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In this work Jobling argues that religious sensibility in the Western world is in a process of transformation, but that we see here change, not decline, and that the production and consumption of the fantastic in popular culture offers an illuminating window onto spiritual trends and conditions. She examines four major examples of the fantastic genre: the Harry Potter series (Rowling), His Dark Materials (Pullman), Buffy the Vampire Slayer (Whedon) and the Earthsea cycle (Le Guin), demonstrating that the spiritual universes of these four iconic examples of the fantastic are actually marked by profoundly modernistic assumptions, raising the question of just how contemporary spiritualities (often deemed postmodern) navigate philosophically the waters of truth, morality, authority, selfhood and the divine. Jobling tackles what she sees as a misplaced disregard for the significance of the fantasy genre as a worthy object for academic investigation by offering a full-length, thematic, comparative and cross-disciplinary study of the four case-studies proposed, chosen because of their significance to the field and because these books have all been posited as exemplars of a 'postmodern' religious sensibility. This work shows how attentiveness to spiritual themes in cultural icons can offer the student of theology and religions insight into the framing of the moral and religious imagination in the late twentieth and twenty-first centuries and how this can prompt traditional religions to reflect on whether their own narratives are culturally framed in a way resonating with the 'signs of the times'.
Dave Webster’s book is a counter-blast against the culturally accepted norm that spirituality is a vital and important factor in human life. Rejecting the idea of human wellbeing as predicated on the spiritual, the book seeks to identify the toxic impact of spiritual discourses on our lives. Spirituality makes us confused, apolitical and miserable - whether that spirituality is from conventional religious roots, from a new-age buffet of beliefs, or from some re-imagined ancient system of belief. Looking beyond this dismissal, the book looks towards atheistic existentialism, Theravada Buddhism and political engagement as a means to imagine what a post-spiritual world view could look like. ,
In Christmas as Religion, Christopher Deacy explores the premise that religion plays an elementary role in our understanding of the Christmas festival, but takes issue with much of the existing literature which is inclined to limit the contours and parameters of 'religion' to particular representations and manifestations of institutional forms of Christianity. 'Religion' is often tacitly identified as having an ecclesiastical frame of reference, so that if the Church is not deemed to play a central role in the practice of Christmas for many people today then it can legitimately be side-lined and relegated to the periphery of any discussion relating to what Christmas 'means'. Deacy argues that such approaches fail to take adequate stock of the manifold ways in which people's beliefs and values take shape in modern society. For example, Christmas films or radio programmes may comprise a non-specifically Christian, but nonetheless religiously rich, repository of beliefs, values, sentiments and aspirations. Therefore, this book makes the case for laying to rest the secularization thesis, with its simplistic assumption that religion in Western society is undergoing a period of escalating and irrevocable erosion, and to see instead that the secular may itself be a repository of the religious. Rather than see Christmas as comprising alternative or analogous forms of religious expression, or dependent on any causal relationship to the Christian tradition, Deacy maintains that it is religious per se, and, moreover, it is its very secularity that makes Christmas such a compelling, and even transcendent, religious holiday.
