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Peking Opera is recognized as one of the most representative of Chinese art; Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Since each historical character or a certain type of character has a pattern, just like singing and playing, you have to follow the mode, it is called "facial painting"."Beijing Opera Mask 2" is a more detailed introduction to the facial painting series of books, including: ◎ 45 styles of paintings in the eyebrows, forehead, eye sockets, nasal sockets and mouth parts. ◎ Selected for 19 "historical figures" coloring.Through simple guidance and hands-on portrayal, you will be able to appreciate the fun of Peking Opera's facial painting and at the same time be closer to the wonderful Chinese art.(We have attached a link to the Beijing Opera performance, which you can enjoy and color at the same time.)
Peking Opera is recognized as one of the most representative of Chinese art; Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Since each historical character or a certain type of character has a pattern, just like singing and playing, you have to follow the mode, it is called "facial painting"."Beijing Opera Mask 1" is the basic introduction to the facial painting series of books, including:◎ 9 kinds of "the color of facial painting"◎ 4 kinds of "Beijing opera roles" ◎ 3 kinds of "Skills in drawing Beijing Opera facial paintings"◎Selected 20 kinds of "historical figure" coloringThrough simple guidance and hands-on portrayal, you will be able to appreciate the fun of Peking Opera's facial painting and at the same time be closer to the wonderful Chinese art.(If you want to know the color of facial painting, we also have URL for your reference)
Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
"[Wichmann's] writing has authority rarely encountered.... Not only a comprehensive study but [a] study of Beijing theater. A marvelous overview, a virtual encyclopedia." --Choice "Overall, this is a pathbreaking book in terms of contributing to our understanding of the important Chinese art form that is the Beijing opera. It is a model of production. Its wealth of detail does not prevent it from being eminently readable. The author has unparallelled mastery of knowledge, understanding, and appreciation of her subject. The book will certainly help not only to make Beijing opera better understood in the West but also to make it more widely performed and appreciated." --China Review International, Spring 1994
This is the first part of the two-volume set (LNCS 8023-8024) that constitutes the refereed proceedings of the 5th International Conference on Cross-Cultural Design, held as part of the 15th International Conference on Human-Computer Interaction, HCII 2013, held in Las Vegas, USA in July 2013, jointly with 12 other thematically similar conferences. The total of 1666 papers and 303 posters presented at the HCII 2013 conferences was carefully reviewed and selected from 5210 submissions. These papers address the latest research and development efforts and highlight the human aspects of design and use of computing systems. The papers accepted for presentation thoroughly cover the entire field of human-computer interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas. This two-volume set contains 113 papers. The papers in this volume focus on the following topics: cross-cultural product design, cross-cultural design methods and techniques, international usability evaluation, and case studies in cross-cultural design.