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In this funny and romantic sequel to WINGS, the half-human half-fairy princess Tamisin is kidnapped by Oberon, the king of the fairies. Forced to leave her boyfriend, Jak, behind in the human world, Tamisin feels completely lost. In the land of the fey, Oberon tells her that her mother, Titania had been lying when she'd said Tamisin was half fairy, half human. Who is telling the truth? And how can she get home again? Oberon doesn't have much time to explain. And Dasras, the odd blue boy who's meant to look after her, doesn't have the answers either. Tamisin must rely on her own sense of right and wrong, of truth and lies, and most importantly, of friendship and love, to sort out who she really is.
Sparks will fly when a fairy princess is kidnapped! From the author of The Frog Princess series
Someone so wrong shouldn't feel so right... Greta Meier's life is a meticulously crafted blueprint—excel in her studies, secure a coveted position at her father's firm, and find a suitable match from the right social circles. But one stormy afternoon, she throws caution to the wind, indulging in a passionate encounter with Jacob Grimm—a man whose tattooed arms and devil-may-care smile embody everything she's not supposed to want. Their steamy rendezvous, all heated touches and forbidden whispers, was meant to be just that—a fleeting moment of rebellion. But fate has other plans. Weeks later, as Greta settles into her dream job at her father's firm, she's shocked to find Jacob in the boardroom—not as an employee, but as their newest investment prospect. Suddenly, their secret affair threatens to unravel everything they've worked for—she could lose her hard-earned position, and her father might pull the investment from Jacob's fledgling business, destroying his dreams along with hers. Meanwhile, Jacob fights to prove his business acumen matches his entrepreneurial spirit, determined to show he's more than just a bad boy with a motorcycle from the wrong side of the tracks. Can Greta and Jacob find a way to balance their growing feelings with their professional relationship, or will the threat of losing everything they've worked for tear them apart?
An irresistible collision of worlds as ordinary schoolgirl becomes fairy princess. From the author of The Frog Princess series
"Twin teen girls with very different upbringings meet for the first time at their mother's funeral. As they get to know each other, it becomes clear that one of the sisters is driven by a secret destructive power-or is it both?"--Provided by publisher
Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?
When Tamisin discovers that she is half fairy, she decides to find out more answers directly from the fairies themselves, including her birth mother, the fairy queen. Reprint.
Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives--including but not limited to anti-racist, decolonial, disability, and feminist theorizing--renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres," addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales," shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel," "The Juniper Tree," and "Cinderella." The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies--which will be of interest to film and fairy-tale scholars and students--considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.
Vera Lomax uses every gold-digging trick in the book to land a rich, older husband. Now she balances a life of shopping and affairs with younger men with a major secret: the 16-year bribery of one of her husband's mistresses to keep her pregnancy under wraps. Unfortunately for Vera, Sarah Cooper is the child Kenneth Lomaz always wanted. When the father she never knew shows up to claim her, it's a fairy tale journey from the ghetto to a mansion on the hill. Neither woman can be sure who will win Kenneth's heart and fortune.