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A funny story, full of wordplay, brings poetry alive as never before! Kilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he's out of a job. He spots a "Help Wanted" sign at the poem factory and decides to investigate -- he's always been curious about how poems are made. The foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the "meter meter" and empty the "cliché bins." He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration. But one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive? Kyle Lukoff's funny story, rich in wordplay, is complemented by Mark Hoffmann's lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author's note explains the inspiration for the story. Key Text Features definitions glossary author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.4 Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.
Manufacturing America bears witness to the lyrical life of a factory and the individuals who inhabit it at the start-up of the 21stcentury. Lisa Beatman adds the stories of immigrant workers, heard through the ear of a poet on site to teach literacy skills, to the growing literature of work poetry. - Susan Eisenberg, author of Blind Spot
"A black hole is a region of space-time with such strong gravitational effects that nothing not even particles and electromagnetic radiation such as light can escape from inside it. In BLACK HOLE FACTORY, poet Eric Smith writes his way into and out of such holes with a commitment to the history and craftsmanship of the well-shaped poem. He compresses experience, intellect, and feeling within concentrated stanzas of compelling density. Even traditional rhyme and meter become sources of surprise and innovation in his hands. The book has poems that communicate impressive control, intellect, and wit poems that cultivate ironic self-awareness and detachment on the part of both poet and reader. And then there are breakthrough moments giving up both irony and control in which poet and reader experience a kind of gravitational collapse powerful enough to deform and reshape space and time. In the end, Eric Smith has shaped a profound and accomplished manuscript of deep personal engagement graced by moving, open flights of lyricism."-From Amazon.
Factory Lives contains four works of great importance in the field of nineteenth-century working-class autobiography: John Brown’s A Memoir of Robert Blincoe; William Dodd’s A Narrative of the Experience and Sufferings of William Dodd; Ellen Johnston’s “Autobiography”; and James Myles’s Chapters in the Life of a Dundee Factory Boy. This Broadview edition also includes a remarkably rich selection of historical documents that provide context for these works. Appendices include contemporary responses to the autobiographies, debates on factory legislation, transcripts of testimony given before parliamentary committees on child labour, and excerpts from literary works on factory life by Harriet Martineau, Frances Trollope, and Elizabeth Barrett Browning, among others.
Russia's poets hold a special place in Russian culture, perhaps revealing more about their country than poets within any other nation. In this unique and wide-ranging collection of writings on poets and poetic trends in Russia, contributors from the United States, Britain, and Russia examine the place of poetry in Russian culture. Through a variety of critical approaches, these scholars, translators, and poets consider a broad cross section of Russian poets, from Pushkin to Brodsky, Shvarts, and Kibirov.
This diverse collection of poems and companion essays by forty nationally and internationally known poets allows readers to experience the creative process through the eyes and voice of each poet. No matter how often we are told that revision is an essential component of poetic composition, it can be difficult to resist the temptation to think of the poem as having sprung spontaneously, Athena-like, from the writer's head. By exposing readers to the finished product as well as the poet's own account of the poem's creation, Making Poems offers a behind-the-scenes perspective on the poetic process that will fascinate both beginning and established writers. The book also affords poetry instructors an opportunity to demonstrate to their students the ways in which poems can originate from seemingly mundane and unlikely sources.
100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a Poem Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering--not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.
The first collection to make a comprehensive study of nineteenth-century women's poetry from late Romantic to late Victorian 'new woman' writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman's tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as 'L.E.L.', Felicia Hemans, Amy Levy and Augusta Webster.