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Fall of the Derwent is a ficti'nella composed by artists Justy Phillips and Margaret Woodward. The score forms a part of a larger public artwork, a published event, commissioned and presented by GASP (Glenorchy Art & Sculpture Park) Tasmania, as part of Swimmable: Reading the River 2015?17. www.gasp.org.au The commission also includes Walking the River(s) Derwent (2015?16); A river settles its own cairns underwater (2016) and Black Market Symposium (2017). Documentation of the complete ficti'nella can be found at www.fallofthederwent.netThe walks came first. One after another. Then came the Fall. Each download of this score reflects the current percentage of Energy in Storage (Hydro Tasmania) in the River Derwent system in Tasmania.
An unexpected chronicle of heart failure. Prose. Memoir. Essay. Other. This book is a thickness. A lure. Its pages an attempt to reach a body at the moment of invasion. Reduction. Accrual. Heart failure is a compression that folds in many durations. Perhaps for this reason and for the layering of year upon year, Justy Phillips had not, until now, known how to speak about its entanglement in the quiet and gradual violence of childhood sexual trauma. "No doubt my whole life, my work as an artist, and its ways of making-public what we cannot see, has been its own process of recovery. And now, through this failing body, this book—part creature, part ocean, part wet lungs and air—I have found a way to inhabit the limits of what is held. Perhaps only as a way to make room for what will surely follow. Inundate. Collapse. Without this particular heart, shimmering as it is, it is unlikely I could have written the other, paralysed, hollow muscular organ of the past. It is clear to me now that they are not two separate things, these durations, but the ongoing event of one intelligent, fizzing world. In the midst of such entanglements, questions of duration begin to take hold: Where do failures of the heart begin? How do they move? Accumulate, mutate, oscillate back and forth between us? These faltering organs. It is terrifying. And yet so important to bring into language such things." —Justy Phillips
The ultimate doodle coloring book. This big sized coloring book is a challenge for all ages. If you are a fanatic doodler and obsessed with filling in and coloring doodles then this is definitely for you. Or you can just admire the detailed art. The book is filled with 50 unique and extremely detailed work of art by the master of doodles Kerby Rosanes.
222 page, 8.5 x 11", spiral bound and tabbed Artist Edition book dedicated to charting and swatching colored pencils, pastel pencils, watercolor pencils, ink, and markers. Book includes 49 pre-labeled charts (with color names and numbers) of the most popular brands. Book also includes blank charts for additional brands and media, and a large number of original line art illustrations that can be colored. This book was designed and illustrated for the adult coloring market by Susan Carlson (aka Ruby Charm Colors).
Don't fool yourself that the innocent never go to jail. When Bob Chappell disappeared from his yacht, moored in the Derwent Estuary near the Royal Yacht Club of Tasmania's marina, on the night of 26 January 2009, he left behind his pipe and tobacco — something that his partner of 18 years, Sue Neill-Fraser, knew he would never willingly do. What she didn't know was that despite no body, no weapon, no cause of death, and no witnesses, she would soon become the only suspect in Chappell’s disappearance. In their haste to wrap up the case, the police charged Neill-Fraser with murder. In her eagerness to assist police, she virtually talked her way into their hands. And after a lengthy trial that resulted in a guilty verdict, the judge delivered Neill-Fraser a crushing 26-year sentence. But was the verdict unsafe? Many of Australia’s leading legal minds think so, and other reasonable hypotheses have been mooted about what might have happened on the Derwent that night. The Tasmanian government has changed its laws to give Neill-Fraser one last crack at proving her innocence, because that is what it's come to now — proving her innocence. The result of years of investigation, and based on extensive interviews with all the key players — including Sue Neill-Fraser and her family, local underworld figures, and legal luminaries — Death on the Derwent is a riveting story of justice not served.
Their job is to investigate crime – not become the victims... A killer is terrorising London but this time the police are the targets. Urgently re-assigned to investigate a series of brutal attacks on fellow officers, Maeve Kerrigan and her boss Josh Derwent have little idea what motivates the killer’s fury against the force. But they know it will only be a matter of time before the killer strikes again.
Be inspired to use your stash of papers, mementos and accents to create something wonderful! You'll find over 120 valuable tips, ideas, samples, and instructions for creating your very own 'Smash It In' journals.
'History writing at its compulsive best' A. N. Wilson This is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance. Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.