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Charming cartoon-style figures add a modern touch to the traditional tale. Simply press out the characters, put together the easy-to-assemble sets and stage, follow the story cards, and hand out tickets!
Charming three-dimensional scenes transform the story of Cinderella into a fairy-tale gift to treasure. Jane Ray’s layered cut-paper artwork elegantly retells the time-honored tale of a scullery maid turned royalty. Six meticulously detailed tableaux include a shabby kitchen, a gorgeous nightscape in a magical garden, and a sparkling ballroom filled with nobles, as well as Cinderella’s iconic gilded pumpkin coach. Side panels unfold to reveal the story’s text and evoke an evening at the theater. Little girls who dream of fairy godmothers will adore this unique portrayal of the world’s most famous princess — no glass slippers required.
This stage version of Cinderella has captivated audiences with its dazzlingly original take on one of the oldest and best-loved fairytales of all times. When Ella’s mother dies, she is brought up by her devoted and loving father who teaches her the names and calls of the woodland birds that surround their home. But when her father marries again, Ella’s peaceful life is turned upside down by a host of new and unpleasant relations. It appears her only allies are the feathered friends who roost in the trees, but they are no ordinary birds... With crystal-clear storytelling, this classic tale of fortunes reversed is brought startlingly and imaginatively to life. Since its premiere in Bristol in 2011/12, Cinderella has gone on to brilliantly successful Christmas runs at two London venues, won a 2014 Off West End Award and was nominated for a 2013 Olivier Award.
Once upon a planetoid, amid her tools and sprockets, a girl named Cinderella dreamed of fixing fancy rockets. With a little help from her fairy godrobot, Cinderella is going to the ball. But when the prince's ship has mechanical trouble, someone will have to zoom to the rescue! Readers will thank their lucky stars for this irrepressible fairy tale retelling, its independent heroine, and its stellar happy ending. Plus, this is the fixed format version, which will look almost identical to the print version. Additionally for devices that support audio, this ebook includes a read-along setting.
Examines pantomime and theatricality in nineteenth-century histories of folklore and the fairy tale. In nineteenth-century Britain, the spectacular and highly profitable theatrical form known as "pantomime" was part of a shared cultural repertoire and a significant medium for the transmission of stories. Rowdy, comedic, and slightly risqué, pantomime productions were situated in dynamic relationship with various forms of print and material culture. Popular fairy-tale theater also informed the production and reception of folklore research in ways that are often overlooked. In Staging Fairyland: Folklore, Children's Entertainment, and Nineteenth-Century Pantomime, Jennifer Schacker reclaims the place of theatrical performance in this history, developing a model for the intermedial and cross-disciplinary study of narrative cultures. The case studies that punctuate each chapter move between the realms of print and performance, scholarship and popular culture. Schacker examines pantomime productions of such well-known tales as "Cinderella," "Little Red Riding Hood," and "Jack and the Beanstalk," as well as others whose popularity has waned—such as, "Daniel O'Rourke" and "The Yellow Dwarf." These productions resonate with traditions of impersonation, cross-dressing, literary imposture, masquerade, and the social practice of "fancy dress." Schacker also traces the complex histories of Mother Goose and Mother Bunch, who were often cast as the embodiments of both tale-telling and stage magic and who move through various genres of narrative and forms of print culture. These examinations push at the limits of prevailing approaches to the fairy tale across media. They also demonstrate the degree to which perspectives on the fairy tale as children's entertainment often obscure the complex histories and ideological underpinnings of specific tales. Mapping the histories of tales requires a fundamental reconfiguration of our thinking about early folklore study and about "fairy tales": their bearing on questions of genre and ideology but also their signifying possibilities—past, present, and future. Readers interested in folklore, fairy-tale studies, children's literature, and performance studies will embrace this informative monograph.
Perfect for building fluency, linking reading and writing, and preparing for writing assessments!
“What would the world look like if girls grew up reading fairytales made from the magic they carry inside themselves? Breathtakingly beautiful, is what.” —Lidia Yuknavich, national bestselling author In her debut children’s book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page. In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes. “Being a princess is absolutely fine if that’s what you choose. It’s having those choices taken away from you that make for big problems. Cinderella in Solnit’s book is given that choice. She’s allowed to say what her dreams are, and then she goes out and attains them. And they’re not huge ridiculous dreams but small, happy, manageable ones. Ultimately, that’s the gift Ms. Solnit is giving kids with this book.” —School Library Journal “This is a reminder of hope and possibility, of kindness and compassion, and—perhaps most salient—imagination and liberty. Through the imaginations of our childhoods, can we find our true selves liberated in adulthood?” —Chelsea Handler “This is, hands down, a wonderful book—one that even the jaded reader will clasp upon completion with a contented sigh.” —The New York Times
This Cinderella goes from ashes to ashes in the new Victorian-era Fairy Tale Fatal Mystery by the author of Snow White Red-Handed . . . Variety hall actress Ophelia Flax’s plan to reunite her friend Prue with her estranged—and allegedly wealthy—mother, Henrietta, is met with a grim surprise. Not only is the marquise’s Paris mansion a mouse-infested ruin, but Henrietta has inexplicably vanished, leaving behind an evasive husband, two sinister stepsisters, and a bullet-riddled corpse in the pumpkin patch decked out in a ball gown and one glass slipper—a corpse that also happens to be a dead ringer for Prue. Strangely, no one at 15 rue Garenne seems concerned about who plugged this luckless Cinderella or why, so the investigation is left to Ophelia and Prue. It takes them through the labyrinthine maze of the Paris Opera, down the trail of a legendary fairy tale relic, into the confidence of a wily prince charmless, and makes them vulnerable to the secrets of a mysterious couturière with designs of her own on Prue’s ever-twisting family history.
Press out cute cartoon figures of Little Red Riding Hood, Mr. Wolf, Grandmother, and the Woodsman, plus costumes and accessories. Includes easy-to-assemble sets and a stage for performing your own drama.
A romantic comedy on midlife relationships and a pet dog.