biblical scholarship, and other aspects of Christianity along with its alternatives.
This controversial book explores the presence of the fantastic in Biblical and related texts, and the influence of Biblical traditions on contemporary fantasy writing, cinema, music and art. The contributors apply a variety of critical concepts and methods from the field of fantasy studies, including the theories of Tolkien, Todorov, Rosemary Jackson and Jack Zipes, to Biblical texts and challenge theological suppositions regarding the texts which take refuge in science or historiography. Violence, Utopia and the Kingdom of God presents a provocative and arresting new analysis of Biblical texts which draws on the most recent critical approaches to provide a unique study of the Biblical narrative.
This is a comprehensive guide that will lead beginners through the approaches and techniques needed to create great fantasy art. Part One provides a thorough grounding in all the theoretical and practical skills. Part Two shows how to put these skills into practice in a series of step-by-step demonstrations.
A beautiful visual history book of fantasy art from Romanticism and steampunk to modern illustrations from novels. Art has always been one of the most vivid ways to express people's imagination. Fantasy art illustrates the full range of human fears and dreams, from mythology, the Bible, and the artist's own original and exciting stories. This book describes the history of fantasy art from Romanticism in the 18th century to the modern era by exploring the masterpieces of fantasy artists: William Blake, John Martin, Albert Robida, Jules Gabriel Verne, H.G. Welles, and more. It also shows illustrations from science fiction and fantasy novels such as Mary Shelley's Frankenstein, poems and stories by Edgar Allan Poe, mystery novels by Agatha Christie, and contemporary fantasy novelists such as J.R.R. Tolkien and Michael Ende. This book illustrates the remarkable transition of fantasy art that occurred in 19th century when steampunk was introduced to the fantasy art world. Steampunk was unique because it was a fantasy-based style that was inspired by a real event, the Industrial Revolution. Today, the influence of steampunk can be seen in everywhere, from legendary films by Walt Disney and Hayao Miyazaki's Studio Ghibli. This book will surely satisfy all lovers of fantasy art and literature.
Text by Kelvin Browne.
In their third faery art book, AAPPL present an ever-more artistically noteable collection of magical images. Ravenscroft's faery and fantasy paintings are very detailed, transporting the viewer into mysterious worlds. She offers some detail about her approach to her art, but generally lets the images speak for themselves. The exquisite gift book has a padded front and gilt edges which will delight faery-lovers.