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Born in Baltimore in 1838, Fanny Dunbar grew up in Louisiana to a family who survived the hardships of the Civil War. An intelligent, sensitive woman, Fanny experienced a radical life change when she met William Henry Corbusier, a Yankee officer and army surgeon. Her memoir recounts their subsequent forty-eight year marriage. The events of Fanny’s life are sometimes amusing but more often dramatic. The Corbusiers moved frequently, but Fanny made moving an art form, often selling all the family possessions to avoid high shipping rates. She learned to cope with primitive living conditions and harsh climates. She raised five sons at posts with no schools. But Fanny took her job as a mother seriously, providing her sons with a broad education and a nurturing home. Corbusier’s long life and her husband’s thirty-nine-year career in the army (recounted in his memoir Soldier, Surgeon, Scholar) allow the reader to experience the period between the Civil War and World War I in totality, including her exceptional memories of the Spanish-American War and the Philippine Insurrection. As the recollections of two people whose lives played out against a world panorama, Fanny and William’s memoirs together provide a rare opportunity to examine events of frontier military life from both male and female perspectives. "Mrs. Corbusier writes from the unique perspective of a surgeon’s wife, and we have a picture not only of an army wife, but of an army wife who saw many different aspects of frontier military life and frontier life in general."—Charles M. Robinson, author of General Crook and the Western Frontier and A Good Year to Die: The Story of the Great Sioux War "Of the memoirs penned by wives of nineteenth-century army officers, this is among the best and most detailed. The woman’s perspective of events that transpired in the Indian-fighting army is a much needed counterbalance to the male-dominated histories of these same events."—Darlis Miller, author of Mary Hallock Foote: Author-Illustrator of the American West Fanny Dunbar Corbusier was the career army wife of officer-surgeon William Henry Corbusier. Patricia Y. Stallard, retired federal civil servant and education specialist with the United States Navy Recruiting Command, is the author of Glittering Misery: Dependents of the Indian Fighting Army, published by the University of Oklahoma Press.
"An ethnographer and ethnologist, Corbusier published studies of the languages and cultures of the Yavapai, the Sioux, and the Shoshoni. His memoir records his observations on American Indian dances and ceremonies and his medical treatment of prominent figures, such as Sarah Winnemucca, Red Cloud, and American Horse."--BOOK JACKET.
“Many of us probably would be better fishermen if we did not spend so much time watching and waiting for the world to become perfect.”-Norman Maclean Though Maclean writes of an age-old focus of all anglers—the day’s catch—he may as well be speaking to another, deeper accomplishment of the best fishermen and fisherwomen: the preservation of natural resources. Backcasts celebrates this centuries-old confluence of fly fishing and conservation. However religious, however patiently spiritual the tying and casting of the fly may be, no angler wishes to wade into rivers of industrial runoff or cast into waters devoid of fish or full of invasive species like the Asian carp. So it comes as no surprise that those who fish have long played an active, foundational role in the preservation, management, and restoration of the world’s coldwater fisheries. With sections covering the history of fly fishing; the sport’s global evolution, from the rivers of South Africa to Japan; the journeys of both native and nonnative trout; and the work of conservation organizations such as the Federation of Fly Fishers and Trout Unlimited, Backcasts casts wide. Highlighting the historical significance of outdoor recreation and sports to conservation in a collection important for fly anglers and scholars of fisheries ecology, conservation history, and environmental ethics, Backcasts explores both the problems anglers and their organizations face and how they might serve as models of conservation—in the individual trout streams, watersheds, and landscapes through which these waters flow.
