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1977: by Isaac Asimov - 272 pages - 37 familiar poems annotated as only Asimov could do it - Inimitably informative and entertaining.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ... 12 So round his melancholy neck A rope he did entwine, And for the second time in life Enlisted in the Line! 13 One end he tied around a beam, And then removed his pegs, And, as his legs were off, of course He soon was off his legs. 14 And there he hung till he was dead As any nail in town; For, though distress had cut him up, It could not cut him down!--Thomas Hood. BURIAL OF SIR JOHN MOORE Sir John Moore, commanding the British forces in Spain in the war with Napoleon, was killed at the battle of Corunna, Spain, January 16, 1809. The battle occurred at the end of a long and hard retreat, and although the English had the advantage, they embarked at Corunna after the battle and returned to England. The French forces were under Marshal Soult. Alison's History of Europe says that Moore "was wrapped by his attendants in his military cloak and laid in a grave hastily formed on the ramparts of Corunna, where a monument was soon after erected over his uncoffined remains by the generosity of the French Marshal Ney. Not a word was spoken as the melancholy interment by torchlight took place; silently they laid him in his grave, while the distant cannon of the battlefield fired the funeral honors to his memory. "This tomb, originally erected by the French, since enlarged by the British, bears a simple but touching inscription, written of the hero over whose remains it is placed. Few spots in Europe will ever be more the object of general interest. His very misfortunes were the means which procured him immortal fame--his disastrous retreat, bloody death, and finally his tomb on a foreign strand, far from home and friends. There is scarcely a Spaniard but has heard of his tomb and speaks of it with a strange kind of awe." Many fantastic legends have...
The 126 poems in this superb collection of 19th and 20th century British and American verse range from famous poets such as Wordsworth, Tennyson, Whitman, and Frost to less well-known poets. Includes 10 selections from the Common Core State Standards Initiative.
Poetry. LGBT Studies. "Inside every intimate relationship, Alyse Knorr argues, lies a land of the imagination known only to those in relation. Her beautiful and wise ANNOTATED GLASS follows its protagonist, Alice, into and out of lands invented in childhood and adolescence, between family members and lovers, uncovering in each situation and between each of its characters 'a network of nerves speaking each to each.' The beauty of Knorr's writing lives in these electric connections, the way Alice's desire for her lover Jenny runs a 'current on my tongue like the inside / of a star.' But the wisdom of ANNOTATED GLASS lies in its ability to describe the loss not only of family and lovers but also the imaginative landscapes that remain behind when they do. Knorr captures each elegiac departure with images of startling clarity and ambient texture: 'yellow tractors mowing / fields of sunflowers whose faces / have turned black.' This is a first book of rare real power and insight." Brian Teare "Alyse Knorr's debut collection, ANNOTATED GLASS, takes us on an adventure, a foray into the bewilderland of love and grief. But ANNOTATED GLASS is not a gloss on Through the Looking Glass and Knorr's Alice is no buttoned-up and pinafored Victorian child. Illumined everywhere with intelligence, emotional complexity, and deep compassion for its characters, this masterfully interwoven sequence unfurls. Composed of brief graceful lyrics some erotic, some funny, some astonished by happiness and good fortune, some interfused with wistful sadness a narrative develops. Knorr creates compelling and complex characters startled to find what they thought was ordinary life suddenly turned inside-out and backwards." Jennifer Atkinson"
Byron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
First published with revisions as an Oxford World's Classics paperback: 2006.
“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us “In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker “[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)
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