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Using superheroes as the allegory, this colorful photo narrative explores the not-so-glamorous and sometimes dark realities of those who strive to live their dreams against all odds. The creators of Mime Very Own Book have reunited to pair trademark imagery with witty snippets to create a hilarious visual smorgasbord of real people and their quest to see themselves as more than they really are. From fast food to the simple pleasures of gardening, this lighthearted spoof reveals the superhero in all.
A girl with no special powers teams up with a so-called supervillain to investigate an insidious plot in their city in this action-packed YA debut.
A sudden attack from an alien race takes out hundreds of humanity's greatest superheroes, leaving the Earth defenseless in the face of an overwhelming foe. The only survivors are Kevin Jason (Bolt) and his friends, who are forced to ally with the government in order to protect the planet from the invading enemies. Their mission becomes more urgent, however, when the aliens give humanity an ultimatum: Either surrender in forty-eight hours or be destroyed by the aliens' immense forces. With only two days left to save the superhero community and the world in general, Kevin and his friends must defeat the aliens before the world is destroyed. Saving the world, however, will force Kevin and his friends to go to places no human has seen and force them to come to terms with an enemy unlike any they've faced before, one they may not be able to defeat. KEYWORDS: superhero action fiction, superhero fantasy, superhero fiction novel, superhero science fiction, superhero scifi, superhero young adult, superhero city, superhero books, superhero action, superhero books for kids, superheroes, cool superheroes, action adventure books, superhero action adventure books, action adventure fiction, superhero action adventure fiction, young adult action adventure, action adventure young adult
A hilarious visual smorgasbord, this vibrant photo narrative offers a quiet, introspective look into life as a silent emoter. Replete with images of actor and mime artist Doug Jones shot against an array of artistic and real-world backdrops, this social commentary spoofs pop culture and fairy tale favorites. Witty photo parodies include Frank ‘n mime, Marilyn Mime-roe, Mime-hammad Ali, Mime a Llama ding-dong, and Mimeageddon, as well as the “Once Upon a Mime” tales in which the big bad wolf gets bested in a series of mime encounters based on Little Red Miming Hood and the Three Little Pigs—poking fun at legendary personalities, characters, and moments while showcasing photographer Eric Curtis's trademark vision.
Sardonic take on superheroes, their fans and the businessmen behind them. Created by Korporate Comics in a flash of money-grubbing cynicism appalling even by their standards, Angelman's powers (which include empathy and the ability to be a good listener prove less than adequate to deal with the ever-sinister threat of insane plastic surgeon villain Gender-Bender, or for that matter the fickleness of fashion, a disastrous movie adaptation and a desperate 'Reboot' attempt by Korporte. A brilliant satire.
Contributions by Ofra Amihay, Madeline Backus, Samantha Baskind, Elizabeth Rae Coody, Scott S. Elliott, Assaf Gamzou, Susan Handelman, Leah Hochman, Leonard V. Kaplan, Ken Koltun-Fromm, Shiamin Kwa, Samantha Langsdale, A. David Lewis, Karline McLain, Ranen Omer-Sherman, Joshua Plencner, and Jeffrey L. Richey Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the intersections between religion and comics in ways that critically expand our ability to think about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Organized into four sections—Seeing the Sacred in Comics; Reimagining Sacred Texts through Comics; Transfigured Comic Selves, Monsters, and the Body; and The Everyday Sacred in Comics—the essays explore comics and graphic novels ranging from Craig Thompson’s Habibi and Marvel’s X-Men and Captain America to graphic adaptions of religious texts such as 1 Samuel and the Gospel of Mark. Comics and Sacred Texts shows how claims to the sacred are nourished and concealed in comic narratives. Covering many religions, not only Christianity and Judaism, this rare volume contests the profane/sacred divide and establishes the import of comics and graphic narratives in disclosing the presence of the sacred in everyday human experience.
What would happen if people had super powers but there were no super villains to fight? Enter the world of stuporheroes, where people born with special abilities have to either get a day job as an insurance salesman, a baker, or a waiter or struggle through the Hollywood cesspool to try to find fame, money, and fulfillment. But for two ‘powers,’ neither option is attractive and together they conspire to topple the superficiality of Hollywood and the superhero industry!
American prosecutors are asked to play two roles within the criminal justice system: they are supposed to be ministers of justice whose only goals are to ensure fair trials—and they are also advocates of the government whose success rates are measured by how many convictions they get. Because of this second role, sometimes prosecutors suppress evidence in order to establish a defendant’s guilt and safeguard that conviction over time. In Prosecution Complex, Daniel S. Medwed shows how prosecutors are told to lock up criminals and protect the rights of defendants. This double role creates an institutional “prosecution complex” that animates how district attorneys’ offices treat potentially innocent defendants at all stages of the process—and that can cause prosecutors to aid in the conviction of the innocent. Ultimately, Prosecution Complex shows how, while most prosecutors aim to do justice, only some hit that target consistently.
In the second volume of The Superhero's Son Omnibus series, get the next three books in the series in one convenient discounted ebook box set! In "The Superhero's Powers," Bolt finds himself stripped of his powers and on the run from his most dangerous enemy yet and must figure out how to regain his powers in time to save himself and his family; in "The Superhero's Origin," Bolt must stop his grandfather's secret agenda that could ruin his life forever; and in "The Superhero's World," Bolt and his friends must defend Earth from the invasion of an alien race that seeks nothing less than the total destruction of the planet. KEYWORDS: superhero action fiction, superhero fantasy, superhero fiction novel, superhero science fiction, superhero scifi, superhero young adult, superhero city, superhero books, superhero action, superhero books for kids, superheroes, cool superheroes, action adventure books, superhero action adventure books, action adventure fiction, superhero action adventure fiction, young adult action adventure, action adventure young adult
Wronged and powerless. Abandoned, untrusted, mislabeled, and punished on false pretenses. A life where everything said or done is twisted to seem bad or impure. A life where hard work reaps no benefit and living morally, no virtue. THIS IS INJUSTICE. For big ugly Joe Wrage, this is the only life he has known, and being mistreated and called names is normal. Things only get worse after a misunderstanding results in him having to do time in prison. His future looks bleak, miserable, and void of hope. Then something unbelievable happens. Superheroes appear, proclaiming to bring peace to the world. Upon meeting them, it is clear that these heroes are no different from the general population. They view Joe with the same bias as everyone else. Is society’s perception responsible for creating the first supervillain? Let the tale of the world’s first supervillain help you decide.