This encyclopedia provides a broad, in-depth, and multidisciplinary look at the causes and effects of warfare between whites and Native Americans, encompassing nearly three centuries of history. The Battle of the Wabash: the U.S. Army's single worst defeat at the hands of Native American forces. The Battle of Wounded Knee: an unfortunate, unplanned event that resulted in the deaths of more than 150 Lakota Sioux men, women, and children. These and other engagements between white settlers and Native Americans were events of profound historical significance, resulting in social, political, and cultural changes for both ethnic populations, the lasting effects of which are clearly seen today. The Encyclopedia of North American Indian Wars, 1607–1890: A Political, Social, and Military History provides comprehensive coverage of almost 300 years of North American Indian Wars. Beginning with the first Indian-settler conflicts that arose in the early 1600s, this three-volume work covers all noteworthy battles between whites and Native Americans through the Battle of Wounded Knee in December 1890. The book provides detailed biographies of military, social, religious, and political leaders and covers the social and cultural aspects of the Indian wars. Also supplied are essays on every major tribe, as well as all significant battles, skirmishes, and treaties.
This unprecedented compilation of eyewitness accounts records the thoughts and emotions of American soldiers spanning nearly 250 years of national history, from the American Revolution to the Afghanistan War. Understanding primary sources is essential to understanding warfare. This outstanding collection provides a diverse set of eyewitness accounts of Americans in combat throughout U.S. history. Offering riveting true stories, it includes accounts from participants in the American Revolution, the War of 1812, the Indian Wars, the Mexican-American War, the Civil War, the Spanish American War and Philippine Insurrection, World War I, World War II, the Korean War, the Vietnam War, The Persian Gulf War, the Afghanistan War, and the Iraq War. Most eyewitness accounts of war currently available to the public are those of writers who enjoy higher military rank. Americans at War addresses this imbalance between officers' accounts and enlisted men's accounts by invoking oral history archives. Contextual essays and timelines allow the reader to place the accounts in time and place, while the entries themselves allow the reader to experience the thoughts and emotions of Americans who engaged in combat.
In the tradition of Empire of the Summer Moon, a stunningly vivid historical account of the manhunt for Geronimo and the 25-year Apache struggle for their homeland. They called him Mickey Free. His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid. In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.
Major General Emory Upton (1839–1881) served in all three branches of the U.S. military during the American Civil War. Lauded as a war hero, he later earned acclaim for his influence on military reforms, which lasted well beyond his lifetime. An account of Upton’s life is not complete, however, without a look into his brief, yet passionate, marriage to Emily Norwood Martin (1846–1870). This edition of Emory and Emily’s letters unveils the private life of a brilliant Civil War personality. It also introduces readers to the devout young woman who earned the general’s fanatic devotion before her untimely death from tuberculosis. Until now, only a few of the couple’s intimate letters have been published. During the years he spent editing and publishing Emory Upton’s correspondence, Salvatore G. Cilella Jr. deliberately set aside the general’s voluminous letters to his wife. Unfortunately, as Cilella explains in his editorial notes, Emily’s letters to Emory did not survive, but he was able to draw on the rich trove of letters Emily wrote to her mother and father while on her honeymoon and during her stays in Key West, Nassau, and Atlanta. Together, both sets of letters form a poignant narrative of the general’s tender love for his new wife and her reciprocal affection as they attempted to create a normal life together despite her declining health. The life of an army wife could be grueling, and despite her declining health, Emily longed to perform the role expected of her. It was not meant to be. Unwittingly, she and Emory chose the worst places for her to recover—Key West and Nassau—where the high humidity and heat must have exacerbated her difficulty breathing. She died in Nassau, far away from her husband. Eleven years later, racked by a sinus tumor and likely still grieving from his lost love, Upton committed suicide at the age of forty-one. Till Death Do Us Part offers a powerful—and poignant—tale of two star-crossed lovers against the backdrop of post–Civil War America. In addition, the volume gives readers a fascinating glimpse into gender roles and marital relations in the nineteenth century.
While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as impressive as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression from the beginning of the Federalist era to the end of the 19th century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, such as: Folk music, frontier theatrics, and dancing Quilting, stitchery, and beadwork Sculpture and adobe construction Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries from Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.
This book explores the ways in which mid-19th Century American army officers' wives used material culture to confirm their status as middle-class women.