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Faith, Love, Hope and Popular Romance Fiction explores romance novels from a theological perspective and suggests a new definition of the romance novel to complement other definitions which focus on structural elements: "modern popular romances are novels whose authors have assumed pastoral roles, offering hope to their readers through works which propagate faith in the goodness and durability of love." Part one outlines how romance authors offer hope and pastoral care to their readers through works which propagate faith in the goodness and durability of love. Part two explores aspects of faith, hope, love and pastoral care in more detail: words and power; the different "faith" traditions in the precursors to the modern romance; what it means to hope for a "prince" as saviour; damnation as the absence of love, and metaphorical devils and hells; false or damaging forms of love and how to discern them.
She's lost everything a person can lose, including her identity A huge family secret, locked in a box, has shattered her world. Faith, a former wealthy socialite, has had a rough few months. With her beloved father out of her life and a box of secrets that has shattered her world, she travels to January Cove in search of answers. But within the first minute of her visit, she's knocked off her feet - quite literally - by Brandon James. Brandon is tired of trying to save un-savable women. And this one is a royal pain in the rear. But he can't seem to stay away from her. Can opposites really attract, or is this a recipe for heartbreak? This is the 9th installment of the January Cove clean and wholesome beach romance series. All books in this series are stand alone and without cliffhangers!
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
After one passionate night, Faith Sheridan found herself pregnant with her sexy bodyguard's child. Now she hoped the news of their secret child would be a welcome gift to Worth Cordell this holiday--and the beginning of a lifetime of love....
"Saved!" meets To All the Boys I’ve Loved Before in this laugh-out-loud romantic comedy that takes a meaningful look at consent and what it means to give it. When CeCe’s born-again ex-boyfriend dumps her after they have sex, she follows him to Jesus camp in order to win him back. Problem: She knows nothing about Jesus. But her best friend Paul does. He accompanies CeCe to camp, and the plan—God’s or CeCe’s—goes immediately awry when her ex shows up with a new girlfriend, a True Believer at that. Scrambling to save face, CeCe ropes Paul into faking a relationship. But as deceptions stack up, she questions whether her ex is really the nice guy he seemed. And what about her strange new feelings for Paul—is this love, lust, or an illusion born of heartbreak? To figure it out, she’ll have to confront the reasons she chased her ex to camp in the first place, including the truth about the night she lost her virginity.
Laura Vivanco's study challenges the idea that Harlequin Mills & Boon romances are merely mass-produced commodities, churned out in accordance with a strict and unchanging formula. She argues that many are well-written, skilfully crafted works, and that some are small masterpieces. For Love and Money demonstrates the variety that exists beneath the covers of Harlequin Mills & Boon romances. They range from paranormal romances to novels resembling chick lit, and many have addressed serious issues, including the plight of post-Second World War refugees, threats to marine mammals, and HIV/AIDS. The genre draws inspiration from Shakespearean comedies and Austen's novels, as well as from other forms of popular culture. "“Laura Vivanco’s 'For Love and Money' is an impressive study of the popular fiction of Harlequin Mills and Boon that is a must read for any student of popular fiction and for those who write and love the genre” —Liz Fielding, author of over 50 Harlequin Mills & Boon romances.“Deep learning, wide reading, and clear thinking are very much in evidence in Vivanco’s exploration of HM&B. A welcome addition to popular romance criticism.” — Professor Pamela Regis, author of 'A Natural History of the Romance Novel'."Laura Vivanco’s analysis of the category romance is both meticulous and inspiring. And while Vivanco limits her examples and discussions to category romances by Harlequin Mills & Boon and the HQN imprint, her application of Frye’s mimetic modes begs for expansion to texts and authors across the genre. This piece of literary criticism should serve as a template for romance scholars to move from defending the genre to discussing its values and complexity as a literary art. — Maryan Wherry, 'Journal of Popular Romance Studies'
Lou Ellen's life is filled with luxuries, comfort, and love. She has a nice house, a beautiful garden, and a husband and family who adore her. She should be happy. So why is she left with indefinable feelings that something is left unfinished? In search of answers, Lou Ellen must journey back into her past, reliving memories from her childhood and beyond. What she vividly recalls is alternately poignant, humorous, sweet, and painful. Life wasn't always easy. As a girl, she had to overcome poverty, constant rejection, loneliness, and criticism. She learned to succeed through hard work and bore responsibility that was well beyond her years. But against all odds, she met the challenges life presented. Through her faith and hope, she grew to become motivated, happy, and blessed with a love that defies explanation. As she sifts through the events that have shaped her life and the woman she has become, Lou Ellen looks for the key to her contentment, finding that When Love Abounds, there's always hope for the future. 'Ms. Robinson has penned a novel that is both heartwarming and filled with faith. Through Lou Ellen's journey of self-discovery, she offers hope and insight that can benefit us all!' —Cindy Kelley, screenwriter for The Velveteen Rabbit and Love Comes Softly, co-author of The Silent Gift
She stole his heart.He stole her peace.Can hope steal their pain?At the age of eighteen, Lacey Carmichael was a wild girl bent on fun, promised to Jack O'Bryen, a straight-and-narrow pastor's kid bent on the seminary. When her father kicks her out of the house, she runs away from Isle of Hope, turning her back on everything she loves. Now, eight years later, she's back as a woman of faith, hoping to make amends to the father she defied, the boyfriend she deserted, and the best friend she denied. Only the bridges she's burned are still smoldering, kindled by an adulterous affair by Jack's pastor father that damaged his son's faith. But can a turning of tables-and hearts-lead the way back to "hope" for them all?
"Find your one true love and live happily ever after." The trials of love and desire provide perennial story material, from the Biblical Song of Songs to Disney's princesses, but perhaps most provocatively in the romance novel, a genre known for tales of fantasy and desire, sex and pleasure. Hailed on the one hand for its women-centered stories that can be sexually liberating, and criticized on the other for its emphasis on male/female coupling and mythical happy endings, romance fiction is a multi-million dollar publishing phenomenon, creating national and international societies of enthusiasts, practitioners, and scholars. Catherine M. Roach, alongside her romance-writer alter-ego, Catherine LaRoche, guides the reader deep into Romancelandia where the smart and the witty combine with the sexy and seductive to explore why this genre has such a grip on readers and what we can learn from the romance novel about the nature of happiness, love, sex, and desire in American popular culture.
Palm Springs, California, in a Future Time America reels under the harsh laws of a terrorist regime. A young Christian widow facing execution for sharing her faith hides out in abandoned houses as she awaits the birth of her child. Accepting that her death is inevitable, she asks God to find a mother for her baby. Across town, Aishah, a childless Muslim woman, has almost given up hope of ever holding a baby in her arms. She prays one last desperate prayer to "Whoever is up there". Faith and fear collide when the two women meet, and Aishah promises she will risk her life to claim the newborn as her own. But someone she least suspects knows her secret. New hope is born in the infant's emerald eyes but the battle for love, faith and freedom has only just begun.