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The Chinese-speaking Muslims have for centuries been an inseperable but anomalous part of Chinese society--Sinophone yet incomprehensible, local yet outsiders, normal but different. Long regarded by the Chinese government as prone to violence, they have challenged fundamental Chinese conceptiosn of Self and Other and denied the totally transforming power of Chinese civilization by tenaciously maintaining connectios with Central and West Asia as well as some cultural differences from their non-Muslim neighbors. Familiar Strangers narrates a history of the Muslims of northwest China, at the intersection of the frontiers of the Mongolian-Manchu, Tibetan, Turkic, and Chinese cultural regions. Based on primary and secondary sources in a variety of languages, Familiar Strangers examines the nature of ethnicity and periphery, the role of religion and ethnicity in personal and collective decisions in violent times, and the complexity of belonging to two cultures at once. Concerning itself with a frontier very distant from the core areas of Chinese culture and very strange to most Chinese, it explores the influence of language, religion, and place on Sino-Muslim identity.
The Familiar Past surveys material culture from 1500 to the present day. Fourteen case studies, grouped under related topics, include discussion of issues such as: * the origins of modernity in urban contexts * the historical anthropology of food * the social and spatial construction of country houses * the social history of a workhouse site * changes in memorial forms and inscriptions * the archaeological treatment of gardens. The Familiar Past has been structured as a teaching text and will be useful to students of history and archaeology.
The Familiar Past surveys material culture from 1500 to the present day. Fourteen case studies, grouped under related topics, include discussion of issues such as: * the origins of modernity in urban contexts * the historical anthropology of food * the social and spatial construction of country houses * the social history of a workhouse site * changes in memorial forms and inscriptions * the archaeological treatment of gardens. The Familiar Past has been structured as a teaching text and will be useful to students of history and archaeology.
In the words of the always-incisive Corrinne Cleggs Hales, Familiar History "expertly de-romanticizes the landscape and mythology of the American west, revealing a world defined largely by struggle and failure and broken lives." The poems in these pages take an unflinching look at rural life in the Desert Southwest and reveal a world composed of harshly beautiful scenery, as reflected in the poem "Burning Wishes" Someone said they never saw a wild thing sorry for itself. Me neither, but it seemed sometimes like they ought to be. The bark beetles that crunch in and out of their white fir tunnels and branch outward until each thorax, leg, and instinct intersects, becoming a web meaning nothing. A cold snap couples indeterminately with wind velocity and the fracture lines of ice particles, killing only incidentally. The message is clear: in the universe of these poems, nature doesn't care about you or the meaning you give it. The book also reveals the child abuse, violence, racism, and poverty endemic to much of this region through the eyes of someone who spent nearly 30 years there. In the title poem, the narrator speaks directly to this relationship between the memories carried in human bodies and those held by the landscapes they inhabit: I will learn to seal everything up inside. We all will. In 1969 the desert will swallow an atom bomb whole. In 1969 my grandmother's pancreas will swallow too much of the awful light from a safe distance inside a bus. After awhile you begin to realize light in the desert can penetrate anything. A 1951 description of the Nevada Test Site, included in an Army brochure for the Camp Desert Rock soldiers, tells them that the desert is a damned good place for disposing of used razor blades. It is. Familiar History is equal parts a lyrical reflection on the relationship between humanity and the natural environment and a deeply personal revelation of the secrets of a family of malcontents. The narrator's story is the story of rural America: a bitter tonic of regret, euphoria, and the search for salvation.
“Historical accuracy and human understanding require coming down from the high ground and seeing people in all their complexity. Serena Zabin’s rich and highly enjoyable book does just that.”—Kathleen DuVal, Wall Street Journal A dramatic, untold “people’s history” of the storied event that helped trigger the American Revolution. The story of the Boston Massacre—when on a late winter evening in 1770, British soldiers shot five local men to death—is familiar to generations. But from the very beginning, many accounts have obscured a fascinating truth: the Massacre arose from conflicts that were as personal as they were political. Professor Serena Zabin draws on original sources and lively stories to follow British troops as they are dispatched from Ireland to Boston in 1768 to subdue the increasingly rebellious colonists. And she reveals a forgotten world hidden in plain sight: the many regimental wives and children who accompanied these armies. We see these families jostling with Bostonians for living space, finding common cause in the search for a lost child, trading barbs, and sharing baptisms. Becoming, in other words, neighbors. When soldiers shot unarmed citizens in the street, it was these intensely human, now broken bonds that fueled what quickly became a bitterly fought American Revolution. Serena Zabin’s The Boston Massacre delivers an indelible new slant on iconic American Revolutionary history.
"Sometimes I feel myself to have been the last colonial." This, in his own words, is the extraordinary story of the life and career of Stuart Hall—how his experiences shaped his intellectual, political, and theoretical work and how he became one of his age's brightest intellectual lights. Growing up in a middle-class family in 1930s Kingston, Jamaica, still then a British colony, the young Stuart Hall found himself uncomfortable in his own home. He lived among Kingston's stiflingly respectable brown middle class, who, in their habits and ambitions, measured themselves against the white elite. As colonial rule was challenged, things began to change in Kingston and across the world. In 1951 a Rhodes scholarship took Hall across the Atlantic to Oxford University, where he met young Jamaicans from all walks of life, as well as writers and thinkers from across the Caribbean, including V. S. Naipaul and George Lamming. While at Oxford he met Raymond Williams, Charles Taylor, and other leading intellectuals, with whom he helped found the intellectual and political movement known as the New Left. With the emotional aftershock of colonialism still pulsing through him, Hall faced a new struggle: that of building a home, a life, and an identity in a postwar England so rife with racism that it could barely recognize his humanity. With great insight, compassion, and wit, Hall tells the story of his early life, taking readers on a journey through the sights, smells, and streets of 1930s Kingston while reflecting on the thorny politics of 1950s and 1960s Britain. Full of passion and wisdom, Familiar Stranger is the intellectual memoir of one of our greatest minds.
From the author of the international best seller House of Leaves and National Book Award–nominated Only Revolutions comes a monumental new novel as dazzling as it is riveting. The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted. (With full-color illustrations throughout.) Like the print edition, this eBook contains a complex image-based layout. It is most readable on e-reading devices with larger screen sizes.