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This up-to-date, comprehensive survey of Baroque keyboard music includes works by 42 composers written between 1590 and 1750. The repertoire provides the widest range of styles and idioms of that period, and ranges in difficulty from late-intermediate through early-advanced levels. Dr. Hinson has also provided historical and biographical background, performance notes and suggested realizations of ornaments.
First published by Holt, Rinehart and Winston in 1954.
Telemann composed three dozen Fantasias, published in 1732. He deliberately set out to juxtapose the French and Italian styles. Marks of dynamics and of articulation have been added, and so have harmony notes of inner parts, which would have been improvised by the player in an 18th-century performance.
This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.
These elementary pieces are based on an unusual idea: all the white-note modes are used, interspersed with pieces in modes derived for the black notes; and the final piece introduces an element of bitonality, with the left hand on the white notes and right hand on the black. The composer has also incorporated a number of different forms.
Futuria Fantasia, spanning four volumes, emerges as a seminal collection in the annals of speculative fiction, bringing together a literary cacophony ranging from the raw, unrefined edges of emerging talent to the polished narratives of seasoned authors. The anthology thrives on a diversity of themesapocalyptic visions, cosmic intrigue, and futuristic fantasiesall while showcasing a variety of literary styles, from the straightforward to the experimental. Its pages are a battleground for new ideas, pushing the boundaries of the genre and offering a snapshot of early speculative fiction's evolution. Standout pieces within the collection offer a rare glimpse into the genesis of ideas that would shape the genre for decades to come. The contributing authors and editors, including notable figures such as Damon Knight and Ray Bradbury, collectively serve as a microcosm of early speculative fiction's struggle to find its voice amidst a rapidly changing world. Their diverse backgrounds and unique perspectives contribute to the anthology's rich tapestry, aligning with historical, cultural, and literary movements that sought to explore the uncharted territories of human imagination. This convergence of varied voices not only enriches the anthology's thematic depth but also highlights the collaborative spirit inherent in the speculative fiction community. Futuria Fantasia is a must-read for those who wish to delve into the embryonic stage of speculative fiction, offering a unique opportunity to witness the germination of ideas that would define a genre. It invites readers to explore a confluence of perspectives, styles, and themes, fostering an educational journey through the speculative realms that continue to influence contemporary literature. The collection stands not only as a historical artifact but as a testament to the enduring power of collective imagination, urging readers to engage in a dialogue with the past and dream forward into the future.
Clifton Fadiman's classic collection of mathematical stories, essays and anecdotes is now once again available. Ranging from the poignant to the comical via the simply surreal, these selections include writing by Aldous Huxley, Martin Gardner, H.G. Wells, George Gamow, G.H. Hardy, Robert Heinlein, Arthur C. Clarke, and many others. Humorous, mysterious, and always entertaining, this collection is sure to bring a smile to the faces of mathematicians and non-mathematicians alike.
xxi + 181 pp.