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All manner of visual representation appear in this book: painting, sculpture, graphic art, photography, landscape architecture, earthwork, conceptual art, and city planning and architectural design. Over two hundred works of art are discussed, and many well known artists and designers are represented, from Bernard Maybeck, Diego Rivera, Dorothea Lange, and Ansel Adams to Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo.
Written by an interdisciplinary team of scholars, this substantial volume offers a wide-ranging examination, from a Christian perspective, of the many complexities surrounding gender relations, showing how they have changed and how they still need to change if we are to be the men and women God meant us to be. No other book treats the systemic embedding of gender issues in all areas of life.
The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco. The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco.
Ever since the original sin and the subsequent expulsion of Adam and Eve from the Garden of Eden, humanity's yearning for a return to Paradise has remained unfulfilled. Only a few people in every generation get the calling, and Jaïr, Pimo's coconut tree cutter, is one of them. Ever since Jaïr's birth, the medicine man has predicted his destiny and prepared him for his upcoming mission. During his quest, Jaïr confronts transcendental adventures which reveal his character and further his maturation. But his major trial will come in Nod, gateway to Eden, where women have subdued men and established a stern matriarchy. He is captured by the intriguing Zeena who enslaves him with her psychic powers. The circumvolution of their relationship takes the protagonists onto the sinuous route of love and ushers them through the discovery of the clue to the oldest secret of the Universe: How to gain entry into the Garden of Eden! The metaphor is used to illustrate the most fantastic of all journeys, to discover and accomplish one's destiny. Incorporating ancient wisdom in a contemporary gender-bender framework, the story visits the timeless allegory of love and provides insight into one of the perplexing assignments of our age, male-female relationships.
Rising winds, ravenous wildfires, droughts, hurricanes, floods: the world we will pass on is different than the one we inherited. With an unflinching gaze and a blunt pen, David Williams spells out how we will be morally tested on this harsher, hotter planet we have made for ourselves. Yet we are not without hope. In Our Angry Eden, Williams beckons readers toward a belief and a promise resilient enough to face the effects of the climate crisis. From altering our diets to welcoming refugees to reclaiming humble lifestyles, he offers nine actions we can take to fulfill the fierce demands of our faith and embody hope in the middle of catastrophic truth. For followers of Jesus, the practices of wisdom and thrift, patience and generosity, welcome and mercy, grace and justice have always been essential and will be key to human thriving in the years and decades to come. As temperatures move inexorably upward, living with our angry Eden will mean sustained difficulty and disruption. Find the hope that transcends time and the faith that rises to meet our harsh and unforgiving reality.
This collection of letters forms a fascinating day-by-day account of Steinbeck's writing of EAST OF EDEN, his longest and most ambitious novel. The letters, ranging over many subjects - textual discussion, trial flights of workmanship, family matters - provide an illuminating perspective on Steinbeck, the creative genius, and a private glimpse of Steinbeck, the man.
JACOBS: For the last three years, I've lived and breathed hockey with one goal: team captain. There's only one thing standing in my way.TJ Beckett. Beck is irresponsible and immature, and I've hated him since the moment we met freshman year. Yet, the coaches see something in him I obviously can't, and they refuse to choose between us. The captain spot is going to a team vote. And the team thinks that what we need are a bunch of challenges to prove our worth. Challenges that have nothing to do with hockey. Challenges that are throwing me and Beck together. And he's still as infuriating as ever. BECK: I have no idea why Christopher Jacobs hates me, and I can't say I care. I like pushing his buttons, but the guy needs to loosen up. I'm going to win these stupid challenges easily and spend my senior year as hockey king on this campus. Tormenting Jacobs at the same time will just be a bonus. Even if I'm getting confusing feelings toward him, I won't let it hold me back. When it comes to competing, I'm all in, and nothing will get between me and the W.