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Three kids get lost inside Shakespeare’s book and must help Romeo and Juliet finish their story in order to return home in this silly middle school series! Dear Reader, You are reading this because you expressed interest in the Get Lost Book Club. Are you ready to embark on a journey to Italy, where you’ll find yourself right in the middle of a major feud between two rival pizza-making families: the Montagues and the Capulets? A swordsman and perfumer will hunt you. There will be disguises, fake pizza, and tomato fights (make sure to duck!). You must help Becca, her stepbrother Sam, and her dog Rufus convince Romeo Montague to ask Juliet Capulet on a date, or you will all be stuck in Shakespeare’s Romeo and Juliet forever! Intrigued? Worried? Downright terrified? You should be. But if you’re ready for an adventure, step right up and follow me. It’s time to get lost. Sincerely, The Narrator (with the approval of author M.E. Castle) An Imprint Book
Kyle, the world's most reluctant reader, is transported to the events of William Shakespeare's "Hamlet," and must defeat the evil Uncle Claudius and make it to the end of the story.
Three kids get lost inside Shakespeare’s book and must help Romeo and Juliet finish their story in order to return home in this silly middle school series! Dear Reader, You are reading this because you expressed interest in the Get Lost Book Club. Are you ready to embark on a journey to Italy, where you’ll find yourself right in the middle of a major feud between two rival pizza-making families: the Montagues and the Capulets? A swordsman and perfumer will hunt you. There will be disguises, fake pizza, and tomato fights (make sure to duck!). You must help Becca, her stepbrother Sam, and her dog Rufus convince Romeo Montague to ask Juliet Capulet on a date, or you will all be stuck in Shakespeare’s Romeo and Juliet forever! Intrigued? Worried? Downright terrified? You should be. But if you’re ready for an adventure, step right up and follow me. It’s time to get lost in Fakespeare: Romeo and Juliet. Sincerely, The Narrator (with the approval of author M.E. Castle) An Imprint Book
This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
A bullied little chicken discovers his inner strength along with some surprising dinosaur ancestry in this farmyard tale with huge heart. Little Chick just wants to belong, but the bullies of the barnyard—Little Donkey, Little Pig, and Little Sheep—won’t let him play in their tree house because he is a chicken, and chickens are not strong and brave. Little Chick sees their point: What have chickens done besides invent the chicken dance and cross the road? But when his father shows Little Chick the family photo album, he learns something HUGE: He is related to the gigantic and ferocious Tyrannosaurus rex! Armed with this new knowledge, Little Chick returns to the tree house just in time to rescue the bullies from a scary wolf—and prove that strength and bravery have nothing to do with size.
Your buffalo is growing up. He plays with friends. He shares his toys. He's smart! But is he ready for kindergarten? (And is kindergarten ready for him?) Is Your Buffalo Ready for Kindergarten? is a hilarious look at first-day-of-school jitters from author Audrey Vernick and illustrator Daniel Jennewein.
Does your buffalo pound on pots and pans? Tap out rhythms at the dinner table? It’s not as unusual as you might think. He’s simply at the start of an exciting new journey. A very loud musical journey that begins by teaching your buffalo to play drums. (Did we mention it might be loud?) From the author and illustrator of Is Your Buffalo Ready for Kindergarten? comes this hilarious musical romp about encouraging your buffalo to find his inner rock star.
The second book in the hilarious middle-grade adventure series The Clone Chronicles. Fisher Bas and Two were able to thwart the evil Dr. X, but after somehow surviving the explosion at TechX Enterprises, Two is in Hollywood looking for his "mother." Fisher must bring him back to Palo Alto before his cloning secret is discovered. When a class field trip to see the Dr. Devilish science show arises, it becomes the perfect opportunity for Fisher to find his clone. But all kinds of complications will get in the way—including Amanda Cantrell, who knows more than Fisher would like about Two's identity. As Fisher, FP, and Amanda team up to find Two, they find trouble, hijinx, and the return of an evil mastermind—all set in the glitz of Hollywood.
'Gilbert writes so well that you half suspect he could give up the day job,' The Independent.'A natural storyteller,' The Times Educational Supplement (TES)The brand new edition includes Shakespeare's original play as well as a fabulously entertaining, controversial and challenging translation.This book is a perfect companion to Baz Luhrmann's great film 'Romeo + Juliet'. Written by a teacher who is also a best-selling author, 'Star-crossed' is a modern version of Romeo and Juliet which updates Shakespeare's classic play in a very entertaining fashion. In some ways it is faithful to the original text, providing a modern translation for every speech in the play. However, it uses poetic licence to make Shakespeare's language accessible to teenagers and adults: for example, bad language has been used when appropriate to the dialogue. This playscript is not suitable for children under the age of fifteen. After reading this modern translation, you'll understand and appreciate Shakespeare's text that much more.