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Never deal with a leprechaun. Finding a pot of unclaimed gold just doesn't come without a price in the Monsters, Maces and Magic RPG world. Stephi discovers this the hard way while tangling with a mean-spirited leprechaun. With Stephi, now transmorphed into a fairy, the party must do the leprechaun's bidding. Otherwise, Stephi will remain a diminutive fairy with no hope of returning to her former elf self. But leprechauns aren't known for their straight dealing. Neither is Higslaff, a manipulative pawnshop owner who possesses what the leprechaun desires. Glenn, Kirby, Stephi, Ron and Derek—RPG players trapped in the game world as their characters—set off on a mission to Riven Rock, a city rife with cruelty and corruption. There they must inflict retribution for an attack against the pawnshop owner. Danger and deceit threaten the party at every turn. Can they avoid getting caught up in the brewing war between rival thieves' guilds? Will they survive the journey, and the perils of Riven Rock? As low-rank characters, it'll take all the skill, cunning and luck the party can muster. And that might not be enough. Praise for Monsters, Maces and Magic "Exciting and hilarious! It feels like a true game with friends." Dueling Ogres Podcast "I was pulled into the world and could see the rules of the world unfold. This really does feel like a game. A fun game that I am going to have to continue." Casia's Corner
"The New Folger is an edition that all serious Shakespeare students will want to read and accumulate, and one that many teachers of Shakespeare will surely judge the best available." -- The Shakespeare Newsletter The havoc wrought on lovers by magic in "A Midsummer Night's Dream, " the furious battle of the sexes waged in "The Taming of the Shrew, " and a stranded woman finding her way in a man's world in "Twelfth Night" -- this collection of three of Shakespeare's greatest comedies is based on the acclaimed individual Folger editions of the plays. The present volume offers accurate texts in modern spelling, full explanatory notes, and scene-by-scene action summaries.
After her boyfriend dumps her for her older sister, sophomore Savannah wishes she could find a true prince to take her to the prom. Enter Chrysanthemum Everstar: Savannah's gum-chewing, cell phone-carrying, high heel-wearing Fair Godmother. Despite a few wish-granting mishaps, Savannah's fairy-tale ending might not be as far off as she imagined.
This edition of one of Shakespeare's most beloved comedies features a freshly edited text of the play, scene-by-scene explanatory notes, a key to famous lines and phrases, and much more. Reissue.
Set in Los Angeles in the early 90s, the novel chronicles the early days of an indie band as they meet, practice, make their first record, and get their first break/big gig. It’s also the story of the the flowering love affair between John and Jenny, the two charming if troubled guitarists/singers in the band. John is by day a misanthropic substitute teacher in the zany, sometimes horrific LA Unified School District; Jenny is an mysterious recovering child prodigy. Along the way, the couple and their bandmates make momentous discoveries about themselves and the Hollywood milieu in which they struggle to succeed, a world peopled by narcissistic actors, wannabe screenwriters, pretentious musicians, weirdo fans, crazy neighbors -- and an emu. The King of Good Intentions was originally to have been published by Henry Rollins’s 2.13.61 press in 1999. When Rollins decided henceforth to publish only his own work, Fredrick set the novel aside to focus on his musical and teaching career. Now it will finally make its long overdue debut.
The newly revised, wonderfully authoritative First Folio of Shakespeare’s Complete Works, edited by acclaimed Shakespearean scholars Jonathan Bate and Eric Rasmussen and endorsed by the world-famous Royal Shakespeare Company Combining cutting-edge textual editing, superb annotations and commentary, a readable design, and bonus features for students, theater professionals, and general readers, this landmark edition sets a new standard in Shakespearean literature for the twenty-first century and features 48 pages of new material. Edited by a brilliant team of “younger generation” Shakespearean scholars from the First Folio originally assembled by Shakespeare’s own acting company, this edition of the “Complete Works” corrects centuries of errors and textual variations that have evolved since the book’s publication in 1623, and includes modern glossaries designed for twenty-first-century readers and new editorial stage directions clearly distinguished from Folio directions.