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Annotation This volume surveys 200 years of Indian literature in English. Written by Indian scholars and critics, many of the 24 contributions examine the work of individual authors, such as Rabindranath Tagore, R.K. Narayan, and Salman Rushdie. Others consider a particular genre, such as post-independence poetry or drama. The volume is illustrated with b&w photographs of writers along with drawings and popular prints. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
A balanced selection from Buddhist writings, including scriptures used by the Zen School, with chapters on the Buddha, Tibetan Buddhism, Concentration and Meditation, the Buddhist Order, and Nirvana. With sources, glossary and index.
This book, compiled from basic Buddhist writings, presents a survey of Buddhist thought in India, China, and Japan, covering the central doctrines and practices that has profoundly influenced human life in Asia. Developments in practical ethics, social attitudes, philosophical speculation, and religious and aesthetic contemplation are represented by selected excerpts from basic writings with succinct introductions and commentary. From these one may observe not only the remarkable vitality of Buddhism in its spread through Asia, but also the essential links between widely diverse forms, showing how the spiritual message of the Buddha found expression in different historical and cultural circumstances. Thus both its continuity in time and its wide range of influence mark Buddhism as a major spiritual force in the world. Buddha, as the Awakened One, has exemplified to millions of followers throughout the ages a living Truth, a dynamic wisdom and an active compassion. It is these qualities that have inspired hop and courage in men who were asked to face to the stark reality of man's condition: the inevitable involvement in suffering which arises from his persistent egoism and refusal to recognize his finitude.
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
Sarang is an original: he writes clearly and beautifully about often bizarre events in a precisely realized world' -Anthony Thwaite, poet and former editor of Encounter. With his debut collection of short stories in English, fair tree of the Void (1990), Vilas Sarang established himself as a writer of great gifts, and one with a unique sensibility and literay vision. His works since- in Marathi and English- have confirmed his reputation as one of India's finest and most daring contemporary writers. The women in cages brings together all his short stories written in English, both previously published and new, brilliantly hisghlighting his singular imagination and style. . From the desecration of a funeral pyre by the simple act of warming one's hands on the blaze to the transformation of a man into a gigantic phallus enticing crowds of devotted as a live symbol of Lord Shiva; from the prostitute who uses the occult to generate numerous vaginas all over her body to a military general who abolishes and entire season for fear of revolution, Sarang presents startling thematic variety , always suggestive of strange and haunting alternative universes that transcend time and space. Gritty and disturbing, and leavened by wit and compassion, The Women in Cages is a masterful attempt at capturing the myraid nuances of modern life.
* A New York Times Book Review Notable Book of the Year * A San Francisco Chronicle, Kansas City Star, St. Louis Post-Dispatch, New Hampshire Public Radio, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy, and Slaughterhouse 90210 Best Book of the Year * * A New York Times Book Review Editors' Choice * One of The Millions's Most Anticipated Books of 2013 * Mary and Eddie are meant for each other—but love is no guarantee, not in these suburbs. Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer's car will speed down Mary's street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood, a world of robots and sorcerers, slaves and masters, bodies without souls. In Duplex, Kathryn Davis, whom the Chicago Tribune has called "one of the most inventive novelists at work today," has created a coming-of-age story like no other. Once you enter the duplex—that magical hinge between past and future, human and robot, space and time—there's no telling where you might come out.
Palash Krishna Mehrotra writes about prostitutes; cross dressers; murderers; drug addicts; students and stalkers; portraying their perversions and vulnerabilities with equal insight; taking us deep into the dark and seamy soul of India. Set in the murky underbelly of big cities and small towns; slums and dotcoms; college hostels and rented rooms; Eunuch Park: Fifteen Stories of Love and Destruction is a collection like no other. Gritty; grim and depraved; these are candid vignettes of an India most of us are afraid to acknowledge.