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AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER. American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can’t move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets. Determined to put her sister’s case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona’s murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister’s death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona’s body? Why was her behavior so erratic in the days before her murder? Is there a link between Tríona’s death and that of another young woman? Nora’s search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman’s wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest . . . and to make sure that history doesn’t repeat itself.
Philip K. Dick Award Finalist A “ridiculously fun” series debut “with a well-thought-out space opera setting and lots of fancy reveals”—from a Hugo Award winner (Charlie Jane Anders, author of All the Birds in the Sky). A ragtag space crew discovers alien technology that could change the fate of humanity—or awaken an ancient evil that could destroy all life in the galaxy. The shady crew of the White Raven run freight and salvage at the fringes of our solar system. They discover the wreck of a centuries-old exploration vessel floating light years away from its intended destination and revive its sole occupant, who wakes with news of First Alien Contact. When the crew informs her that humanity has alien allies already, she reveals that these are very different extra-terrestrials—and the gifts they bestowed on her could kill all humanity, or take it out to the most distant stars.
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
The 3-volume set CCIS 1422, CCIS 1423 and CCIS 1424 constitutes the refereed proceedings of the 7th International Conference on Artificial Intelligence and Security, ICAIS 2021, which was held in Dublin, Ireland, in July 2021. The total of 131 full papers and 52 short papers presented in this 3-volume proceedings was carefully reviewed and selected from 1013 submissions. The papers were organized in topical sections as follows: Part I: artificial intelligence; Part II: artificial intelligence; big data; cloud computing and security internet; Part III: cloud computing and security; encryption and cybersecurity; information hiding; IoT security.
Prepare yourself for heart-stopping romance in this luminescent love story about a chance meeting between two strangers one dark, rain-swept night in the English countryside. From that moment on, their destinies are forever changed. When Elliot Armstrong, the marquis of Rannoch, pursues a spiteful mistress into the wilds of Essex to sever their relationship, he is surprised to find himself hopelessly lost—in more ways than one. Inexplicably drawn to a warmly fit house along an isolated country lane, he is mistaken for an overdue guest—but he dares not reveal his identity for fear of being tossed back out into the torrential rain, a fate he admittedly deserves. The loving family that innocently welcomes Rannoch into their midst soon challenges his cynical convictions, and ultimately, resurrects his shattered dreams. The beautiful Evangeline van Artevalde is an artist of exceptional talent and extraordinary secrets. Isolated from society by choice, the half-Flemish refugee has fled her homeland in search of a secure haven for the children in her family. But even the Essex countryside, she finds, is not without danger. As the clutches of her aristocratic English relatives tighten, Evangeline holds them at bay by sheer force of will, unleashing her emotions only within the walls of her studio. The furthest thing from her heart is desire—until a drenched, strikingly handsome man shows up at her doorstep late one night. Soon, Evangeline finds she can no longer confine her passions to oil paint and canvas. Drawn by desire, Elliot and Evangeline discover a powerful love neither thought possible. But malevolent forces surround them, and soon their secrets will be exposed and their hearts tested to unthinkable limits. Only if they can forgive the past will they have a future....
Football, a kitten, and 14 dates. Zhanna Hale THEN My father is a legend. Some call me football royalty, and in my hometown of Louisiana, I suppose I am. His legacy didn't prepare me for Bryant Hudson. The quarterback. I swore I'd never date football players. Permanently. Yet Bryant had other plans.Three dates and a handful of conversations, I handed him my heart without realizing it. But, Bryant shatters my soul. I'm left picking up the pieces. If only erasing him from my heart was as easy. Bryant Hudson NOW I lost at the only game that matters. And it wasn't even a game. It was and is my forever with Zhanna. I am the best quarterback out there. That should be enough, right? Achieving my dreams. But none of that matters without my woman beside me. When she left, she took my heart with her.Now I'm back. To remind her of what we had. To see me-the man whose heart she owns, not the quarterback.Our love is fate. Our lives are forever intertwined. I refuse to let a false start signal our end. I'm ready to repeat the play and show Zhanna she is my everything.
• a steamy romantic thriller • a fast-paced, edge-of-your-seat suspense novel • a timeless romance Emma Porter is not real. She is an accomplished young woman, living a fulfilling life in New York City, working for an online news agency, and striving toward normalcy. The truth, however, is something else. She was once Emily Webster, a child of privilege, and the twenty-first century Lindbergh Baby. Her high-profile, unexplained abduction and subsequent rescue led to a childhood of paranoia and preparedness, as her kidnapper remained at large and still on the hunt. With her father’s guidance and resources, Emily became Emma Porter, living each day in her new identity, vigilant and unattached. Unattached but for the seemingly unbreakable tether that connects her to the man who, as a young boy, lived next door. Like Emma, Nathan Bishop is not what he seems. Preparing to helm his family’s defense contracting company, Nathan is better known for his womanizing and reckless behavior than his business acumen. His striking image peppers the pages of society tabloids and police blotters, but beneath the facade of a rake, lurks a warrior. When an arms dealer procures a lethal bioweapon and is rumored to be selling it on U.S. soil, Nathan and his team must use every resource at their disposal to stop the threat. With danger closing in, fate, once again, puts Emma in Nathan’s path, and the two must determine if the weathered bond between them is enough to find the truth behind their false fronts. Fans of Nora Roberts, Linda Howard, and Jayne Ann Krentz will love False Front. Be advised: this story contains scenes of violence equivalent to an R-rated movie and explicit sexual situations.
One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, “interpretation,” “sense memory,” “The Method”—David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring.