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As a world war rages through Europe in 1915, Ottoman authorities commence the systematic slaughter of 1.5 million Armenians—the first genocide of modern history. A teenage boy named Kaspar Hovannisian is among the surviving generation of Armenians who escape the ruins of their ancestral homeland and build communities around the world. Kaspar follows the American dream to the San Joaquin Valley of California, where he cultivates a small farm and begins investing in real estate. But memories of Armenia burn strong—a legacy of love, anguish, and faith in a national rebirth. Kaspar's son Richard leaves the family farm, ready to defend the history of a lost nation against the forces of time and denial. He helps pioneer the field of Armenian studies in the United States and becomes a worldwide authority on genocide. Richard's son Raffi is also haunted—and inspired—by the past. In 1989 he leaves his law firm in Los Angeles to stage the original act of repatriation to Soviet Armenia, where he goes on to play a historic role in the creation of a new and independent republic. Now, in a moving book that is part investigative memoir and part history of the Armenian people, Raffi's son, Garin Hovannisian, tells his family's story—a tale of tragedy, memory, and redemption that illuminates the long shadows that history casts on the lives of men.
The question follows Lorna Luft to this day: "What's it like to be Dorothy's daughter?" Although by appearances glamorous and truly thrilling, growing up as the daughter of Judy Garland was anything but a journey over the rainbow. With unsparing candor, Lorna Luft offers the first-ever insider portrait of one of Hollywood's most celebrated families: a rare story of a little girl, her half-sister Liza, and her baby brother trying desperately to hang on to the mother whose life seemed destined to burn brightly but briefly. Lorna makes an extraordinary journey back into the spiral of love, addiction, pain, and loss that lurked behind a charmed facade. Filled with behind-the-scenes dramas, hilarious untold stories, and little-known details of Garland family life, Me and My Shadows is a tribute to Lorna's victory over her own past, a story of hope, of love and its limitations, and a deeply moving testament to the healing powers of embracing one's past and charting a course of self-love and discovery.
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
The two sets of Starbuck twins use their telepathic powers and the aid of some endangered dolphins to help their father catch a gang dumping toxic waste in the Florida Keys.
From an award-winning journalist, a searing exposé of the effects of the mass incarceration crisis on families -- including the 2.7 million American children who have a parent locked up. In The Shadow System, award-winning journalist Sylvia A. Harvey follows the fears, challenges, and small victories of three families struggling to live within the confines of a brutal system. In Florida, a young father tries to maintain a relationship with his daughter despite a sentence of life without parole. In Kentucky, where the opioid epidemic has led to the increased incarceration of women, many of whom are white, one mother fights for custody of her children. In Mississippi, a wife steels herself for her husband's thirty-ninth year in prison and does her best to keep their sons close. Through these stories, Harvey reveals a shadow system of laws and regulations enacted to dehumanize the incarcerated and profit off their families -- from mandatory sentencing laws, to restrictions on prison visitation, to astronomical charges for brief phone calls. The Shadow System is an eye-opening account of the way incarceration has impacted generations of American families; it delivers a galvanizing clarion call to fix this broken system.
As a world war rages through Europe in 1915, Ottoman authorities commence the systematic slaughter of 1.5 million Armenians—the first genocide of modern history. Alone, a teenage boy named Kaspar Hovannisian escapes the ruins of his ancestral homeland to pursue the American dream. In the San Joaquin Valley of California, he cultivates a small farm and invests in real estate. But memories of Armenia burn strong—a complicated legacy of love, anguish, and faith in a national rebirth. Kaspar’s son, Richard, leaves the family farm and helps pioneer the field of Armenian studies in the United States, becoming a worldwide authority on genocide. Richard’s son, Raffi, is also haunted—and inspired—by the past. In 1989, he leaves his law firm in Los Angeles to stage the original act of repatriation to Soviet Armenia, where he goes on to play an historic role in the creation of a new republic. Part investigative family memoir and part history of the Armenian people, Garin K. Hovannisian’s Family of Shadows is a breathtaking saga of tragedy, memory, and redemption that illuminates the long shadows that history casts on the lives of men.
When Hannah refuses to forgive a terrible sin she becomes anathema--shunned. But the real question is, can she forgive herself? Visitors come to Parke County, Indiana to enjoy the lush farms, to buy the Amish quilts, and to experience the peaceful ways of the Amish families who live there. But when a double murder rocks this quiet community, the Amish residents resolve to forgive even this unfathomable offense. Hannah, however, finds forgiveness out of reach--both for the murderer and for herself. She harbors a secret shame: while the crime was committed in her own home, she was out meeting with her forbidden love, her English beau, Reece. The elders of the community insist that Hannah must forgive her family's killer or be shunned. When Hannah refuses, she runs away with Reece, leaving behind the only life she's ever known. Years later, Hannah must journey back to the place she no longer calls home. Can she find the forgiveness and belonging she so desperately desires?
A Victorian era murder. A modern-day family researcher. Can she solve the century old puzzle of a racehorse trainer's death and his wife's disappearance? A dual timeline historical mystery with long-buried secrets.
“Kingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.”—The Washington Post Paris, 1938. As Europe edges toward war, Nicholas Morath, an urbane former cavalry officer, spends his days working at the small advertising agency he owns and his nights in the bohemian circles of his Argentine mistress. But Morath has been recruited by his uncle, Count Janos Polanyi, a diplomat in the Hungarian legation, for operations against Hitler’s Germany. It is Morath who does Polanyi’s clandestine work, moving between the beach cafés of Juan-les-Pins and the forests of Ruthenia, from Czech fortresses in the Sudetenland to the private gardens of the déclassé royalty in Budapest. The web Polanyi spins for Morath is deep and complex and pits him against German intelligence officers, NKVD renegades, and Croat assassins in a shadow war of treachery and uncertain loyalties, a war that Hungary cannot afford to lose. Alan Furst is frequently compared with Eric Ambler, Graham Greene, and John le Carré, but Kingdom of Shadows is distinctive and entirely original. It is Furst at his very best. Praise for Kingdom of Shadows “Kingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the author’s consciousness.”—Janet Maslin, The New York Times “Subtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . It’s hard to overestimate Kingdom of Shadows.”—Eugen Weber, Los Angeles Times “A triumph: evocative, heartfelt, knowing and witty.”—Robert J. Hughes, The Wall Street Journal “Imagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Walter Shapiro, Time
Twelve-year-old Robert Jacklin comes face-to-face with bigotry, racism, and brutality when he is uprooted from England and moves to Zimbabwe with his family. Robert is enrolled in one of the country's most elite boys' boarding schools. Newly integrated, the school is a microcosm of the horrible problems faced by the struggling new country in the wake of a bloody civil war. The white boys want their old country back and torment the black Africans. Robert must make careful alliances. His decision to join the ranks of the more powerful white boys has a devastating effect on his conscience and emerging manhood.