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Famine Echoes gives a unique perspective on the greatest tragedy in Irish history as descendants of Famine survivors recall the community memories of the great hunger.
Borders and boundaries of the nation : constructing a theory of religious nationalism -- The gospel of Irish nationalism : religion and official discourses of the nation in Ireland -- Religion on the ground : everyday Catholicism and national identity in Ireland -- Constructing the new nation : official nationalism and religious homogenization in the Republic of Turkey -- Religion and nation are one : lived experience and everyday religion on the ground in Turkey -- Conclusion.
The Irish Times Top 10 Bestseller! From war to revolution, famine to emigration, The Darkness Echoing travels around Ireland bringing its dark past to life It's no secret that the Irish are obsessed with misery, suffering and death. And no wonder, for there is darkness everywhere you look: in cemeteries and castles, monuments and museums, stories and songs. In The Darkness Echoing, Gillian O'Brien tours Ireland's most deliciously dark heritage sites, delving into the stories behind them and asking what they reveal about the Irish. Energetic, illuminating and surprisingly funny, The Darkness Echoing challenges old, accepted narratives about Ireland, and asks intriguing questions about Ireland's past, present and future. 'My history book of the year' Ryan Tubridy 'As thought-provoking as it is informative and entertaining' Irish Times 'Hugely enjoyable, thought-provoking and informative ... An essential read' History Ireland
We see famine and look for the likely causes: poor food distribution, unstable regimes, caprices of weather. A technical problem, we tell ourselves, one that modern social and natural science will someday resolve. To the contrary, Jenny Edkins responds in this book: Famine in the contemporary world is not the antithesis of modernity but its symptom. A critical investigation of hunger, famine, and aid practices in international politics, Whose Hunger? shows how the forms and ideas of modernity frame our understanding of famine and, consequently, shape our responses.
"Thomas Keneally recounts history with the uncanny skill of a great novelist whose only interest is to lay bare the human heart in all its hope and pain. As he was able to do in Schindler's List, he shows us in The Great Shame a people despised and rejected to the point of death, who in the face of all their sorrows manage to keep their souls. This story of oppression, famine, and emigration--a principal chapter in the story of man's inhumanity to man--becomes in Keneally's hands an act of resurrection; Irishmen and Irishwomen of a century and a half ago live once more within the pages of this book." --Thomas Cahill, author of How the Irish Saved Civilization In the nineteenth century, Ireland lost half of its population to famine, emigration to the United States and Canada, and the forced transportation of convicts to Australia. The forebears of Thomas Keneally, author of Schindler's List, were victims of that tragedy, and in The Great Shame Keneally has written an astonishing, monumental work that tells the full story of the Irish diaspora with the narrative grip and flair of a great novel. Based on unique research among little-known sources, this masterly book surveys eighty years of Irish history through the eyes of political prisoners--including Keneally's ancestors--who left Ireland in chains and eventually found glory, in one form or another, in Australia and America. We meet William Smith O'Brien, leader of an uprising at the height of the Irish Famine, who rose from solitary confinement in Australia to become the Mandela of his age; Thomas Francis Meagher, whose escape from Australian captivity led to a glittering American career as an orator, a Union general, and governor of Montana; John Mitchel, who became a Confederate newspaper reporter, gave two of his sons to the Southern cause, was imprisoned with Jefferson Davis--and returned to Ireland to become mayor of Tipperary; and John Boyle O'Reilly, who fled a life sentence in Australia to become one of nineteenth-century America's leading literary lights. Through the lives of many such men and women--famous and obscure, some heroes and some fools (most a little of both), all of them stubborn, acutely sensitive, and devastatingly charming--we become immersed in the Irish experience and its astonishing history. From Ireland to Canada and the United States to the bush towns of Australia, we are plunged into stories of tragedy, survival, and triumph. All are vividly portrayed in Keneally's spellbinding prose, as he reveals the enormous influence the exiled Irish have had on the English-speaking world. "A terrible and personal saga, history delivered with a scholar's density of detail but with the individualizing power of a multi-talented novelist." --William Kennedy
Famine Ghost: Englands Genocide of the Irish,/i> Famine Ghost is a book of historical fiction, the story of the Irish Famine (1845-1850) as seen through the eyes of young Johnjoe Kevane. He and his family are evicted from their cottage in Dingle. Disdaining the option of life in the local workhouse, the Kevanes sail in a coffin ship to Grosse Ile in Canada. Johnjoe keeps a diary of his familys suffering in the dark bowels of the overcrowded ship. When his parents die of ship fevertyphusJohnjoe returns home to exact revenge on the landlord, Major Mahon. OKeefe has delicately balanced history with touching humanity and humor. He has provided readers with a vivid tale, surprising in all the right ways, and an unabashed glimpse into the shocking truth of the Irish Famine. A masterful read cover to cover. --Sara Wolski, literary agent Famine Ghost captures the realities of the 1845-1850 Great Irish Famine and is filled with valuable research on the tragedy. An imaginative and thoughtful author, OKeefe has a real gift for the dialog and pace of language of 19th century Ireland. His vivid portrayal and historical perspective bring the hardships of Irelands troubles to our awareness in the 21st century, like no other book. --Helen Gallagher, Computer Clarity, www.cclarity.com
The Great Famine of 1845-52 was the most decisive event in the history of modern Ireland. In a country of eight million people, the Famine caused the death of approximately one million, while a similar number were forced to emigrate. The Irish population fell to just over four million by the beginning of the twentieth century. Christine Kinealy's survey is long established as the most complete, scholarly survey of the Great Famine yet produced. First published in 1994, This Great Calamity remains an exhaustive and indefatigable look into the event that defined Ireland as we know it today.
Ireland in Proximity surveys and develops the expanding field of Irish Studies, reviewing existing debates within the discipline and providing new avenues for exploration. Drawing on a variety of disciplinary and theoretical approaches, this impressive collection of essays makes an innovative contribution to three areas of current, and often contentious, debate within Irish Studies. This accessible volume illustrates the diversity of thinking on Irish history, culture and identity. By invoking theoretical perspectives including psychoanalysis, cultural theories of space, postcoloniality and theories of gender and sexual difference, the collection offers fresh perspectives on established subjects and brings new and under-represented areas of critical concern to the fore. Chapter subjects include: * sexuality and gender identities * the historiographical issues surrounding the Famine * the Irish diaspora * theories of space in relation to Ulster and beyond. Contributors inlcude: David Alderson, Aidan Arrowsmith, Caitriona Beaumont, Fiona Becket, Scott Brewster, Dan Baron Cohen, Mary Corcoran, Virginia Crossman, Richard Kirkland, David Lloyd, Patrick McNally, Elisabeth Mahoney, Willy Maley, Shaun Richards, Éibhear Walshe.
This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.