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Berlin-born Fanny von Arnstein married a financier to the Austro-Hungarian imperial court, and in 1798 her husband became the first unconverted Jew in Austria to be granted the title of baron. Soon Fanny hosted an ever more splendid salon which attracted the leading figures of her day, including Madame de Staël and Arthur Schopenhauer. Hilde Spiel's biography provides a vivid portrait of a brave and passionate woman, illuminating a central era in European cultural and social history. "Von Arnstein represents one of the most fascinating and paradoxical eras in modern Jewish history ... For an American Jewish reader, Fanny von Arnstein is fascinating above all as a cautionary tale — and a reminder of our luck at having avoided the excruciating choices that Fanny, and so many Jews like her, had to face." - Adam Kirsch, Tablet Magazine “This book is indispensable for those interested in the history of culture, the role of women, and the transition of the Jewish community out of the ghetto toward the center of European life.” - Leon Botstein, President of Bard College, author of Judentum und Modernität and co-editor of Vienna: Jews and the City of Music “In capturing the fascination of Fanny von Arnstein and her times, Hilde Spiel provides both a finely drawn portrait of a defining figure of her era, but also of the times themselves.” - John Kornblum, former U.S. Ambassador to Germany
"Hlasko's story comes off the page at you like a pit bull."—The Washington Post “His writing is taut and psychologically nuanced like that of the great dime-store novelist Georges Simenon, his novelistic world as profane as Isaac Babel's.”—Wall Street Journal "Spokesman for those who were angry and beat . . . turbulent, temperamental, and tortured."—The New York Times "A must-read . . . piercing and compelling."—Kirkus Reviews "A self-taught writer with an uncanny gift for narrative and dialogue."—Roman Polanski “Marek Hlasko … lived through what he wrote and died of an overdose of solitude and not enough love.”— Jerzy Kosinski, author of The Painted Bird and Being There "A glittering black comedy ... that is equally entertaining and wrenching." — Publishers Weekly "The idol of Poland's young generation in 1956." — Czeslaw Milosz, 1980 Nobel Prize in Literature Robert and Jacob are down-and-out Polish con men living in Israel in the 1960s. They're planning to run a scam on an American widow visiting the country. Robert, who masterminds the scheme, and Jacob, who acts it out, are tough, desperate men, adrift in the nasty underworld of Tel Aviv. Robert arranges for Jacob to run into the woman, whose heart is open; the men are hoping her wallet is too. What follows is a story of love, deception, cruelty, and shame, as Jacob pretends to fall in love with her. It's not just Jacob who's performing a role; nearly all the characters are actors in an ugly story, complete with parts for murder and suicide. Marek Hlasko's writing combines brutal realism with smoky, hardboiled dialogue in a bleak world where violence is the norm and love is often only an act. Marek Hlasko, known as the James Dean of Eastern Europe, was exiled from Communist Poland and spent his life wandering the globe. He died in 1969 of an overdose of alcohol and sleeping pills in Wiesbaden, Germany.
Brilliant psychological thriller constructed like an intensely intimate theater performance, a high-wire act of emotions on rails.
“One of the most extraordinary, original—and funniest—books I have ever read. Subversive, satirical, like a farcical, erotic, animal-human animated film” (Jonathan Gathorne-Hardy, author of Kinsey: Sex the Measure of All Things). Shining moments of tender beauty punctuate this story of a youth on the run after escaping from an elite English boarding school. At London’s Euston Station, the narrator meets a talking dachshund named Mary and together they’re off on escapades through posh Mayfair streets and jaunts in a Rolls-Royce. But the youth soon realizes the seemingly sweet dog is a handful; an alcoholic, nymphomaniac, drug-addicted mess who can’t stay out of pubs or off the dance floor. In a world of abusive headmasters and other predators, the sexually omnivorous youth discovers that true friends are never needed more than on the mean streets of 1960s London, as he tries to save his beloved Mary from herself. On the Run with Mary mirrors the horrors and the joys of the terrible twentieth century. Jonathan Barrow’s original drawings accompany the text. “A masterpiece by a young genius, fated to die shortly after he had completed it.” —A. N. Wilson, author of Prince Albert: The Man Who Saved the Monarchy “A unique masterpiece from a bizarre mind. To say it’s Lewis Carroll meets Jean Genet . . . would be to belittle its farcically-filthy originality.” —Nicholas Haslam, author of Redeeming Features “Dementedly cheerful . . . A rollicking catalogue of sex, violence, and acts of cartoonish cruelty, Barrow’s novel is a schoolboy’s happy nightmare writ large; readers may find it impossible to look away.” —Publishers Weekly
“Vividly drawn characters, history, music, birds, love, loneliness, and wisdom . . . A brilliant book, rich and satisfying as a Viennese torte” (Sy Montgomery, author of Birdology). In this poignant yet rollicking novel, ninety-six-year-old ornithologist Luka Levadski forgoes treatment for lung cancer and moves from Ukraine to Vienna to make a grand exit in a luxury suite at the Hotel Imperial. He reflects on his past while indulging in Viennese cakes and savoring music in a gilded concert hall. Levadski was born in 1914, the same year that Martha—the last of the now-extinct passenger pigeons—died. Levadski too has an acute sense of being the last of a species. He may have devoted much of his existence to studying birds, but now he befriends a hotel butler and another elderly guest, who also doesn’t have much time left, to share in the lively escapades of his final days. This gloriously written tale is “a book like a fantastic party, as unshakeable as a child’s faith [that] astonishes to the very end” (Neue Zürcher Zeitung).
