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John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.
A schoolmaster in the heart of Africa takes his best and most attentive student, a chimp, to England. The chimp, Emily, has learned to read and obtained a classically trained mind. We listen as her thoughts become a searchlight upon the English culture of the 1920s. A remarkable social satire, and a best seller.
Playful and wickedly mischievous, John Collier's short stories will reappear in your memory to make you smile or laugh or sigh long after the title and author are forgotten. A wonderful collection of all John Collier's brilliantly structured and perfectly crafted tales not found in Fancies and Goodnights.
This collection of John Collier short stories won the International Fantasy Award in 1951. His fantastic ability to mix satire with thought provoking 'what ifs' is clearly seen in this compilation of thirty-two short stories.
Includes the novel His monkey wife and short stories.
Rain, hail, sleet, and snow—these are all weather we know. But when something unexpected happens and it starts raining bubbles, what will the children do? What happens when the children try to touch the bubbles? Who is responsible for the bubbly weather? Children will relate to this charming story.
Topor's nightmare vision of paranoia with a new introduction by famed horror writer Thomas Ligotti.
In the sixteen short stories and profound essays that comprise Naming Ceremony, Chip Livingston examines the worlds we create for ourselves by exploring the names we are called and those we call ourselves. Life as neologism, fiction as the idiolect for readers to explore the Other, the Outsider. Livingston's characters express in word and deed the names that confirm individuality as well as validating their roles among family, culture, and politics while being mindful of self and sexuality.