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Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment.
A Concise Companion to Realism offers an accessible introduction to realism as it has evolved since the 19th century. Though focused on literature and literary theory, the significance of technology and the visual arts is also addressed. Comprises 17 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek, Frederic Jameson and Terry Eagleton Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality Explores literary and pictorial sub-genres, such as naturalism and socialist realism Includes a brief bibliography and suggestions for further reading at the end of each section
This book is a valuable theoretical and critical contribution to the study of realism inworld literature. Proceeding from the mimetic theories of the era of antiquity, and proceeding to explore formalists, structuralists, theories of possible worlds, and theories of simulation, Kvas points to the fictionality of (mimetic) realism, to literature and art as the creation of new, fictional aesthetic worlds, even when—as in the case of realism—there is a programmatic and practical inclination of such art and literature toward the world of the historical and the social—the real in the original sense of the word. This study will enable readers to confront, in a new and dependable manner, the issues of literary realism and its digressions into magical realism.
Adventures in Realism offers an accessible introduction to realism as it has evolved since the 19th century. Though focused on literature and literary theory, the significance of technology and the visual arts is also addressed. Comprises 16 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek and Frederic Jameson Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality Explores literary and pictorial sub-genres, such as naturalism and socialist realism Includes a brief bibliography and suggestions for further reading at the end of each section
This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct, ordinary human experience also manifest an obsession with art that threatens to sabotage their Realist claims. Unlike previous studies of the role of visual art, or music, or theatre in Victorian literature, Realism, Representation, and the Arts in Nineteenth-Century Literature examines the juxtaposition of all of these arts in the works of Charlotte Brontë, William Thackeray, George Eliot, Thomas Hardy, and others. Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to illuminate the place of different arts within nineteenth-century British culture. Her book, which also contains sixteen illustrations, represents an effort to bridge the growing gap between aesthetics and cultural studies.
Ranging from conceptual theater to visual poetry the New York School explored the possibilities of collaboration like no other group of American poets. New York School Collaborations gathers essays from a diverse group of scholars on the alliances and artistic co-productions of New York School poets, painters, musicians, and film-makers.
Ganson offers new hope in this work for the defense of scientific realism by undermining powerful anti-realist objections and advocating an abandonment of naturalist and externalist strategies.