A collection of short Christmas stories by some of Russia’s greatest nineteenth and twentieth century authors—several appearing in English for the first time. Running the gamut from sweet and reverent to twisted and uproarious, this collection offers a holiday feast of Russian fiction. Dostoevsky brings stories of poverty and tragedy; Tolstoy inspires with his fable-like tales; Chekhov’s unmatchable skills are on full display in his story of a female factory owner and her wretched workers; Klaudia Lukashevitch delights with a sweet and surprising tale of a childhood in White Russia; and Mikhail Zoshchenko recounts madcap anecdotes of Christmas trees and Christmas thieves in the Soviet Era—a time when it was illegal to celebrate the holiday in Russia. There is no shortage of imagination, wit, or vodka on display in this collection that proves, with its wonderful variety and remarkable human touch, that nobody does Christmas like the Russians.
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Throughout the eighteenth century, an ever-sharper distinction emerged between Jews of the old order and those who were self-consciously of a new world. As aspirations for liberation clashed with adherence to tradition, as national, ethnic, cultural, and other alternatives emerged and a long, circuitous search for identity began, it was no longer evident that the definition of Jewishness would be based on the beliefs and practices surrounding the study of the Torah. In The Origins of Jewish Secularization in Eighteenth-Century Europe Shmuel Feiner reconstructs this evolution by listening to the voices of those who participated in the process and by deciphering its cultural codes and meanings. On the one hand, a great majority of observant Jews still accepted the authority of the Talmud and the leadership of the rabbis; on the other, there was a gradually more conspicuous minority of "Epicureans" and "freethinkers." As the ground shifted, each individual was marked according to his or her place on the path between faith and heresy, between devoutness and permissiveness or indifference. Building on his award-winning Jewish Enlightenment, Feiner unfolds the story of critics of religion, mostly Ashkenazic Jews, who did not take active part in the secular intellectual revival known as the Haskalah. In open or concealed rebellion, Feiner's subjects lived primarily in the cities of western and central Europe—Altona-Hamburg, Amsterdam, London, Berlin, Breslau, and Prague. They participated as "fashionable" Jews adopting the habits and clothing of the surrounding Gentile society. Several also adopted the deist worldview of Enlightenment Europe, rejecting faith in revelation, the authority of Scripture, and the obligation to observe the commandments. Peering into the synagogue, observing individuals in the coffeehouse or strolling the boulevards, and peeking into the bedroom, Feiner recovers forgotten critics of religion from both the margins and the center of Jewish discourse. His is a pioneering work on the origins of one of the most significant transformations of modern Jewish history.
Jews and Urban Life recognizes that throughout their long history, Jews have often inhabited cities. The reality of this urban experience ranged from ghetto restrictions to robust participation in a range of civic and social activities. Essays in this collection present relevant examples from within the Jewish community itself, moving historically from the biblical period to the modern-day State of Israel. Taking a comparative approach while recognizing the particulars of individual instances, authors examine these phenomena from a wide variety of approaches, genres, and media. Interdisciplinary and accessibly written, the articles display a multitude of instances throughout history showing the range of Jewish life in urban settings.