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The eighteenth century was a crucial time in Baptist history. The denomination had its roots in seventeenth-century English Puritanism and Separatism And The persecution of the Stuart kings, with only a limited measure of freedom after 1689. Worse, however, was to follow for with toleration came doctrinal conflict, a move away from central Christian understandings and a loss of evangelistic urgency. Both spiritual and numerical decline ensued, To the extent that the denomination was virtually reborn as rather belatedly it came to benefit from the Evangelical Revival which brought new life to both Arminian and Calvinistic Baptists. it has, however, been strongly argued that those who were associated with Bristol College had a continuous tradition of Evangelical Calvinism and that the General Baptists of the South Midlands And The Home Counties, owing as much To The legacy of the Lollards as to Dutch Anabaptism, did not succumb to heterodoxy. The papers in this volume therefore study a denomination in transition, and relate to theology, their views of the church and its mission, Baptist spirituality, and engagement with radical politics.
“From birdhouses to shadow puppets, the variety of projects included are delightful . . . An effective medley of concept, poetry, and artwork.”—School Library Journal For young makers and artists, brief, lively poems illustrated by a New York Times bestselling duo celebrate the pleasures of working with your hands. Building, baking, folding, drawing, shaping . . . making something with your own hands is a special, personal experience. Taking an idea from your imagination and turning it into something real is satisfying and makes the maker proud. With My Hands is an inspiring invitation to tap into creativity and enjoy the hands-on energy that comes from making things. “Poetry sparks an irresistible, primal urge to twist, cut, paint, draw, glue, carve, whittle, daub, tie, hammer, to simply make.”—Kirkus Reviews “A cheery reminder of the pride of creating something and the many forms art can take.”—Publishers Weekly “Whether invoking cooking, sewing, tying knots, or other undertakings, this provides an enjoyable springboard for aspiring makers.”—Booklist
In 1876, Richard Genée, the busiest and arguably best Viennese operetta librettist collaborated, this time as a composer, with Camillo Walzel on a new masterpiece; Der Seekadett. The final result was one of the best Viennese operettas of all time. The work was performed across the world for 80 years, before the advent of films and lighter musical theatre made it, and many other works belonging to the same tradition, obsolete. Using sources from all over the world, this book pieces together a complete libretto, in English, German, French and Italian, for the first time in a single volume. The story is full of humour and romance, featuring a deadly duel and a chess game with live figures, with catchy melodies in a quintessentially Viennese style.