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This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book’s core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; ‘the uncanny’ and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.
Rooted in the oral traditions of cultures worldwide, fairy tales have long played an integral part in children's upbringing. Filled with gothic and fantastical elements like monsters, dragons, evil step-parents and fairy godmothers, fairy tales remain important tools for teaching children about themselves, and the dangers and joys of the world around them. In this collection of new essays, literary scholars examine gothic elements in more recent entries into the fairy tale genre--for instance, David Almond's Skellig, Neil Gaiman's The Graveyard Book and Coraline and Lemony Snicket's A Series of Unfortunate Events--exploring such themes as surviving incest, and the capture and consumption of children. Although children's literature has seen an increase in reality-based stories that allow children no room for escape from their everyday lives, these essays demonstrate the continuing importance of fairy tales in helping them live well-rounded lives.
Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA
Amarrah Brewer is desperate and grief-stricken. For ages, the town of Bitterburn has sent tribute to the Keep at the End of the World, but a harsh winter leaves them unable to pay the toll that keeps the Beast at bay. Amarrah volunteers to brave what no one has before-to end the threat or die trying. The Beast of Bitterburn has lost all hope.One way or another, Njål has been a prisoner for his entire life. Monstrous evil has left him trapped and lonely, and he believes that will never change. There is only darkness in his endless exile, never light. Never warmth. Until she arrives.It's a tale as old as time... where Beauty goes to confront the Beast and falls in love instead.
A 1st Place Inkitt Novel Contest Winner for January 2018 Selected as Feminist Book of the Month by F-BOM Book Club for Sep/Oct 2019 I'm not who they think I am. A docile girl who meekly obeys her stepmother and stepsisters. Some kind of sick angel who cheerfully bears their mistreatment. That's what I WANT them to think. Because then they won't suspect what I'm really up to. The ball, the prince - it's all part of my plan to come out on top. Stepmother and her demented daughters will pay for every floor I have scoured, every sneer I have borne. They don't know about the white magic, how I use it to enhance myself. They can't see that my heart is black as midnight, rotten as a poisoned apple. They're about to find out.
The happily ever after is never the end. The curtain doesn't fall once love is recognized or evil is vanquished. Credits don't roll once the giant is slain or the big bad wolf is boiled alive. Wicked stepsisters, malevolent rulers, and hideous creatures still have lives after their sinister roles play out; heroes, lovers, and dreamers often find their victories lead to more troubles. Within these pages are more than seventy continuations, retellings, and eldritch stories that explore the dark forests, magical castles, and gruesome monsters After the Happily Ever After.
Presents a collection of classic and lesser known fairy tales retold with sinister plot twists and macabre characters, including "Rapunzel," "Molly Whupple," "Beauty and the Beast," and "The Island of Skeletons."
A deliciously dark bubblegum-gothic fairytale from a stunning new Australian talent. 'He's gone the same way as those little birds that bothered me with their awful songs! And you will too, you and your horrible heart-music, because you won't stay out of my woods!' There's a dead girl in a birdcage in the woods. That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help. Her real-life friends - Grape, James and new boy Edgar - make her forget for a while. And her brother-princes - magical creatures seemingly lifted from the pages of the French fairytales Isola idolises - will protect her with all the fierce love they possess. It may not be enough. Isola needs to uncover the truth behind the dead girl's demise . . . before the ghost steals Isola's last breath.
Sometimes a fox is not a fox, and a man is not what he seems. When Lachlan, the golden prince of the faeries, is transformed into a fox and banished from the forest on the eve of his mother's funeral, the last creature he expects to seek help from is a human. But Sorcha Darrow is not so easily enchanted by the wily faerie. Only after discovering her father means to marry her to a wealthy Londoner does she decide to help him, seeking the power of a being even Lachlan is wary of: a kelpie. In finding one Sorcha hopes that she may just avoid her own dire fate in the process. With Sorcha's dreams being their only true form of communication, Lachlan has to race against time to break his curse and take his place as king before he's doomed to live as a fox forever. But someone else is after the throne, and may just use Sorcha's growing connection to Lachlan to reach it. *** The first book in the Bright Spear trilogy, Prince of Foxes is loosely based on the Celtic fairy tale of Gold-tree and Silver-tree, and features a cameo from Julian and Evie from The Tower Without a Door (Chronicles of Curses book 3). NOTE: Prince of Foxes is written in UK (British) English, not American English. *** Praise for Prince of Foxes: "The Prince of Foxes is as lushly filled with rich prose as any timeless classic. Hayley writes in a way that calls to mind the original fairy tales written hundreds of years ago..." Amazon.com reviewer "From the first page to the last, this is a captivating read." Amazon.com reviewer "I had no doubt I would lose myself in this book, and I can safely say it was everything I wanted." Amazon.co.uk reviewer
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.