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The writers of CollegeHumor.com share irreverent advice on how to navigate the peaks and valleys of today's sexual, financial, and social arenas, from bluffing one's way through an on-the-job conversation to using buzzwords to impress cultural circles.
From Out of the Binders co-founder Lux Alptraum, a controversial look at women, sex, and lying -- why myths about women's deceit persist, how they came to be, and ultimately why we must trust women When we talk about sex, we talk about women as mysterious, deceptive, and - above all - untrustworthy. Women lie about orgasms. Women lie about being virgins. Women lie about who got them pregnant, about whether they were raped, about how many people they've had sex with and what sort of experiences they've had - the list goes on and on. Over and over we're reminded that, on dates, in relationships, and especially in the bedroom, women just aren't telling the truth. But where does this assumption come from? Are women actually lying about sex, or does society just think we are? In Faking It, Lux Alptraum tackles the topic of seemingly dishonest women; investigating whether women actually lie, and what social situations might encourage deceptions both great and small. Using her experience as a sex educator and former CEO of Fleshbot (the foremost blog on sexuality), first-hand interviews with sexuality experts and everyday women, Alptraum raises important questions: are lying women all that common - or is the idea of the dishonest woman a symptom of male paranoia? Are women trying to please men, or just avoid their anger? And what affect does all this dishonesty - whether real or imagined - have on women's self-images, social status, and safety? Through it all, Alptraum posits that even if women are lying, we're doing it for very good reason -- to protect ourselves ("My boyfriend will be here any minute," to a creep who won't go away, for one), and in situations where society has given us no other choice.
The designer tells "about his remarkable career and equally remarkable life."--Jacket.
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.
Fake engagements only work if both parties remember they’re supposed to be faking it… Damsels in distress don’t interest Max Sterling. But that didn’t stop him from posing as his gorgeous client’s fiancé when she needed him. Having a fake girlfriend might keep his momma off his back about his bachelor status, too. It was a win-win. Until he started developing very real feelings and ruined everything… Hailey Ellison had her reasons for creating an imaginary fiancé. But she never expected her hot realtor to rescue her when the ruse was about to be exposed. She never thought a man like him could want a curvy girl like her, either. So, imagine her surprise when he seemed more than willing to reap the sexy benefits of their pretend engagement… Max and Hailey are about to find out just how complicated things can be when the line between real and pretend starts to blur. But, oh, the fun they’ll have in the meantime… Faking It, book 2 in the Book Boyfriend series, is a spicy, fake relationship, contemporary romance that can be read as a standalone. Download today and get ready for the dirty-talking book boyfriend you never knew you needed.
Musicians strive to "keep it real"; listeners condemn "fakes"; but does great music really need to be authentic? By investigating this obsession in the last century, this title rethinks what makes popular music work.
This book is about the intrusive fear that we may not be what we appear to be, or worse, that we may be only what we appear to be and nothing more. It is concerned with the worry of being exposed as frauds in our profession, cads in our love lives, as less than virtuously motivated actors when we are being agreeable, charitable, or decent. Why do we so often mistrust the motives of our own deeds, thinking them fake, though the beneficiary of them gives us full credit? Much of this book deals with that self-tormenting self-consciousness. It is about roles and identity, discussing our engagement in the roles we play, our doubts about our identities amidst this flux of roles, and thus about anxieties of authenticity.
This book offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog.
Thomas Wainewright - Regency fop, literary hanger-on, collector of art and artifacts, forger and deported felon - is considered one of the most notorious of English murderers. He is believed to have been one of the first recorded serial killers. James King takes on this spectral character in his first novel, Faking, and examines a number of serious questions. Was Wainewright a faker? It’s historical "fact" that he forged sketches, paintings, letters and banknotes - but, more importantly, did he fake his life? In a complex tapestry of styles and voices, King plays with the assumptions of originality and experience, of academic fashions and biography. Told through the voice of a Toronto housewife, Thomas Wainewright’s story is revealed through the voices of its main characters: the overly sensitive Tom, who wishes to address the characterizations of which he perceives himself to be victim (an essay by Wilde, a character in Dickens, a novel by Bulwer-Lytton); Tom’s cunning wife, Eliza; his sister-in-law, Helen; and his son, Griffiths. Wainewright asserts his innocence of the murders (of his uncle, his mother-in-law, and his sister-in-law) but lays claim to the more fashionable - if not prestigious - guilt of forging a number of canvases, including the Gainsborough reproduced on the cover of the Simon & Pierre edition of Faking. With a deft hand, James King weaves together the language of the Regency with the language of contemporary prose (while knocking the academic conventions) to provide the reader with a novel that is sure to entertain and, at its end, cause a moment of reflection on the nature and importance of authenticity, of leading an authentic life. The Dundurn Group is pleased to announce the release of James King’s first novel, Faking. This is the first of five literary books to be published this season under the revived literary imprint, Simon & Pierre.