Download Free Fantastical Imaginations Book in PDF and EPUB Free Download. You can read online Fantastical Imaginations and write the review.

In Scotland the subject of the supernatural has been largely ignored by mainstream historians and academics, who considered it to be irrelevant or trivial. This collection of essays, by some of the foremost commentators in the field, seeks to redress the balance by tackling such topics as prophecy, astrology, witchcraft, fairy belief, amulets and charming. Other issues include the role of the supernatural in Enlightenment Scotland, in almanacs, in Gaelic society, and in literature, folktale and legend. This is a multi-disciplinary volume, with contributions utilizing historical, literary and folkloristic methodologies and ranging in time from the late medieval period to the present day. It explores the perennial fascination of how people in the past viewed their world.
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
As Frog Boy and the Disco Queens battle their enemies at the jam-packed Moonwalk Stadium, the people of Pop City will be forced to come to terms with a new reality: Hybrids exist. Aligned to Common Core Standards and correlated to state standards. Graphic Planet is an imprint of Magic Wagon, a division of ABDO.
A collection of fantasy literature chosen from the most popular works of the past 100 years, and including brief biographical sketches of each author.
When lost inside a forbidden forest, Timothy Huntsinger encounters an unworldly creature. This creature convinces him to travel below Earth, where the boy finds himself surrounded by an endless number of books for him to choose from. On opening the chosen book, Timothy discovers that his decisions and actions alone affect the book’s content. And each decision starts a chain of events that could affect his world for all eternity. Soon, a world of much consequence, full of magic and quests, must be reckoned with for Timothy to progress through the book. Progress through this book Timothy must if he wants to finish it and hope to bring back what has been lost to him. At his side will be allies, each one faithful to every choice and action Timothy makes, each one willing to give their life to the boy and the finishing of the book.
It has been six hundred years since Imoshen the First, Causare of the T'En, brought her beleaguered people across the seas to Fair Isle. The magical folk mixed with the natives, bringing culture and sophistication, and made the island one of the wealthiest, most powerful nations in the known world. In one night, all is lost. Imoshen, namesake of the first Empress, is the last pure-blooded T'En woman, left behind when her kinfolk went to die in defence of their homeland. The savage Ghebites, barbarians from the warm north, have conquered Fair Isle, and their general, Tulkhan, claims her as his right of conquest. Proud and fierce, trained in arts of war and possessed of extraordinary healing gifts, Imoshen must choose to submit to the barbarian soldier and save her people's heritage... or to die in a futile gesture of defiance.
Children are widely celebrated for their imaginations, but developmental research on this topic has often been fragmented or narrowly focused on fantasy. However, there is growing appreciation for the role that imagination plays in cognitive and emotional development, as well as its link with children's understanding of the real world. With their imaginations, children mentally transcend time, place, and/or circumstance to think about what might have been, plan and anticipate the future, create fictional relationships and worlds, and consider alternatives to the actual experiences of their lives. The Oxford Handbook of the Development of Imagination provides a comprehensive overview of this broad new perspective by bringing together leading researchers whose findings are moving the study of imagination from the margins of mainstream psychology to a central role in current efforts to understand human thought. The topics covered include fantasy-reality distinctions, pretend play, magical thinking, narrative, anthropomorphism, counterfactual reasoning, mental time travel, creativity, paracosms, imaginary companions, imagination in non-human animals, the evolution of imagination, autism, dissociation, and the capacity to derive real life resilience from imaginative experiences. Many of the chapters include discussions of the educational, clinical, and legal implications of the research findings and special attention is given to suggestions for future research.
Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”