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What would tempt a young woman to run off to a country she knew almost nothing about? I was that young woman. Fleeing a bitter divorce and my safe, but mundane, life I accepted a job in Saudi Arabia, a country that by all reports was the most austere on earth. I ran headlong into an unexpected adventure that would change my life forever. The Kingdom of Saudi Arabia - mysterious, beautiful and dangerous. A land of stunning desert landscapes where modern ways co-exist uneasily with ancient traditions. An enigma of a place where the state executioner is revered, where beautiful women shroud themselves in black, and ferocious desert sandstorms turn high noon into darkest night. Somewhere along the way I fell in love with the Middle East and its people, their proud history, and their gracious hospitality. This is my story.
Growing up in privileged, Manhattan social circles, Caggie's life should be perfect, and it almost was until the day that her younger sister drowned when Caggie was supposed to be watching her. Stricken by grief, Caggie pulls away from her friends and family, only to have everyone misinterpret a crucial moment when she supposedly saves a fellow classmate from suicide. Now she's famous for something she didn't do and everyone lauds her as a hero. But inside she still blames herself for the death of her sister and continues to pull away from everything in her life, best friend and perfect boyfriend included. Then Caggie meets Astor, the new boy at school, about whom rumours are swirling and known facts are few. In Astor she finds someone who just might understand her pain, because he has an inner pain of his own. But the more Caggie pulls away from her former life to be with Astor, the more she realises that his pain might be darker, and deeper, than anything she's ever felt. His pain might be enough to end his life…and Caggie's as well.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION AND SHORTLISTED FOR THE DESMOND ELLIOTT PRIZE 2016 Part mystery, part psychological drama, Julia Rochester's The House at the Edge of the World is a darkly comic, unorthodox and thrilling debut When I was eighteen, my father fell off a cliff. It was a stupid way to die. John Venton's drunken fall from a Devon cliff leaves his family with an embarrassing ghost. His twin children, Morwenna and Corwin, flee in separate directions to take up their adult lives. Their mother, enraged by years of unhappy marriage, embraces merry widowhood. Only their grandfather finds solace in the crumbling family house, endlessly painting their story onto a large canvas map. His brightly coloured map, with its tiny pictures of shipwrecks, forgotten houses, saints and devils, is a work of his imagination, a collection of local myths and histories. But it holds a secret. As the twins are drawn grudgingly back to the house, they discover that their father's absence is part of the map's mysterious pull. The House at the Edge of the World is the compellingly told story of how family and home can be both a source of comfort and a wholly destructive force. Cutting to the undignified half-truths every family conceals, it asks the questions we all must confront: who are we responsible for and, ultimately, who do we belong to? 'A story that carries you along - clever plotting and a startling outcome. An impressive first novel' Penelope Lively 'Wonderfully crisp and funny and it's so full of vivid, surprising images that the reader almost doesn't notice the moment that deep secrets begin to be revealed' Emma Healey, author of Elizabeth is Missing Julia Rochester grew up on the Exe Estuary in Devon. She studied in London, Berlin and Cambridge and has worked for the BBC Portuguese Service and for Amnesty International as Researcher on Brazil. She lives in London with her husband and daughter.
After growing from humble beginnings as a Sword & Sorcery parody to more than 30 volumes of wit, wisdom, and whimsy, the Discworld series has become a phenomenon unlike any other. Now, in The Turtle Moves!, Lawrence Watt-Evans presents a story-by-story history of Discworld's evolution as well as essays on Pratchett's place in literary canon, the nature of the Disc itself, and the causes and results of the Discworld phenomenon, all refreshingly free of literary jargon littered with informative footnotes. Part breezy reference guide, part droll commentary, The Turtle Moves! will enlighten and entertain every Pratchett reader, from the casual browser to the most devout of Discworld's fans.
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
Otto tries to find out what is wrong with Hildegard. People have all sorts of theories, typical of the nineteenth century, such as she's possessed or she's mad. You wouldn't think the doctor would give her something that would affect her behavior to that effect, would you? It all comes down to her potions from the doctor and the tinctures from her old nanny. Now what can Otto do? Can he help her by taking them away?
If the world is flat, as Thomas Friedman says, then aren't some people going to be falling off the edge? Award-winning Time Magazine correspondent Alex Perry (China, India, and Africa) takes us on an unforgettable journey to some of the planet's most remote and dangerous places to explore the sharp end of globalization. Combining sharp analysis with breathtaking frontline reporting, Perry's quest takes readers from Maoist rebels in Nepal to Indian suicide bombers and Indonesian pirates. We meet Chinese organ harvesters, Bombay billionaires, killer cops and pygmy Africans living on a remote island in the Indian Ocean. And in a riveting introduction, Perry presents us with some of the finest war reporting ever to come out of the war on terror. The result of this extraordinary journey is as unexpected as it is dramatic. In his quest to uncover the edges of globalization, Perry ends up discovering its dark heart.
“A first-rate historical page turner.” —New York Times Book Review The acclaimed and bestselling account of Ferdinand Magellan’s historic 60,000-mile ocean voyage. Ferdinand Magellan's daring circumnavigation of the globe in the sixteenth century was a three-year odyssey filled with sex, violence, and amazing adventure. Now in Over the Edge of the World, prize-winning biographer and journalist Laurence Bergreen entwines a variety of candid, firsthand accounts, bringing to life this groundbreaking and majestic tale of discovery that changed both the way explorers would henceforth navigate the oceans and history itself. Now updated to include a new introduction commemorating the 500th anniversary of Magellan’s voyage.