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The magical world of J.K. Rowling's Fantastic Beasts meets the real-world experts of the world-famous Natural History Museum, in an awe-inspiring exhibition devoted to the wonders of nature, science and adventure - and their fictional counterparts from Harry Potter and Fantastic Beasts. Fantastic Beasts: The Wonder of Nature is the official book inspired by the spectacular exhibition, shining a light on beasts in all their fantastic forms. Taking inspiration from Newt Scamander, this gorgeous colour gift book invites the whole family to explore the inspiration and links between the magic of J.K. Rowling's creatures and the astonishing real-world wildlife that has roamed the earth, seas and skies of our planet throughout history. Prepare to pore over ancient maps of sea monsters; naturalists' field notes crammed with intricately painted chameleons and caterpillars; and dinosaurs such as the mighty Dracorex Hogwartsia, the 'Dragon King of Hogwarts'. The Natural History Museum boasts one of the finest collections in the world - some 80 million animals, plants, minerals, rocks and fossils. These scientific specimens sit beside breathtaking artwork of J.K. Rowling's magical creatures; fascinating props and artefacts from the Fantastic Beasts and Harry Potter films; and stunning wildlife photography. Readers are invited to meet unicorns and merpeople, Nifflers and Bowtruckles, pythons and tigers, and observe their amazing and endlessly surprising behaviours. Each chapter begins with an original essay by a well-known writer, environmental expert or natural history scientist, offering their own unique insight into the exhibition. Uplifting and absorbing, this is a book that evokes the true magic and majesty of nature in all its myriad forms. Fantastic Beasts: The Wonder of Nature inspires us to protect our precious planet - a must-have for Harry Potter and Fantastic Beasts fans of all ages, budding explorers and readers who aren't able to visit the exhibition in person.
Ghouls, ifrits, and a panoply of other jinn have long haunted Muslim cultures and societies. These also include jinn doppelgangers (qarīn, pl. quranāʾ), the little-studied and much-feared denizens of the hearts and blood of humans. This book seeks out jinn doppelgangers in the Islamic normative tradition, philosophy, folklore, and Sufi literature, with special emphasis on Akbarian Sufism. Muḥyī al-Dīn Ibn ʿArabī (d. 1240) wrote on jinn in substantial detail, uncovering the physiognomy, culture, and behavior of this unseen species. Akbarians believed that the good God assigned each human with an evil doppelganger. Ibn ʿArabī’s reasoning as to why this was the case mirrors his attempts to expound the problem of evil in Islamic religious philosophy. No other Sufi, Ibn ʿArabī claimed, ever managed to get to the heart of this matter before him. As well as offering the reader knowledge and safety from evil, Ibn ʿArabī’s writings on jinnealogy tackle the even larger issues of spiritual ascension, predestination, and the human relationship to the Divine.
Entertainment Weekly Magazine presents Fantastic Beasts
Best-selling author Sam Kean edits this year's volume of the finest science and nature writing.
Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.
In Giuseppe Arcimboldo’s most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man’s chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art’s most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation. Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann begins with an overview of Arcimboldo’s life and work, exploring the artist’s early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague. Arcimboldo then trains its focus on the celebrated composite heads, approaching them as visual jokes with serious underpinnings—images that poetically display pictorial wit while conveying an allegorical message. In addition to probing the humanistic, literary, and philosophical dimensions of these pieces, Kaufmann explains that they embody their creator’s continuous engagement with nature painting and natural history. He reveals, in fact, that Arcimboldo painted many more nature studies than scholars have realized—a finding that significantly deepens current interpretations of the composite heads. Demonstrating the previously overlooked importance of these works to natural history and still-life painting, Arcimboldo finally restores the artist’s fantastic visual jokes to their rightful place in the history of both science and art.
From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.