The world is on the brink of major changes. The vibrations are increasing on the planet and act as a catalyst that is empowering the light and suppressing the dark energies. During this process, great opportunities to be a part of a magnificent spiritual evolution are opening for those who choose the way of the loving light of God. There is enormous confusion for many who have been subjected to false perceptions and are controlled through fear, the great tool of the dark side of governments and yes, even some religions. This book is a result of the authors 33 year search for greater truths, enhanced by communications from several spirit sources of the Deity, plus answers about other life in the Cosmos including mind expanding descriptions from highly evolved beings about life on other planetary systems. The author included several communications from friends and family when they described their transition experiences after crossing over to the World Beyond. These messages go beyond fundamental religious myths and describe various dimensions in the spiritual realm. This book is for you: if youve ever wondered what your purpose in life is. if you want to unleash greater powers of your mind. if youve wondered whether there is intelligent life out there. if youve wondered what the Afterlife is really like. if you have any fear of dying, death or crossing over. if you really want to evolve spiritually. Ron has given many lectures and presentations over several years to a variety of organizations. Expressing his creativity, Ron also paints in oil and is the cover artist. From a reader: Once I started reading your book, it was so interesting I couldnt put it down and read it straight through. I need eight more copies for family and friends. Beverly R, Novi, Michigan
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
In 2017, Anne Bokma embarked on a quest to become a more spiritual person. After leaving the fundamentalist religion of her youth, she became one of the eighty million North Americans who consider themselves spiritual-but-not-religious, the fastest growing “faith” category. In mid-life she found herself addicted to busyness, drinking too much, hooked on social media, dreading the empty nest and still struggling with alienation from her ultra-religious family. In response, she set out on a year-long whirlwind adventure to immerse herself in a variety of sacred practices—each of which proved to be illuminating in unexpected ways—to try to develop her own definition of what it means to be spiritual. In My Year of Living Spiritually, Bokma documents a diverse range of soulful first-person experiences—from taking a dip in Thoreau’s Walden Pond, to trying magic mushrooms for the first time, booking herself into a remote treehouse as an experiment in solitude, singing in a deathbed choir and enrolling in a week-long witch camp—in an entertaining and enlightening way that will compel readers (non-believers and believers alike) to try a few spiritual practices of their own. Along the way, she reconsiders key relationships in her life and begins to experience the greater depth of meaning, connection, gratitude, simplicity and inner peace that we all long for. Readers will find it an inspiring roadmap for their own spiritual journeys.
This bibliographic guide covers the “Buffyverse”—the fictional worlds of the acclaimed television series Buffy the Vampire Slayer (1997–2003) and its spinoff Angel (1999–2004), as well as the original Buffy feature film of 1992. It is the largest and most inclusive work of its kind. The author organizes and describes both the original texts of the Buffyverse (episodes, DVDs, novels, comic books, games, and more) and the secondary materials created about the shows, including books, essays, articles, documentaries, dissertations, fan production and websites. This vast and diverse collection of information about these two seminal shows and their feature-film forebear provides an accessible, authoritative and comprehensive survey of the subject.
Works of science fiction and fantasy increasingly explore gender issues, feature women as central characters, and are written by women writers. This book examines women's contributions to science fiction and fantasy across a range of media and genres, such as fiction, nonfiction, film, television, art, comics, graphic novels, and music. The first volume offers survey essays on major topics, such as sexual identities, fandom, women's writing groups, and feminist spirituality; the second provides alphabetically arranged entries on more specific subjects, such as Hindu mythology, Toni Morrison, magical realism, and Margaret Atwood. Entries are written by expert contributors and cite works for further reading, and the set closes with a selected, general bibliography. Students and general readers love science fiction and fantasy. And science fiction and fantasy works increasingly explore gender issues, feature women as central characters, and are written by women writers. Older works demonstrate attitudes toward women in times past, while more recent works grapple with contemporary social issues. This book helps students use science fiction and fantasy to understand the contributions of women writers, the representation of women in the media, and the experiences of women in society.
The 1th Seminar and Workshop for Education, Social Science, Art and Humanities (SEWORD FRESSH#1)-2019 has been held on April 27, 2019 in Universitas Sebelas Maret in Surakarta, Indonesia. SEWORD FRESSH#1-2019 is a conference to promote scientific information interchange between researchers, students, and practitioners, who are working all around the world in the field of education, social science, arts, and humanities to a common forum.
“Turning to face north, face the north, we enter our own unconscious. Always, in retrospect, the journey north has the quality of dream.” Margaret Atwood, “True North” In this interdisciplinary collection, sixteen scholars from twelve countries explore the notion of the North as a realm of the supernatural. This region has long been associated with sorcerous inhabitants, mythical tribes, metaphysical forces of good and evil, and a range of supernatural qualities. It was both the sacred abode of the gods and a feared source of menacing invaders and otherworldly beings. Whether from the perspective of traditional Jewish lore or of contemporary black metal music, few motifs in European cultural history show such longevity and broad appeal. Contributors: Eleanor Rosamund Barraclough, Angela Byrne, Danielle Marie Cudmore, Stefan Donecker, Brenda S. Gardenour Walter, Silvije Habulinec, Erica Hill, Jay Johnston, Maria Kasyanova, Jan Leichsenring, Shane McCorristine, Jennifer E. Michaels, Ya’acov Sarig, Rudolf Simek, Athanasios Votsis, Brian Walter