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This book offers innovative readings of the motif of crisis as explored by twentieth- and twenty-first-century novelists, spanning personal and identity crisis, interpersonal relationships and family ties, and threats on a global scale.
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Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.
Apocalypse shapes the experience of millions of Americans. Not because they face imminent cataclysm, however true this is, but because apocalypse is a story they tell themselves. It offers a way out of an otherwise irredeemably unjust world. Adherence to it obscures that it is a story, rather than a description of reality. And it is old. Since its origins among Jewish writers in the first centuries BCE, apocalypse has recurred as a tempting and available form through which to express a sense of hopelessness. Why has it appeared with such force in the US now? What does it mean? This book argues that to find the meaning of our apocalyptic times we need to look at the economics of the last five decades, from the end of the postwar boom. After historian Robert Brenner, this volume calls this period the long downturn. Though it might seem abstract, the economics of the long downturn worked its way into the most intimate experiences of everyday life, including the fear that there would be no tomorrow, and this fear takes the form of 'neoliberal apocalypse'. The varieties of neoliberal apocalypse—horror at the nation's commitment to a racist, exclusionary economic system; resentment about threats to white supremacy; apprehension that the nation has unleashed a violence that will consume it; claustrophobia within the limited scripts of neoliberalism; suffocation under the weight of debt—together form the discordant chord that hums under American life in the twenty-first century. For many of us, for different reasons, it feels like the end is coming soon and this book explores how we came to this, and what it has meant for literature.
“A fast start to what promises to be an exciting, innovative fantasy series” from the World Fantasy Award–winning author of Night’s Master (Publishers Weekly). In the hedonistic atmosphere of an eighteenth-century Venice Carnival, gaiety turns deadly when Furian Furiano happens upon a mask of Apollo floating in the murky waters of the canals. The mask hides a sinister art, and Furian finds himself trapped in a bizarre tangle of love, obsession, and evil, stumbling into a macabre society of murderers. The beautiful but elusive Eurydiche holds the key to these murders and leads him further into a labyrinth of black magic and ancient alchemy. Why do secrets from Furian’s past seem tied to the mysterious Eurydiche? In Tanith Lee’s brilliantly imagined world of violence and terror, Furian must find a way to survive and stem the obsession driving him toward his hidden destiny.
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
In Breathing Aesthetics Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Today, Indian Writing in English or Indo-Anglian Writing has certainly come of age, with the novel having a pride of place and names such as Salman Rushdie, V.S. Naipaul, Vikram Seth, Amitav Ghosh, Kiran Desai and Aravind Adiga prominently figuring in the list. But the credit for placing Indo-Anglian writing on a high pedestal should go to earlier writers like Rabindranath Tagore, Mulk Raj Anand, R.K. Narayan and Raja Rao. Among these, R.K. Narayan is the most celebrated novelist. This edited volume deals with several important Malgudi novels of R.K. Narayan, such as Swami and Friends, The Bachelor of Arts, The English Teacher and The Guide and short stories, and throws light on various aspects of his creative art. It traces the evolution of all the genres of Indian Writing in English as well as R.K. Narayan the novelist. The book dwells upon R.K. Narayan’s art of characterization with reference to central male characters, use of humour, and the cultural milieu of Malgudi. It also discusses in detail R.K. Narayan’s standpoint regarding the actual social status of Indian women. Finally, the book focuses on R.K. Narayan’s use of myths and symbols and shows how these enable him to convey artistically the implication of the experience that forms the base of the novels. The book is meant for the undergraduate and postgraduate students of English Literature. Besides, all those readers who wish to delve deeper into the works of R.K. Narayan will find the book quite useful.