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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Obsolete old words from seventeenth-century English villages reflect the realities of working-class life, exhausting labor, dirt, bizarre foods, magic, horses, outrageous sexism, feudal duties. New words, first appearing in print 1650–1800, reflect a middle-class culture very different from an earlier courtly culture, interested in money, coffee-houses, and self-fulfillment. The book contains chapters on pre-industrial and middle-class culture, the scientific revolution, and semantic change. They give strong evidence that new words and the new senses of old words played a key role in the British Enlightenment, its links with quantification and natural science, its tendencies towards reorganization and democracy, its redefinitions and revitalizations of women’s roles, social stereotypes, the public sphere, and the very concepts of individualism, sociability, and civilization itself.