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An award-winning classicist turns to Greek tragedies for the wisdom to understand the damage caused by suicide and help those who are contemplating suicide themselves In Sophocles' tragedy Oedipus the Tyrant, a messenger arrives to report that Jocasta, queen of Thebes, has killed herself. To prepare listeners for this terrible news, he announces, "The tragedies that hurt the most are those that sufferers have chosen for themselves." Edith Hall, whose own life and psyche have been shaped by such loss--her mother's grandfather, mother, and first cousin all took their own lives--traces the philosophical arguments on suicide, from Plato and Aristotle to David Hume and Albert Camus. In this deeply personal story, Hall explores the psychological damage that suicide inflicts across generations, relating it to the ancient Greek idea of a family curse. She draws parallels between characters from Greek tragedy and her own relatives, including her great-grandfather, whose life and death bore similar motivations to Sophocles' Ajax: both men were overwhelmed by shame and humiliation. Hall, haunted by her own periodic suicidal urges, shows how plays by Sophocles and other Greek dramatists helped her work through the loss of her grandmother and namesake Edith and understand her relationship with her own mother. The wisdom and solace found in the ancient tragedies, she argues, can help one choose survival over painful adversity and offer comfort to those who are tragically bereaved.
It’s hurricane season, and for one Keys community, the weather isn’t the only thing in turmoil. “It’s starting already. There’s something fierce out there stirring everybody up. This wind is going to blow the earth into the sea.” At 86 years old, Opal, Bahamian matriarch and purported seer, tries to guide her family through the coming storms: JoBe, the nephew to whose drug activities she casts a blind eye; T.C., her teenage granddaughter who’s experiencing her sexual awakening, and Pearl, her niece whose marriage is its own tempest. The Thompson family isn’t fairing much better. For Jessica, strung out and determined to make peace with her past, returning to Key West is, perhaps, the worst decision she’d ever make, but it is the only thing she can do. Her husband, Mark, mailman, dreamer, now single father, struggles to maintain a sense of family for his teenage daughter Mia. Coming to grips with the loneliness and responsibility of a single parenthood, he finds his life turned upside by Jessica’s return. And for octogenarians Bud and Caroline Johnson, they’re just trying to weather one more summer of life’s storms.
A People’s History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a ‘Classics-Free Zone’. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries across the United Kingdom and Ireland, Hall and Stead examine the working-class experience of classical culture from the Bill of Rights in 1689 to the outbreak of World War II. They analyse a huge volume of data, from individuals, groups, regions and activities, in a huge range of sources including memoirs, autobiographies, Trade Union collections, poetry, factory archives, artefacts and documents in regional museums. This allows a deeper understanding not only of the many examples of interaction with the Classics, but also what these cultural interactions signified to the working poor: from the promise of social advancement, to propaganda exploited by the elites, to covert and overt class war. A People’s History of Classics offers a fascinating and insightful exploration of the many and varied engagements with Greece and Rome among the working classes in Britain and Ireland, and is a must-read not only for classicists, but also for students of British and Irish social, intellectual and political history in this period. Further, it brings new historical depth and perspectives to public debates around the future of classical education, and should be read by anyone with an interest in educational policy in Britain today.
From renowned classicist Edith Hall, ARISTOTLE'S WAY is an examination of one of history's greatest philosophers, showing us how to lead happy, fulfilled, and meaningful lives Aristotle was the first philosopher to inquire into subjective happiness, and he understood its essence better and more clearly than anyone since. According to Aristotle, happiness is not about well-being, but instead a lasting state of contentment, which should be the ultimate goal of human life. We become happy through finding a purpose, realizing our potential, and modifying our behavior to become the best version of ourselves. With these objectives in mind, Aristotle developed a humane program for becoming a happy person, which has stood the test of time, comprising much of what today we associate with the good life: meaning, creativity, and positivity. Most importantly, Aristotle understood happiness as available to the vast majority us, but only, crucially, if we decide to apply ourselves to its creation--and he led by example. As Hall writes, "If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian." In expert yet vibrant modern language, Hall lays out the crux of Aristotle's thinking, mixing affecting autobiographical anecdotes with a deep wealth of classical learning. For Hall, whose own life has been greatly improved by her understanding of Aristotle, this is an intensely personal subject. She distills his ancient wisdom into ten practical and universal lessons to help us confront life's difficult and crucial moments, summarizing a lifetime of the most rarefied and brilliant scholarship.
A thundering saga of the American west of the late 19th century filled with complex and twisted characters and vibrant scenes of the rugged New Mexico landscape. It was also turned into a film of the same name starring Barbara Stanwyck.
