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In his rich and dazzling new novel, the author of the bestselling "The Sixteen Pleasures" chronicles the journey of a man awakening from profound sorrow and rediscovering love in a most unexpected time and place.
This is the autobiography of one of the world's greatest ornithologists. Sálim Ali traces his fascination with birds from early childhood, and recalls his close association with a host of famous figures: Nehru, Ghandi, and Sidney Dillon Ripley among them.
But they were dead, and he still had a chance to live. It was years since he had gone from one great part to the next, but life had merely...shifted. Why couldn’t he accept this? He was an actor, plain and simple: “an abstract and brief chronicle of the time.” He had always done his job. By now he’d spent more time in Hollywood than in New York and had done more films than plays. Susan was right, he had been lucky, blessed even, to have had a chance to do the work he’d done. True, his life on the stage was gone, “melted into thin air,” and would never come back, the way of things and something to be faced. Whether he was in a play or film or soap opera or now a sitcom, he would just do the best he knew how. He was an actor, and an actor acts. As he looked out to the brilliant green sea and up to the sky he glowed with contentment that, somehow, he was able also to accommodate the melancholy that would always be part of him. A seagull glided by on the wind right in front of him, and he heard the voice of his first teacher, Doug Ramey, across the years: “The only thing that counts is the work. As with life, it’s a process, and nothing matters but the doing.”
11 year-old Eleanor has been sent away to a spooky old school run by a great-aunt she’s never met. Shunned by the other girls, dismayed by Great-Aunt Margaret’s coldness, Eleanor struggles with loneliness; so when a strange, skinny little boy, all flapping arms and nodding head, greets her as a long-lost friend, it feels great to have an ally, however quirky his behaviour. As Davey follows her around, begging her to play games and climb the lime tree ‘like they used to,’ Eleanor is baffled; then bewilderment turns to horror when she realises the boy knows things about her he can’t possibly know, things no one should know... Susanna, her one friend, helps her face the truth. Unravelling the mystery draws Eleanor into a dark web of family history, awakening a tragic past that soon threatens to engulf her.
The Fall of a Sparrow is the only full biography in English of the partisan, poet, and patriot Abba Kovner (1918–1987). An unsung and largely unknown hero of the Second World War and Israel's War of Independence, Kovner was born in Vilna, "the Jerusalem of Lithuania." Long before the rest of the world suspected, he was the first person to state that Hitler was planning to kill the Jews of Europe. Kovner and other defenders of the Vilna ghetto, only hours before its destruction, escaped to the forest to join the partisans fighting the Nazis. Returning after the Liberation to find Vilna empty of Jews, he immigrated to Israel, where he devised a fruitless plot to take revenge on the Germans. He then joined the Israeli army and served as the Givati Brigade's Information Officer, writing "Battle Notes," newsletters that inspired the troops defending Tel Aviv. After the war, Kovner settled on a kibbutz and dedicated his life to working the land, writing poetry, and raising a family. He was also the moving force behind such projects as the Diaspora Museum and the Institute for the Translation of Hebrew Literature. The Fall of a Sparrow is based on countless interviews with people who knew Kovner, and letters and archival material that have never been translated before.
Winner of three O. Henry Awards, the Commonwealth Gold Medal, the Pulitzer Prize, the National Book Award, and the Kirsch Award for Lifetime Literary Achievement, Wallace Stegner was a literary giant. In Marking the Sparrow's Fall, the first collection of Stegner's work published since his death, Stegner's son Page has collected, annotated, and edited fifteen essays that have never before been published in any edition, as well as a little-known novella and several of Stegner's best-known essays on the American West. Seventy-five percent of the contents of this body of work is published here for the first time.
The Vivien Eliot Papers is a groundbreaking new biography of Vivien Eliot, comprising two sections: her Life and her Papers. Based on a rich repository of primary evidence, much only recently uncovered, it corrects the accidental inaccuracies and deliberate distortions that have circulated around one of Bloomsbury's most gossiped-about, enigmatic couples, while unveiling fascinating new discoveries that give a more balanced understanding of both partners. For the first time, too, immaculate texts of Vivien's own writing are presented, carefully distinguished from Eliot's input, which demonstrate a fresh and wry talent all of her own.
Found in Paris, an old, long neglected book that purports to be the journal of one Henry Howard turns Michael Devon's world upside down. Within its tattered pages, Michael finds a rich tableau of mid-sixteenth century life, experienced with all of the wonder and sense of adventure of a teen-aged boy at the brink of manhood. A story of improbable love, loyalty, friendship and courage emerges, set in the tumultuous events of the France of Catherine de Medici and Nostradamus. Woven within this narrative is the story of an emerging poetic sensibility, coupled with an uncanny ability to bring to life a richly imaginative world. Howard provides a subtle sprinkling of linguistic tropes that suggests, in its early stages, the rich language of Shakespeare. The Fall of a Sparrow is a book about language, the beauty of its texture, the force of its eloquence, and the music of its cadences.
A visionary work that combines speculative fiction with deep philosophical inquiry, The Sparrow tells the story of a charismatic Jesuit priest and linguist, Emilio Sandoz, who leads a scientific mission entrusted with a profound task: to make first contact with intelligent extraterrestrial life. The mission begins in faith, hope, and beauty, but a series of small misunderstandings brings it to a catastrophic end. Praise for The Sparrow “A startling, engrossing, and moral work of fiction.”—The New York Times Book Review “Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly “Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle “Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News “[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today
“There’s a special providence in the fall of a sparrow.” --William Shakespeare, Hamlet B fell twenty-five feet from his nest into the life of Chris Chester. The encounter was providential for both of them. B and Chester spent hours together playing games like bottle-cap fetch or hide-and-seek. They learned “words” in each other’s vocabularies. B developed a fetish for nostrils and a dislike of the color yellow. He grew anxious if Chester came home late from work. At bedtime he would rub his sleepy eyes on Chester’s thumb and settle to sleep in his palm. Chester ended up turning part of his house into an aviary and adjusting his social life to meet B’s demands. This was a small price to pay, though, for the trust and comfort of a twenty-five-gram friend who brought joy and wonder back into his life.