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War girls reveals the fascinating story of the British women who volunteered for service in the First Aid Nursing Yeomanry (FANY) during the Great War. Examining their experiences on the Western Front with the Belgian, British and French armies, this book shows how the FANY worked as nurses and ambulance driver-mechanics, inspiring stories of female heroism and solidarity. The FANY created skilled gendered performances against the cultural myths of the time, and in concert with their emerging legend. Coming from privileged backgrounds, they drew upon and subverted traditional arrangements, crafting new and unconventional identities for themselves. The author shares the stories of the FANY - a fascinating, quirky and audacious group of women - and illustrates the ways the Great War subverted existing gender arrangements. It will make fascinating reading for those working in the field of gender and war, as well as those who wish to find out more about this remarkable group of women.
The popular idea of the First World War is a story of disillusionment and pointless loss. This vision, however, dates from well after the Armistice. In this 2004 book Janet Watson separates out wartime from retrospective accounts and contrasts war as lived experience - for soldiers, women and non-combatants - with war as memory, comparing men's and women's responses and tracing the re-creation of the war experience in later writings. Using a wealth of published and unpublished wartime and retrospective texts, Watson contends that participants tended to construct their experience - lived and remembered - as either work or service. In fact, far from having a united front, many active participants were in fact 'fighting different wars', and this process only continued in the decades following peace. Fighting Different Wars is an interesting, richly textured and multi-layered book which will be compelling reading for all those interested in the First World War.
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Women of war is an examination of gender modernity using the world’s longest established women’s military organisation, the First Aid Nursing Yeomanry. These New Women’s adoption of martial uniform and military-style training, their inhabiting of public space, their deployment of innovative new technologies such as the motor car, the illustrated press, advertisements and cinematic film and their proactive involvement in the First World War illustrate why the Corps and its socially elite members are a particularly revealing case study of gender modernity. Bringing into dialogue both public and personal representations, it makes a major contribution to the social and cultural history of Britain in the early twentieth century and will appeal to undergraduates, postgraduates and scholars working in the fields of military history, animal studies, trans studies, dress history, sociology of the professions, nursing history and transport history.
As a teen, Sarah Wheelock has vowed never to let a man control her. With this conviction, she leaves her life on a Michigan farm, disguises herself as a boy, and fights in the Civil War.
Discusses the history of sexuality in Britain in the first decades of the twentieth century and also the way it is studied.
Whether you are interested in the career of an individual service woman or just want to know more about the part played by service women in a particular war or campaign, this is the book for you. Assuming that the reader has no prior knowledge of service women, Mary Ingham explains which records survive, where they can be found and how they can help in your research. She also vividly describes the role of women with the armed services from the Crimean War of the 1850s to the aftermath of the First World War and offers an insight into what the records can tell you about the career of an ancestor who served at home or abroad. From the army schoolmistresses to the Womens Land Army, her account outlines the history of each service, describes uniforms and gives examples of daily life and likely experiences. This is the book you need if you want to follow up those clues in your familys history stories heard from older relatives, pictures in family photograph albums, handed-down uniforms, badges or medals that seem to indicate that one of your women ancestors served in wartime.
Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and makes an important new contribution to the study of the literature of the Great War."--BOOK JACKET.
A social history of British women’s brave yet forgotten service during WWI from a historian of female wartime experiences—includes photos. At the outbreak of World War I, women looking to contribute to the Allied effort were told by the war office to “go home and sit still.” Thankfully, hundreds of thousands of women from all corners of society ignored that advice and lent their collective strength to the cause. In We Also Served, Vivien Newman digs beneath the myths surrounding women’s war efforts to reveal stories of determination and heroism. Becoming nurses, munitions workers, members of the Land Army, ambulance drivers, and surgeons, women stepped readily into a world normally occupied by men. Some served with the Armed Forces, others funded and managed their own hospitals within sight and sound of the guns. At least one British woman bore arms, and over a thousand women lost their lives as a direct result of their involvement with the war. This profoundly important history by an expert in female wartime experiences lets these all but forgotten voices finally be heard. “A short book rich in facts and personal testimonies.” —Historical Novel Society
The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first. Drawing on contributions from history, cultural studies, film, and literary studies this collection offers fresh perspectives on the Great War and its legacy at the local, national, and international levels. More importantly, it showcases exciting new research on the experiences and memories of “forgotten” participants who have often been ignored in dominant narratives or national histories. Contributors to this international study highlight the transnational character of memory-making in the Great War’s aftermath. No single memory of the war has prevailed, but many symbols, rituals, and expressions of memory connect seemingly disparate communities and wartime experiences. With groundbreaking new research on the role of Aboriginal peoples, ethnic minorities, women, artists, historians, and writers in shaping these expressions of memory, this book will be of great interest to readers from a variety of national and academic backgrounds.