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Originally published by Something Else Press, 1971.
Something Fantastic is the multifaceted manifesto of three young architects - Julian Schubert, Elena Schütz and Leonard Streich. It is also the name of their new Berlin-based studio; both book and studio derive from a diploma thesis at the University of the Arts, Berlin. Something Fantastic calls for increased consciousness in architectural thought and action, particularly in relation to the environment, energy and contemporary politics. Excerpts from thinkers and theorists - from Thomas Hobbes to Ludwig Mies van der Rohe - and interviews, including with Markus Miessen and Werner Sobek, inform a publication determined to call for change, and offer hope for the future.
"In the 1910s and 1920s there was more steel going up in Detroit than anywhere outside of New York and Chicago. The result was the country's first high-tech metropolis, a city of lavish monuments and glittering skyscrapers." "The list of major architects who designed buildings for Detroit includes Frank Lloyd Wright, Mies van der Rohe, Stanford White, Daniel Burnham, Cass Gilbert, Albert Kahn, Minoru Yamasaki, Philip Johnson, and numerous others." "Detroit's public buildings - its museums, libraries, schools, and monuments - are second to none in terms of their overall scale, materials, and detailing. Hotels, stores, theaters, and other commercial venues display a breezy cosmopolitanism consistent with the city's position as both a technology hub and a crossroads of immigration." "Overwhelmed by the sheer beauty of the buildings they encountered on a 2003 visit to downtown Detroit, writer Robert Sharoff and photographer William Zbaren were inspired to create American City: Detroit Architecture, 1845-2005, the first new large-format book on the city's architecture in more than thirty years." "The fact that many structures are either endangered or marginally in use makes the book all the more compelling. In 2005, the National Trust for Historic Preservation placed "the historic buildings of downtown Detroit" on the list of the country's most endangered landmarks." "The book also includes examples of interesting new architecture as well as numerous historic buildings from the 1920s and earlier that have been maintained or in some cases painstakingly restored."--BOOK JACKET.
Mark Mills was a visionary architect, a Frank Lloyd Wright apprentice whose innovative designs grow beyond Wright's work to uniquely blend structural principles and the organic forms of seashells. When he heard Wright say that seashells are Nature's perfect architecture, Mark made that idea the foundation of his life's work. As seashells change their forms to meet the needs of their inhabitants, so Mark adapted structural roof systems to shelter his clients, and he made them spectacularly beautiful. If the sky is Nature's umbrella above us, Mills's ceilings were the umbrella over his clients' lives in their homes. The ceiling revealed the skeleton of the building, exposed, visible from every part of the interior, since the interior walls were partitions that did not interrupt the view of the ceiling system. He used to joke (joking but not kidding) that he put so much thought and care into his roofs because the clients couldn't hang their knick-knacks on it and wreck its design. From any place within Mark's houses, there is a sense of being under the entire shell of the roof. We may be in the living room, but we are also in the entire house at all times. They are, for him, shells for humans. The Fantastic Seashells of the Mind, is thoughtfully illustrated and brings together Mark Mills's own thinking behind his houses along with the insights of his wife, colleagues, and original clients and owners of Mark Mills houses. It is written to appeal to both architects and a general readership.
In this eagerly awaited follow-up to the international bestseller Fantastic Cities, artist Steve McDonald uses his unique large-format approach working from actual photographs to create beautifully detailed line drawings of amazing buildings and other structures from around the world. The globe-trotting selection includes buildings from six continents—including Prague's Astronomical Clock, Russia's St. Basil's Cathedral, a Florentine bridge, a Romanian castle, an Indian palace, and many dozens more—alongside fun-to-color details from iconic structures such as the Eiffel Tower, London's Tower Bridge, and the Chrysler Building. The crisp white pages are conducive to a range of applications, and a middle margin keeps all the artwork fully colorable. A dozen imaginative architectural mandala illustrations round out this gorgeous adult coloring book.
Want to know more about the buildings around you? Can’t tell a Doric from a Corinthian column? Interested in how the Egyptians built the pyramids, and how on earth a dome stays up? Then this book is for you. Packed with absorbing facts and quirky illustrations, Cool Architecture tells you everything you need to know about architecture around the world, from the simple dwellings created by the earliest humans to today’s most innovative buildings, via forbidding medieval strongholds, great 18th-Century palaces and the classic Art Deco skyscrapers of New York.Learn about the great architectural movements and the personalities that created them, and explore the most iconic buildings in the world, from the Parthenon in Greece to the (current) world’s tallest skyscraper, the Khalifa Tower in Dubai. This book is a perfect introduction to what’s cool about the fascinating world of architecture.
A truly inclusive celebration of architecture around the world and across the ages.
You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.
For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.