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Relive the beauty and magic of Cecily Mary Barker's Flower Fairies of the Spring, now with a brand new enchanting cover. Since the publication of Cicely Mary Barker's first book in 1923, the Flower Fairies have been ethereal companions to readers around the world. Her charming poetry and delicate illustrations have sparked the imaginations of children for over ninety years and continue to inspire a life-long love for fairies and all things magical.
Illus. dictionary on the meaning of flowers compiled using popular superstitions and ancient folklore. Col. illus. 8-12 yrs.
Using clever disguises, fairies live and hide in treetops, forests, gardens, marshes, and hedgerows.
Exquisite, ready-to-color drawings of flowers -- one for each letter of the alphabet -- accompanied by young sprites in carefree poses. Each illustration also contains the first letter of the flower's name.
THIS WHIMSICAL AND charming collection of stories and poems was first published in 1951. Now a new generation of fairy fans can search for lost merbabies, bargain with pixies, and frolic under the moon with Jane Werner’s fantastic selection of “wee folk” tales, masterfully illustrated by Garth Williams.
Reproduction of the original.
This book contains the complete Andersen's 127 fairy tales and stories in the chronological order of their original publication. Hans Christian Andersen was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories—called eventyrs, or "fantastic tales"—express themes that transcend age and nationality. During his lifetime he was acclaimed for having delighted children worldwide and was feted by royalty. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. They have inspired motion pictures, plays, ballets, and animated films.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Hans Christian Andersen (1805–1875) was a Danish writer, best remembered for his fairy tales. Table of Contents: BY THE ALMSHOUSE WINDOW THE ANGEL ANNE LISBETH BEAUTY OF FORM AND BEAUTY OF MIND THE BEETLE WHO WENT ON HIS TRAVELS THE BELL-DEEP THE BIRD OF POPULAR SONG THE BISHOP OF BORGLUM AND HIS WARRIORS THE BOTTLE NECK THE BUCKWHEAT THE BUTTERFLY A CHEERFUL TEMPER THE CHILD IN THE GRAVE CHILDREN'S PRATTLE THE FARM-YARD COCK AND THE WEATHER-COCK THE DAISY THE DARNING-NEEDLE DELAYING IS NOT FORGETTING THE DROP OF WATER JACK THE DULLARD AN OLD STORY TOLD ANEW THE DUMB BOOK THE ELF OF THE ROSE THE GIRL WHO TROD ON THE LOAF THE GOBLIN AND THE HUCKSTER THE GOLDEN TREASURE GRANDMOTHER A GREAT GRIEF THE HAPPY FAMILY A LEAF FROM HEAVEN IB AND LITTLE CHRISTINA THE ICE MAIDEN I. LITTLE RUDY THE JEWISH MAIDEN THE LAST DREAM OF THE OLD OAK THE LAST PEARL LITTLE CLAUS AND BIG CLAUS THE LITTLE ELDER-TREE MOTHER LITTLE IDA'S FLOWERS THE LITTLE MATCH-SELLER THE LITTLE MERMAID LITTLE TINY OR THUMBELINA THE LOVELIEST ROSE IN THE WORLD THE MAIL-COACH PASSENGERS THE MARSH KING'S DAUGHTER THE METAL PIG THE MONEY-BOX WHAT THE MOON SAW INTRODUCTION THE NEIGHBOURING FAMILIES THE NIGHTINGALE THERE IS NO DOUBT ABOUT IT THE OLD BACHELOR'S NIGHTCAP THE OLD GRAVE-STONE THE OLD HOUSE WHAT THE OLD MAN DOES IS ALWAYS RIGHT THE OLD STREET LAMP OLE-LUK-OIE, THE DREAM-GOD OLE THE TOWER-KEEPER OUR AUNT THE GARDEN OF PARADISE THE PEA BLOSSOM THE PEN AND THE INKSTAND THE PHILOSOPHER'S STONE THE PHOENIX BIRD THE PORTUGUESE DUCK...
The all new essays in this book discuss black cultural retellings of traditional, European fairy tales. The representation of black protagonists in such tales helps to shape children's ideas about themselves and the world beyond--which can ignite a will to read books representing diverse characters. The need for a multicultural text set which includes the multiplicity of cultures within the black diaspora is discussed. The tales referenced in the text are rich in perspective: they are Aesop's fables, Cinderella, Rapunzel and Ananse. Readers will see that stories from black perspectives adhere to the dictates of traditional literary conventions while still steeped in literary traditions traceable to Africa or the diaspora.