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A portrait of the sun-drenched volcanic city from an American who has lost his heart to the place and to a beguiling Neapolitan woman. In Falling Palace Dan Hofstadter brilliantly reveals Naples, from the dilapidated architectural beauty to the irrepressible theater of everyday life. We witness the centuries-old festivals that regularly crowd the city’s jumbled streets, and eavesdrop on conversations that continue deep into the night. We browse the countless curio shops where treasures mingle with kitsch, and meet the locals he befriends. In and out of these encounters slips Benedetta, the object of the author’s affections, at once inviting and unfathomable. Weaving the tale of an elusive love together with a vivid portrayal of a legendary metropolis, this is a startling evocation of a magical place.
Around 33 centuries, in Ancient Egypt, an Israeli village called Goshen was enslaved by the Egyptians for many centuries. The people of Goshen suffered greatly under the tyranny of their Egyptian masters and had given up hope trying to be rid of them. All but one man... Qaroon! In this narrative reimagining of the Quranic story, Qaroon, an Israeli slave, rebels against the fate of his people and rises up to become the wealthiest and most powerful man of his time.
I am here when you run from me, You cannot touch me, but I make you cold. I am there in the faint of heart, But rarely with the daring, and bold. One by one the members of court fall, cursed into a deep sleep. Silence spreads through the castle, and only Mae Waylander stands. To break the curse, Mae must face a formidable opponent. She is the only one with a chance to restore order to the Red Palace, but she is unprepared for the trials that await her. She is brave at heart, but is her bravery enough? In this thrilling follow up to White Hart, Mae faces her toughest challenge yet. With temptation, fear, and evil in her path, can she complete her task? And what will she lose in doing so? Book two in the White Hart series.
John Ruskin, one of the most influential art critics of the 19th century, wrote more than half a million words on Venice. This is an abridged version of his opus, which still contains the essence of his original work, for those who would appreciate Venice, architecture and Ruskin's fine writing.