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Jenner is forced to team up with a Fairman in an attempt to save the life of a woman tied to a past investigation. No one likes loose ends, but some cases are never truly closed Will this one be Jenner's last?
"Every fantasy epic ends with a war. But what happens when the war is over? After posing as a man to join the army, Jenner Faulds returns home to The Feld for a new start as a “Fairman”—a specially licensed private investigator. But sexism didn’t end on the battlefield, and as the only “Fairlady,” Jenner gets stuck with the cases nobody else wants. Hitting the streets to solve The Feld’s overlooked mysteries, Jenner finds that the smallest cases hide the biggest secrets. Writer Brian Schirmer, artist Claudia Balboni (Star Trek), and colorist Marissa Louise team up for FAIRLADY—an all-new series with the procedural case-solving of Magnum P.I. and Fables, but set in a vibrant, RAT QUEENS-like high fantasy world. Plus, this—and every—issue contains a complete 30-page story!"
Brief history of Hereford cattle: v. 1, p. 359-375.
"An Englishman's way of speaking absolutely classifies him, The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.