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This writing intends to rouse would-be believers to faith--or enhance the faith of others--through the adventure of modern fiction. While taking note of the secularity of our era, the author insists the Spirit of God has not departed the scene. The opening poem by Emily Dickinson, "Tell all the truth but tell it slant," proposes the author's contention that the "indirect discourse" of fictional writers may welcome readers to faith's door in ways sermonic speech never did. The modern authors chosen for this purpose are Izak Dinesen, Annie Dillard, Kent Haruf, Loren Eiseley, Gary Trudeau, Garrison Keillor, William Golding, Walker Percy, Frederick Buechner, and Gabriel Marcel. Having explained one work each by these noted authors, the book closes by pointing to ways in which embedded faith may rise out of these pages to meet the reader where he or she lives.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
Whether the issue of the day on Twitter, Facebook, or cable news is our sexuality, political divides, or the perceived conflict between faith and science, today’s media pushes each one of us into a frustrating clash between two opposing sides. Polarizing, us-against-them discussions divide us and distract us from thinking clearly and communicating lovingly with others. Scott Sauls, like many of us, is weary of the bickering and is seeking a way of truth and beauty through the conflicts. Jesus Outside the Lines presents Jesus as this way. Scott shows us how the words and actions of Jesus reveal a response that does not perpetuate the destructive fray. Jesus offers us a way forward—away from harshness, caricatures, and stereotypes. In Jesus Outside the Lines, you will experience a fresh perspective of Jesus, who will not (and should not) fit into the sides.
Moments of decision. Your life is full of them, and how you respond can have lifelong impact. The decision process can be as intense as a crucible—a vessel in a refining fire, a place where precious substances are tested, purified, and strengthened. In Crucible, we witness how faith, trust, fear, truth, despair, sacrifice, and humility refined David and drew him closer to the heart of God. We learn that God will use the choices we make to transform us into people after His own heart—and shape our lives forever.
Nik Wallenda, "King of the High Wire," doesn't know fear. As a seventh generation of the legendary Wallenda family, he grew up performing, entertaining, and pushing the boundaries of gravity and balance. When Nik was four years old, he watched a video from 1978 of his great grandfather, Karl Wallenda, walking between the towers of the Condado Plaza Hotel in Puerto Rico, stumbling, and falling to his death because of improper rigging. When Nik heard his father quote his great-grandfather-"Life is on the wire, everything else is just waiting"-the words resonated deep within his soul and he vowed to be a hero like Karl Wallenda. Balance is the theme of Nik's life: between his work and family, his faith in God and artistry, his body and soul. It resonates from him when performing and when no one is looking. When walking across Niagara Falls, he prayed aloud the entire time, and to keep his lust for glory and fame in check, Nik returned to the site of his performance the next day and spent three hours cleaning up trash left by the crowd. Nik Wallenda is an entertainer who wants to not only thrill hearts, but to change hearts for Christ. Christ is the balance pole that keeps him from falling. Nik Wallenda is an entertainer who wants to not only thrill hearts, but to change hearts for Christ. Christ is the balance pole that keeps him from falling.
These volumes describe how the development of the different styles of interpretation found in reading scripture and nature have transformed ideas of both the written word and the created world.
Heikki Risnen offers a historical survey of the roots and first growth of the thoughts, values, and practices of the early Christians and explains the evolution of Christian belief in terms of vital adaptations to specific challenges. An ideal textbook for university introductory courses on the New Testament and Early Christianity, The Rise of Christian Beliefs offers chapters discussing paradigmatic events the life and death of Jesus and experiences of Easter, principal figures and groups, last things and afterlife, savior figures and the human condition, ethnicity, identity, and morality, and ritual community life.
Faith stories is an investigation of faith and belief systems in Australia and England. Drawing on ethnography, interviews, focus groups for adults and arts-based workshops for their children, Hickey-Moody takes a community-based approach to examining belonging, attachment, faith, belief and ‘what really matters’ in diverse areas. Each of the book’s research sites is geographically and culturally specific in ways that shape residents’ experiences of community and belonging, but they are united by enduring threads relating to colonisation, diaspora and negotiating belonging in culturally diverse contexts. Examining faith reveals that there are striking similarities between seemingly different cultures. Understanding these connections can reduce conflict and promote cohesion in communities that are often struggling to adapt to huge changes. This book provides rich resources for those who wish to explore faith and belief in complex social circumstances, either as research or as community engagement. In such increasingly divided times, work like this is needed now more than ever.