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In 1974 nearly 3,000 evangelicals from 150 nations met at the Lausanne Congress on World Evangelization. Amidst this cosmopolitan setting - and in front of the most important white evangelical leaders of the United States - members of the Latin American Theological Fraternity spoke out against the American Church. Fiery speeches by Ecuadorian René Padilla and Peruvian Samuel Escobar revealed a global weariness with what they described as an American style of coldly efficient mission wedded to myopic, right-leaning politics. Their bold critiques electrified Christians from around the world. The dramatic growth of Christianity around the world in the last century has shifted the balance of power within the faith away from the traditional strongholds of Europe and the United States to the Global South. To be sure, Western missionaries have carried religion abroad, but the line of influence has often run the other way. David R. Swartz demonstrates that evangelicals in the Global South spoke frankly to American evangelicals on matters of race, imperialism, theology, sexuality, and social justice. From the left, they have pushed for racial egalitarianism, ecumenism, and more substantial development efforts. From the right, they have advocated for a conservative sexual ethic. They forced American Christians to think more critically about their own assumptions. The United States is just one node of a sprawling global network that includes Korea, India, Switzerland, the Philippines, Guatemala, Uganda, and Thailand. Telling stories of the diverse array of evangelicals around the world, Swartz shows that evangelical networks don't only extend outward, but back home from the ends of the earth.
American expansion, says Richard Drinnon, is characterized by repression and racism. In his reinterpretation of "winning" the West, Drinnon links racism with colonialism and traces this interrelationship from the Pequot War in New England, through American expansion westward to the Pacific, and beyond to the Phillippines and Vietnam. He cites parrallels between the slaughter of bison on the Great Plains and the defoliation of Vietnam and notes similarities in the language of aggression used in the American West, the Philippines, and Southeast Asia.
When his family travels west via wagon train in 1845, Ben faces many adventures and hardships. Along with the dangers of rough weather and wild animals, Ben also fears the possibility that he might have a devastating asthma attack. As his family sets out from Missouri to Oregon, young Ben wonders whether he will have more trouble with the dangers of the journey or his debilitating asthma.
Public Policy Challenges Facing Higher Education in the American West is the first regional public policy study of American higher education. Presidents of the Western State Commission for Higher Education and the National Center for Higher Education Management Systems, alongside nationally recognized policy analysts and current western campus presidents, provosts, and administrators, tackle seven key public policy issues facing postsecondary education in the American West: student access, federal research funding, state governance, state financing, state appropriations and their relationship to institutional tuition, distance education and technology, and the role of community colleges. These analysts, researchers, and administrators offer a clear and complete analysis of the facts of each policy situation, the public policy options, and their connections to state and university relationships. Fifteen western states, including Alaska, California, and Hawaii, comprise the expansive region under discussion. With its companion volume, Higher Education in the American West: Regional History and State Contexts, this book is essential reading for higher education policymakers, scholars, and anyone who wants to know what the relationship between states and universities in the West has been and where it is going.
Nico: I left my family and tiny Texas hometown fifteen years ago to escape small-town gossips and to give my mom and sister the chance at a better life. But when a phone call from an attorney back home informs me that my sister passed away, leaving me custody of her newborn baby, I'm shocked out of the steady life I've built for myself running a tattoo shop in San Francisco. The thing is: I don't do babies. And I don't do small towns. Or commitment. And I especially don't do family. My plan is to go back to Hobie just long enough to sign adoption papers, giving my niece the kind of stable, loving family I could never provide. But the moment I meet my niece in the arms of Weston Wilde, my sister's best friend and the town's handsome doctor, my plans begin to change. Because suddenly, I see a different future. One with the very thing I thought I never deserved: a family. If only I can convince West that I'm not the same good-for-nothing kid ready to bolt when things get tough. Weston: There's one thing I know for sure about Nico Salerno: he was a good-for-nothing as a kid and judging by the purple-haired, tattoo'd punk who shows up at his sister's funeral, he hasn't changed. There's no way I'm letting him take custody of my best friend's baby. But the more time I spend around him, the more I realize that his rough exterior is just a shell and that beneath all the tattoos is a scared, insecure man searching for a place to belong. And pretty soon I know exactly where he belongs: in my bed and by my side. The problem is, he abandoned his family once before, how do I know that if we become a family he won't do it again? Facing West is the first in the new Forever Wilde series about the huge Wilde family from Hobie, Texas, whose patriarchs aren't above a little meddling if that's what it takes to help their grandkids find true love.
Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war's assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war's practices of wounding and death are also bodies made static for the camera's gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans's Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.