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This book is an addition to the British music culture, as it traces the life and work of a renowned Brass Band composer, Eric Ball, during the twentieth century. He takes his place among the great figures in the Brass Band Movement. The book includes a survey of his music, along with a catalogue of his composition output. It also researches into his involvement with the Salvation Army.
The use of numbers to condense complex systems into easily digested 'bites' of information is very much in fashion. At one level they are intended to enhance transparency, accountability and local democracy, while at another they provide a means of enhancing performance. However, all indicators suffer from the same basic problem that, ironically, is also their biggest advantage - condensing something highly complex into a few simple numbers. Love them or hate them, there is no denying that people use indicators to make decisions. Indices and Indicators explores the use of indicators within the field of human development. Part I provides a brief outline of the contested meaning of 'development' and how indices and indicators have been used as means of testing the realization of these development visions in practice in a range of institutional contexts. Part II discusses the limitations of such indices and indicators and illustrates how they are dependent upon the vision of development adopted. The book also suggests how indices and indicators can best be employed and presented. Given our overwhelming reliance on indices and indicators for measuring progress, directing policy and allocating resources, this book is essential core reading for academics, undergraduate and post-graduate students in social science, economics, geography and development studies as well as development practitioners, policy-makers and donor and international funding agencies.
Throughout his life, which spanned the greater part of the twentieth century (1905-1998), Sir Michael Tippett was a prolific letter-writer. He wrote to a vast number of people over the years, including family, friends and lovers, colleagues in the music world, journalists, poets, dramatists and politicians. Published to coincide with the centenary of Tippett's birth, these carefully selected letters provide us with a first hand account of the composer's private and professional experiences, revealing a uniquely personal view which until now has remained largely unknown to the public. Bearing witness to the atrocities and advancements of the twentieth century, these letters display a fiercely creative mind struggling to construct a universal artistic expression. His correspondence places the reader at the composer's side, within the historical moment, as a witness to the creative process. Writing open, uninhibited letters became common practice for Tippett, his candid tone lending itself to tackling a wide range of personal and social issues. From the bombing of his cottage in Oxted, to the ecstatic experience of artistic breakthrough that led to progress on a new composition, each new event and accomplishment is documented with clarity and urgency.