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""Throughout the war the ""Fannys"" were renowned for their resourcefulness. They were always ready to take on any and every job, from starting up a frozen car to nursing a bad typhoid case, and they rose to the occasion every time."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
The Politics of Wounds explores military patients' experiences of frontline medical evacuation, war surgery, and the social world of military hospitals during the First World War. The proximity of the front and the colossal numbers of wounded created greater public awareness of the impact of the war than had been seen in previous conflicts, with serious political consequences. Frequently referred to as 'our wounded', the central place of the soldier in society, as a symbol of the war's shifting meaning, drew contradictory responses of compassion, heroism, and censure. Wounds also stirred romantic and sexual responses. This volume reveals the paradoxical situation of the increasing political demand levied on citizen soldiers concurrent with the rise in medical humanitarianism and war-related charitable voluntarism. The physical gestures and poignant sounds of the suffering men reached across the classes, giving rise to convictions about patient rights, which at times conflicted with the military's pragmatism. Why, then, did patients represent military medicine, doctors and nurses in a negative light? The Politics of Wounds listens to the voices of wounded soldiers, placing their personal experience of pain within the social, cultural, and political contexts of military medical institutions. The author reveals how the wounded and disabled found culturally creative ways to express their pain, negotiate power relations, manage systemic tensions, and enact forms of 'soft resistance' against the societal and military expectations of masculinity when confronted by men in pain. The volume concludes by considering the way the state ascribed social and economic values on the body parts of disabled soldiers though the pension system.
The Angels of the Battlefield Series Fanny Goes to War. The tales of the FIRST AID NURSING YEOMANRY in World War I. Originally riding into combat on horseback to aid the wounded, England's First Aid Nursing Yeomanry was formed in 1907 by a military officer who thought that a single rider could respond quicker than a cumbersome horse-drawn ambulance. By the time they were deployed during The First World War, the members of "Fanny" had moved on to horseless carriages, driving early ambulances into the combat zones. Yet their mission became no less dangerous as these woman risked their lives on battlefields far from home. In addition to rescuing the wounded from the front line, they ran the hospitals and tended to the troops, feeding and entertaining the wounded. "Fanny Goes to War" takes us back to those war torn fields and shows how the members of the First Aid Nursing Yeomanry showed their bravery on the battlefield and their lust for life off it.
Includes appendices of Auxiliaries (non-combatant service volunteers) and Transients (non-natives who were stationed or hospitalized in Kilkenny).
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Known for his black humor and expertise in military aviation, Derek Robinson is best renowned for his novels on the Royal Flying Corps. The Goshawk Squadron was shortlisted for the Booker Prize. World War One pilots were the knights of the sky, and the press and public idolised them as gallant young heroes. At just twenty-three, Major Stanley Woolley is the old man and commanding officer of Goshawk Squadron. He abhors any notion of chivalry in the clouds and is determined to obliterate the decent, gentlemanly outlook of his young, public school-educated pilots--for their own good. But as the war goes on he is forced to thrown greener and greener pilots into the meat grinder. Goshawk Squadron finds its gallows humor and black camaraderie no defense against a Spandau bullet to the back of the head.
The words of Unknown Warriors resonate as powerfully today as when first written. The book offers a very personal glimpse into the hidden world of the military field hospital where patients struggled with pain and trauma, and nurses fought to save lives and preserve emotional integrity.The book’s author was one of a select number of fully trained military nurses who worked in hospital trains and casualty clearing stations during the First World War, coming as close to the front as a woman could. Kate Luard was already a war veteran when she arrived in France in 1914, aged 42, having served in the Second Boer War. At the height of the Battle of Passchendaele, she was in charge of a casualty clearing station with a staff of forty nurses and nearly 100 nursing orderlies.She was awarded the RRC and Bar (a rare distinction) and was Mentioned in Despatches for gallant and distinguished service in the field. Through her letters home she conveyed a vivid and honest portrait of war. It is also a portrait of close family affection and trust in a world of conflict. In publishing some of these letters in Unknown Warriors her intention was to bear witness to the suffering of the ordinary soldier.
Nursing.
From the Phoney War of 1939 to the Battle of Britain in 1940, the pilots of Hornet Squadron learn their lessons the hard way. Hi-jinks are all very well on the ground, but once in a Hurricane's cockpit, the best killers keep their wits close. Newly promoted Commanding Officer Fanny Barton has a job on to whip the Hornets into shape before they face the Luftwaffe's seasoned pilots. And sometimes Fighter Command, with its obsolete tactics and stiff doctrines, is the real menace. As with all Robinson's novels, the raw dialogue, rich black humour and brilliantly rendered, adrenalin-packed dogfights bring the Battle of Britain, and the brave few who fought it, to life.