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""Throughout the war the ""Fannys"" were renowned for their resourcefulness. They were always ready to take on any and every job, from starting up a frozen car to nursing a bad typhoid case, and they rose to the occasion every time."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
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A biography of the British stage star turned plantation mistress, whose abolitionist writings made her an unlikely heroine of the Union cause--and whose life intersected in bold and dramatic ways with the most tumultuous of American conflicts, the Civil War. 64 illustrations.
The intimate history of Civil War hero Joshua Lawrence Chamberlain and his wife, Frances Caroline Adams
These two fragments of novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow the widely acclaimed Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted upon the living from outside and from within, through history, politics, religion, family, gender relations, and the self.Bachmann's allegiance to the twin muses of memory and history, as well as her perception of fascism as not being limited to the context of the war but also existing within the intimate relations of everyday life between husbands and wives, brothers and sisters, psychiatrists and patients' are supremely evident in The Book of Franza. Here, Bachmann follows a woman who escapes from a sanitorium and, after years of silence, sends her brother a cryptic telegram. Rightly suspecting that she has fled her sadistic husband -- a renowned Austrian psychiatrist whose intimate relations have merged with his studies of concentration camps -- her brother finds her in their childhood home. Together they travel to Egypt, where Franza slowly begins to regain her bearings. But Franza's desire to cleanse herself by journeying into the heart of the desert's void ends in tragedy, as she becomes the victim of a horrible act of violence.Unlike Franza, who attempts to flee her past but fails, the heroine of Requiem for Fanny Goldmann makes no attempt to escape her history. Thisnovel tells of the demise of a Viennese actress who is manipulated by a younger, ambitious playwright to advance his career. Deception follows disloyalty; the final treachery comes when the playwright portrays her in a novel, which secures his fame and, in Fanny's eyes, robs her of her future. Caught in a perpetual stasis, Fanny suffers in total obscurity, as her present is stolen from her as well.Whether analyzing the place where the self begins and the power of history ends or the ways in which women are forced to be complicit in their mistreatment at the hands of men, Bachmann's critical approach to the human psyche is unparalleled. Mesmerizing and profound, The Book of Franza and Requiem for Fanny Goldmann constitute the final evidence that Ingeborg Bachmann is the most important female German-language writer of the postwar period.
Born in Baltimore in 1838, Fanny Dunbar grew up in Louisiana to a family who survived the hardships of the Civil War. An intelligent, sensitive woman, Fanny experienced a radical life change when she met William Henry Corbusier, a Yankee officer and army surgeon. Her memoir recounts their subsequent forty-eight year marriage. The events of Fanny’s life are sometimes amusing but more often dramatic. The Corbusiers moved frequently, but Fanny made moving an art form, often selling all the family possessions to avoid high shipping rates. She learned to cope with primitive living conditions and harsh climates. She raised five sons at posts with no schools. But Fanny took her job as a mother seriously, providing her sons with a broad education and a nurturing home. Corbusier’s long life and her husband’s thirty-nine-year career in the army (recounted in his memoir Soldier, Surgeon, Scholar) allow the reader to experience the period between the Civil War and World War I in totality, including her exceptional memories of the Spanish-American War and the Philippine Insurrection. As the recollections of two people whose lives played out against a world panorama, Fanny and William’s memoirs together provide a rare opportunity to examine events of frontier military life from both male and female perspectives. "Mrs. Corbusier writes from the unique perspective of a surgeon’s wife, and we have a picture not only of an army wife, but of an army wife who saw many different aspects of frontier military life and frontier life in general."—Charles M. Robinson, author of General Crook and the Western Frontier and A Good Year to Die: The Story of the Great Sioux War "Of the memoirs penned by wives of nineteenth-century army officers, this is among the best and most detailed. The woman’s perspective of events that transpired in the Indian-fighting army is a much needed counterbalance to the male-dominated histories of these same events."—Darlis Miller, author of Mary Hallock Foote: Author-Illustrator of the American West Fanny Dunbar Corbusier was the career army wife of officer-surgeon William Henry Corbusier. Patricia Y. Stallard, retired federal civil servant and education specialist with the United States Navy Recruiting Command, is the author of Glittering Misery: Dependents of the Indian Fighting Army, published by the University of Oklahoma Press.
During the early years of the Vietnam War, several small cadres of men served their country and their fellow comrades-in-arms from a remote airbase cut out of the jungles of northeast Thailand. The base was named Nakhon Phanom Royal Thai Air Force Base, but the men assigned there had a special name for it: "Naked Fanny." Initially they were assigned to rescue military pilots shot down over Laos or forced to leave their aircraft over Thailand. But as the war expanded, their mission changed and they were asked to fly into hostile situations in North Vietnam, making numerous rescues--detailed here by the pilots who flew them and those who were rescued. This is a story that has never been told in its entirety but is an integral part of U.S. Air Force aviation history. Scott Harrington has compiled and written the story of those early years of the Vietnam War at the little base just west of the town of Nakhon Phanom, Thailand. After reading it, you'll understand why these fragile aircraft and the men who flew them were often referred to as "Blades of wood - Men of steel."
The lifelong link between a formerly enslaved woman and her childhood mistress provides a unique view of life in Reconstruction era Louisville. Born into slavery, Cecelia Reynolds was presented as a birthday gift to her nine-year-old mistress, Frances "Fanny" Thruston Ballard. Years later, Cecelia escaped to join the free black population of Canada. But what might have been the end of her connection to Fanny appears to be only the beginning. A cache of letters from Fanny to Cecelia tells of a rare link between two urban families over several decades. Cecelia and Fanny is a fascinating look at race relations in mid-nineteenth-century Louisville, Kentucky, focusing on the experiences of these two families during the seismic social upheaval wrought by the emancipation of four million African Americans. Far more than the story of two families, Cecelia and Fanny delves into the history of Civil War-era Louisville. Author Brad Asher details the cultural roles assigned to the two women and provides a unique view of slavery in an urban context, as opposed to the rural plantations more often examined by historians.