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A work comprising three sections, rich with exclusive information and facts related to culture and history of Goa, its socio-economic facts, new dynamics of cultural patterns and evolution under the impact of rural urban migration, and dynamics of west coast under the presence of the Portuguese.
"Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade." —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the Untimely The village of Anjuna, located in the coastal Indian state of Goa, has been one of the premier destinations on the global rave scene for nearly two decades. The birthplace of Goa trance, the most psychedelic variety of electronic dance music, Anjuna first attracted adventurous Westerners in the 1970s who were drawn there by its tropical beaches, tolerant locals, and readily available drugs. Today, rave tourists travel to Goa to take part in round-the-clock dance parties and lose themselves in the crowds, the music, and the drugs. But do they really escape where they come from and who they are? A rich and theoretically sophisticated ethnography, Psychedelic White explains how race plays out in Goa’s white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Goa is a site of particularly revealing forms of interracial collision, and contrary to author Arun Saldanha’s expectations that the nature of rave would create an inclusive atmosphere, he repeatedly witnessed stark segregation between white and Indian tourists. He came to understand race in its creative dimension as a shifting and fuzzy assemblage of practices, environments, sounds, and substances—dance skills, sunlight, conversation, cannabis, and tea. In doing so, his work shows how the rave scene in Goa harbors conflicting tendencies regarding race. The complicated intersection of cultures and phenotypes, Saldanha asserts, helps to consolidate whiteness. Race emerges not through rigid boundaries but rather through what he terms viscosity, the degree to which bodies gather together for pleasure and self-transformation. Challenging the prevailing conception of racial difference as a purely social construction and offering building on the works of Gilles Deleuze and Flix Guattari, Psychedelic White presents nothing less than a new materialist approach to race. Arun Saldanha is assistant professor of geography at the University of Minnesota.
"The Many Faces of India: A Portrait of Its People, Places, and Heritage" is a stunning tribute to the vibrant and diverse country of India. Through a collection of vivid photographs and engaging stories, this book captures the essence of India's beauty, heritage, and cultural richness. The book is organized thematically, exploring different aspects of Indian life and culture. Chapters cover topics such as food and cuisine, art and architecture, religion and spirituality, and festivals and celebrations. Within each chapter, readers are treated to a visual feast of stunning photographs that showcase the unique character and spirit of India. In addition to the visual splendor, the book also offers insightful commentary on the various aspects of Indian life and culture. Readers will gain a deeper understanding of the traditions, customs, and beliefs that underpin the Indian way of life, as well as the challenges and opportunities facing modern-day India. "The Many Faces of India" is an ideal book for anyone with an interest in India, its people, and its culture. Whether you are a seasoned traveler or an armchair enthusiast, this book will transport you to the heart of India, offering a fascinating glimpse into its people, places, and heritage. With its beautiful photographs and engaging commentary, it is a true celebration of the many faces of this remarkable country.
With the liberation of Goa, Daman and Diu from the Portuguese, the people of these territories entered once again into the mainstream of Indian society. Goa now has the dual task of breaking from the bleak past and of participating in the process of nation-building and economic development. Professor R.N. Saksena attempts in this book some aspects of the problem of emotional and national integration of the Goans. The study was sponsored by RPC, Planning Commission. It is based on the analysis of considerable secondary data and of the responses obtained from a sample of 1200 persons drawn from Old Goa and New Conquests. Professor Saksena examines the questions related to language, economic reforms, political participation, and merger. In doing so he makes use of history, aggregate data, and people’s responses to a battery of attitude questions. It emerges from his analysis that while Konkani was recommended as the state language in preference to Portuguese, a majority favoured Hindi as the national language. As medium of instruction, both Marathi and Konkani have received greater support than English. A favourable response to governmental programmes of economic reform, high rate of political participation, and a majority support for Hindi as national language are indicative of Goa’s commitment to secular and democratic ideals of Indian polity. While accepting the new status within the Indian Union, Goans are keen to retain their identity as a separate state and forge ahead on the path of development. The book affirms that Goans have entered into the mainstream.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 14 JANUARY, 1973 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVIII. No. 3 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 16-50 ARTICLE: 1. The Art of Administration 2. Bokaro Steel Plant 3. Bangladesh Liberation Day 4. Prices and Money Supply 5. Banks Goes to Villages 6. My Finest Hour 7. Plastic Industry In India 8. My Visit To South India 9. Urban Housing and Meteorology AUTHOR: 1. D. B. Sinha 2. M. Sondhi 3. K. K. Misra 4. Dr. K. B. L. Bargava 5. K. Gopala Rao 6. N. G.Goray 7. S. C. Ananatharaman 8. S. Jayanthi 9. Dr. R. C. Banerjee Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.