"For centuries, they have lived among us. When they were discovered, they were called witches, vampires, or devils and sentenced to a quick death. They are human just like us, except for a rare genetic quirk that has granted them immortality. Now, a chance encounter with a beautiful woman has led John Rogers into the middle of a secret war between the immortals. She needs his help in the battle between a rebellious group and their elders. The grand prize in this war is eternal life. The Furies weaves cutting-edge science into a far-ranging thriller, showing how a simple genetic twist could have inspired tales of witchcraft and sorcery, and how the paranormal could be possible"--
This page-turning, harrowing debut is the story of a girl trying to fit in, whose obsessive new friends and desperation to belong leads her to places she’d never imagined...dark, dangerous, and possibly even violent. "Fans of Greer Macallister, Paula Hawkins, and Janelle Brown will devour Violet’s journey.” —Booklist ~~~ In 1998, a sixteen-year-old girl is found dead. She’s posed on a swing on her boarding school’s property, dressed all in white, with no known cause of death. Whispers and rumors swirl, with no answers. But there are a few who know what happened; there is one girl who will never forget. One year earlier: a new student, Violet, steps on the campus of Elm Hollow Academy, an all-girl’s boarding school on the outskirts of a sleepy coastal town. This is her fresh start, her chance to begin again in the wake of tragedy, leave her demons behind. Bright but a little strange, uncertain and desperate to fit in, she soon finds herself invited to an advanced study group, led by her alluring and mysterious art teacher, Annabel. There, with three other girls—Alex, Grace, and Robin—the five of them delve into the school’s long-buried grim history: of Greek and Celtic legends; of the school founder’s “academic” interest in the occult; of gruesome 17th century witch trials. Annabel does her best to convince the girls that her classes aren’t related to ancient rites and rituals, and that they are just history and mythology. But the more she tries to warn the girls off the topic, the more they are drawn to it, and the possibility that they can harness magic for themselves. Violet quickly finds herself wrapped up in this heady new world of lawless power—except she is needled by the disappearance of a former member of the group, one with whom Violet shares an uncanny resemblance. As her friends’ actions take a turn for the darker and spiral out of control, she begins to wonder who she can trust, all the while becoming more deeply entangled. How far will these young girls go to protect one another...or to destroy one another?
In this extraordinary fantasy epic, the #1 New York Times bestselling author of the Dresden Files leads readers into a world where the fate of the realm rests on the shoulders of a boy with no power to call his own... For a thousand years, the people of Alera have united against the aggressive and threatening races that inhabit the world, using their unique bond with the furies—elementals of earth, air, fire, water, wood, and metal. But in the remote Calderon Valley, the boy Tavi struggles with his lack of furycrafting. At fifteen, he has no wind fury to help him fly, no fire fury to light his lamps. Yet as the Alerans’ most savage enemy—the Marat horde—return to the Valley, Tavi’s courage and resourcefulness will be a power greater than any fury, one that could turn the tides of war...
The spellbinding and eerie finale to the #1 internationally bestselling “cerebral, immersive” (The Washington Post) historical trilogy follows two unlikely allies as they struggle to end the reign of a powerful cabal of depraved hedonists in 18th-century Stockholm. For more than a year, Emil Winge has dedicated himself to capturing the diabolical Tycho Ceton, with the invaluable assistance of one-armed army veteran and watchman Jean Michael Cardell. Their mission is made more difficult by the ever-increasing paranoia gripping Sweden’s royal family, who fear that a bloody revolution is brewing. A letter with the names of the revolutionary conspirators is said to be in the possession of Anna Stina Knapp, a good friend to Cardell. Now, Anna is missing and Cardell is determined to find her before the secret police take her into custody. While Winge and Cardell fight for justice and for life, they find themselves caught between powerful enemies—those who will do anything to maintain the status quo, and those who will only be satisfied with its total destruction. Writing with “thrilling, unnerving, clever, and beautiful” (Fredrik Backman) vigor and style, Niklas Natt och Dag brilliantly concludes his immersion into the dark and turbulent waters of 18th-century Stockholm.
This first book-length critical examination of the life and work of Marjorie Bowen (1885-1952) reveals a major English writer whose prodigious output included stories of history, romance, and the supernatural. As Pulitzer Prize-winning critic Michael Dirda writes in his Foreword, Bowen may be "the finest British woman writer of the uncanny of the last century," a view that echoes the high regard of cultural historian Edward Wagenknecht, who called her "a literary phenomenon," one whose best work places her alongside such contemporaries as Edith Wharton and Daphne du Maurier. Publicly acclaimed--known only by a series of pseudonyms (including "Marjorie Bowen")--but privately inscrutable, she was and is a mysterious and complex character. Drawing for the first time upon archival resources and the cooperation of the Bowen Estate, this book reveals a woman who saw herself as a rationalist and serious historian, but also as a mystic and "dark enchantress of dread." Above all, through a lifetime of domestic storms and creative ecstasy, Bowen worked tirelessly as both a professional writer and a consummate artist, always seeking, as she once confessed, "to find beauty in dark places."