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In this revealing cultural study, dozens of ancient weavers and the landscapes that they occupy in the Cusco region of the Andes are vividly portrayed through personal stories and life experiences, bringing to life the decades of endurance, skill, fortitude, and natural pride honed from the time-honored traditions of the region and its people. Some of the storytellers featured here include Pitumarca's Timoteo Ccarita, who became so interested in the old textiles he found on his own travels that he re-created tapestry techniques from sight; Leonardo Quispe, who single-handedly rescued and revived the techniques of ikat-style tied-warp dyeing (watay) in his community of Santa Cruz de Sallac; and Cipriana Mamani, who remembers that in her town of Accha Alta, their finely woven textiles had many lives and were repurposed for use over and over again. Intimate photographs capture each of the elders, some of whom had never seen a picture of themselves or even looked in a mirror, revealing the life, strength, character, and experience of these men and women.
Faces of Tradition in Chinese Performing Arts examines the key role of the individual in the development of traditional Chinese performing arts such as music and dance. These artists and their artistic works–the "faces of tradition"–come to represent and reconfigure broader fields of cultural production in China today. The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and redefine larger traditions and themselves. By focusing on the performance, scholarship, collection, and teaching of instrumental music, folksong, and classical dance from a variety of disciplines–these case studies highlight the importance of the individual in determining how traditions have been and are represented, maintained, and cultivated.
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
An ethnographic study of a Greek island community’s culture in the face of modern times. Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation’s global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders’ perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection. “In this original, beautifully written, and often moving monograph, Konstantinos Kalantzis has produced a lasting contribution to the anthropological study of contemporary Europe. Drawing on extensive fieldwork, Tradition in the Frame explores with exquisite detail a number of timely themes—the social life of photographs, conflicting tourist and local images of Crete, the performance of gender stereotypes, and the complex tension between tradition and modernity. The author’s ability to view the world through the eyes of natives and foreigners, and to deconstruct visual signs and symbols, is nothing short of stunning. For anyone interested in Europe and the Mediterranean world today, this richly documented and theoretically sophisticated volume is a must read.” —Stanley Brandes “Tradition in the Frame is a richly innovative ethnography focusing on the visual dimensions of modern Cretan mythmaking, and especially on the material reproduction and negotiation of time-honored stereotypes of warrior masculinity. Writing of a society that has largely shifted its economy from shepherding to tourism, Kalantzis incisively demonstrates how the realities of commercial exploitation and socio-political change re-frame familiar images of a society at once proudly central to the symbolism of national identity and yet also still reluctant to accept the merest hint of intrusive authority.” —Michael Herzfeld
The current quandary that the Roman Catholic Church finds itself in right now is what Brother Louis DeThomasis calls "a crisis of confidence" in this insightful, provocative, and hopeful new book. He points to the way of unraveling the quandary by returning the church's historic belief in tradition- "the lived experience of the faithful" - as a source of ongoing revelation and renewal. This is not an attack by someone intent on bringing down the church but rather a wake-up call for the church itself to recognize and embrace globalization, diversity, and democratization and begin to rebuild what DeThomasis calls "koinonia" or "communio". He uses the issue of the ordination of women as a case study of how the institutional church has fallen out of step with its own members but could work its way back to relevance and effectiveness by listening to them. Brother Louis makes it clear that he is not just criticizing others: "I know that I am guilty as anyone of many of the sins decried in this book. I too have been insensitive, closed-minded, arrogant, self-centered, too-quick-to-defend-the-indefensible, and overly protective of myself and my fellow church-members. For this I am sorry. And for this reason I offer my book as a small token of atonement." But he does insist that the institutional church has to change quickly and fundamentally if it is to recover its creditability and authority. People like him who have dedicated their entire lives to the church have to speak up, he says: "I am a 70-year-old De LaSalle Brother, entering my well-developed understandings about the church that I feel I have not only a right but a duty to present to whomever might want to listen."
“Deeply felt, powerful, devastating and, ultimately, hopeful.” — Nicola Yoon, #1 New York Times bestselling author of Everything, Everything and The Sun Is Also a Star “Powerful and necessary…an important, timely book.” —Amber Smith, New York Times bestselling author of The Way I Used to Be “A story that belongs in every library.” —School Library Journal (starred review) “A thoughtfully crafted argument for feminism and allyship.” —Kirkus Reviews From New York Times bestselling and award-winning author Brendan Kiely, a stunning novel that explores the insidious nature of tradition at a prestigious boarding school. Prestigious. Powerful. Privileged. This is Fullbrook Academy. Jules Devereux just wants to keep her head down, avoid distractions, and get into the right college, so she can leave Fullbrook and its old-boy social codes behind. Jamie Baxter feels like an imposter at Fullbrook, but the hockey scholarship that got him in has given him a chance to escape his past and fulfill the dreams of his parents and coaches, whose mantra rings in his ears: Don’t disappoint us. As Jules and Jamie’s lives intertwine, and the pressures to play by the rules and to keep the school’s toxic secrets, they are faced with a powerful choice: remain silent while others get hurt, or stand together against the ugly, sexist traditions of an institution that believes it can do no wrong.