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Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity. Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang
As more and more fans rush online to share their thoughts on their favorite shows or video games, they might feel like the process of providing feedback is empowering. However, as fan studies scholar Mel Stanfill argues, these industry invitations for fan participation indicate not greater fan power but rather greater fan usefulness. Stanfill's argument, controversial to some in the field, compares the "domestication of fandom" to the domestication of livestock, contending that, just as livestock are bred bigger and more docile as they are domesticated, so, too, are fans as the entertainment industry seeks to cultivate a fan base that is both more useful and more controllable. By bringing industry studies and fan studies into the conversation, Stanfill looks closely at just who exactly the industry considers "proper fans" in terms of race, gender, age, and sexuality, and interrogates how digital media have influenced consumption, ultimately finding that the invitation to participate is really an incitement to consume in circumscribed, industry-useful ways.
You learn about colors as you follow Ojo making choices of what color she should paint Bear's old wagon.
L.E. Modesitt, Jr.'s Colors of Chaos continues his bestselling fantasy series the Saga of Recluce, which is one of the most popular in contemporary epic fantasy. Now a full mage in the White Order, Cerryl must prove himself indispensable to Jeslek, the High Wizard. Whether through assassination, effective governance of occupied territory or the fearless and clever direction of troops in battle, Cerryl faces many harrowing obstacles—assassination, political entanglements, battlefield prowess—and Anya, the plotting seductress who's the real power behind the white wizards. With his wits, his integrity, and the support of his love, the Black healer Leyladin, he must survive long enough to claim his rightful spot within the ruling hierarchy of the White Order. “An intriguing fantasy in a fascinating world.”—Robert Jordan, New York Times bestselling author of The Wheel of Time® series Saga of Recluce #1 The Magic of Recluce / #2 The Towers of Sunset / #3 The Magic Engineer / #4 The Order War / #5 The Death of Chaos / #6 Fall of Angels / #7 The Chaos Balance / #8 The White Order / #9 Colors of Chaos / #10 Magi’i of Cyador / #11 Scion of Cyador / #12 Wellspring of Chaos / #13 Ordermaster / #14 Natural Order Mage / #15 Mage-Guard of Hamor / #16 Arms-Commander / #17 Cyador’s Heirs / #18 Heritage of Cyador /#19 The Mongrel Mage / #20 Outcasts of Order / #21 The Mage-Fire War (forthcoming) Story Collection: Recluce Tales Other Series by L.E. Modesitt, Jr. The Imager Portfolio The Corean Chronicles The Spellsong Cycle The Ghost Books The Ecolitan Matter At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Soccer fandom has traditionally been seen as an important part of adolescent, generally male, identity making. In Post-Fandom and the Millennial Blues , Steve Redhead shows how this tradition of youth culture of fandom has been eroded in the last years of the twentieth century by the more fleeting, style conscious allegiances inspired by television, films and music. The clubs that young people follow are determined by advertising and popular music; the games that they watch are brought to them by the globalized culture of television, as in the world cup staged in America; even their fears of so-called soccer hooliganism are determined by media-engendered moral panics at a time when the phenomenon itself seems to be dying away.
Big Bird asks the reader to find certain objects out of several of the same color.
Part III: What fans do -- Digital sport fandom / Heather Kennedy, Josh Gonzales and Ann Pegoraro -- Online performances of fandom : selective self-presentation, perceived affordances, and parasocial interactions on social media / Kathryn Coduto -- The construction of sports fandom by sports betting companies / Jason Kido Lopez -- Fandom in the realm of fantasy sport / Brody J. Ruihley and Robin Hardin -- Understanding sport videogames : the extensions of fan / Steven Conway -- Sports fans hunt for women's games : beyond news media coverage / Anji L. Phillips and Dunja Antunovic -- Twitter discourse in the Southeaster conference : the Nick Saban effect / Vincent L. Benigni and Lance V. Porter -- Football fan reactions to video assistant referee : no more hand of God / Yuya Kiuchi -- Reconfiguring transnational fan experience through digital media : European football in China / Yuan Gong -- The commodification and mediatization of fandom : creating executive fandom / Brett Hutchins, David Rowe and Andy Ruddock -- Football fans and food : feeding the desire / Keith D. Parry and Jessica Richards -- Fan reactions to athlete activism : "stick to sports" -- Stephen Warren.
Do you have a Google alert for your favourite band going on tour? Or maybe you have a pull list at your local comicbook shop? Or perhaps you’ve got a season ticket to your sports team of choice? That would make you a fan, whether you realise it or not, and there’s a lot more to fan culture than you might think. In the 21st century pop culture is everywhere; you can’t move for a new superhero film or major franchise appearing in our lives and we love it. We’re just jumping into the media landscape headfirst in order to get more of our favs, track down spoilers and deep dive about plot lines on social media. It’s hard to deny fan culture as part of the world now, there’s a fandom for everyone, but what does that actually mean, and where did it come from? From ancient times to modern media, humans have shared their love for the stories that mean something to them and brought in others to be fans of them too. We’ve written ourselves in, made art of, and celebrated with others who love the same things as us all in the name of being a fan, even before the word fan existed. There’s a whole lot of who, where, what, when, why, how and huh to look into when it comes to fan culture. From Shakespeare to Superman, Dickens to Daleks, and fanfiction to Frodo there is so much more to fandom than meets the eye. And a whole lot of references to pack in too.