Download Free Face This Book in PDF and EPUB Free Download. You can read online Face This and write the review.

Point Your Face At This is a wonderfully entertaining book of cartoons and absurdity from Demetri Martin, the Perrier Award-winning comedian, and author of This Is A Book If you want to laugh, point your face at this. In his first book, This Is a Book, Demetri Martin introduced fans and readers to his unique brand of long-form humour writing. Now Demetri returns with an eclectic volume devoted entirely to his trademark drawings and word play. Point Your Face At This contains hundreds of hilarious drawings and visual jokes, showcasing Martin's particular penchant for brevity. With a sensibility all its own, this is a great gift book and an absolute must-have for fans of the brainy, ambidextrous, comedian, palindromist (and author), Demetri Martin. Praise for Demetri Martin: 'Highly inventive . . . Martin is a genius' Telegraph 'A refined sense of the absurd' Guardian Demetri Martin rose to relative obscurity when he started doing stand-up comedy in New York City at the end of the 20th Century. Later he became a writer at Late Night with Conan O'Brien and then a regular performer on The Daily Show with Jon Stewart. In 2003, Demetri won the Perrier Award at the International Fringe Festival for his first one-man show, If I. He released a comedy album called These Are Jokes and then created and starred in his own television series called Important Things with Demetri Martin. Demetri has brown hair, and he is allergic to peanuts. You can find him at www.demetrimartin.com, at www.facebook.com/demetrimartin, on Twitter @demetrimartin, and in various places in the actual physical world.
Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants. “What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.
NEW YORK TIMES BESTSELLER • In these hilarious essays, the Saturday Night Live head writer and Weekend Update co-anchor learns how to take a beating. “I always wanted to punch his face before I read this book. Now I just want to kick him in the balls.”—Larry David NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Cosmopolitan • Vulture • Parade If there’s one trait that makes someone well suited to comedy, it’s being able to take a punch—metaphorically and, occasionally, physically. From growing up in a family of firefighters on Staten Island to commuting three hours a day to high school and “seeing the sights” (like watching a Russian woman throw a stroller off the back of a ferry), to attending Harvard while Facebook was created, Jost shares how he has navigated the world like a slightly smarter Forrest Gump. You’ll also discover things about Jost that will surprise and confuse you, like how Jimmy Buffett saved his life, how Czech teenagers attacked him with potato salad, how an insect laid eggs inside his legs, and how he competed in a twenty-five-man match at WrestleMania (and almost won). You'll go behind the scenes at SNL and Weekend Update (where he's written some of the most memorable sketches and jokes of the past fifteen years). And you’ll experience the life of a touring stand-up comedian—from performing in rural college cafeterias at noon to opening for Dave Chappelle at Radio City Music Hall. For every accomplishment (hosting the Emmys), there is a setback (hosting the Emmys). And for every absurd moment (watching paramedics give CPR to a raccoon), there is an honest, emotional one (recounting his mother’s experience on the scene of the Twin Towers’ collapse on 9/11). Told with a healthy dose of self-deprecation, A Very Punchable Face reveals the brilliant mind behind some of the dumbest sketches on television, and lays bare the heart and humor of a hardworking guy—with a face you can’t help but want to punch.
A funny, moving, and true story of an ordinary boy with an extraordinary face that's perfect for fans of Wonder—now available in the U.S. When Robert Hoge was born, he had a tumor the size of a tennis ball in the middle of his face and short, twisted legs. Surgeons removed the tumor and made him a new nose from one of his toes. Amazingly, he survived—with a face that would never be the same. Strangers stared at him. Kids called him names, and adults could be cruel, too. Everybody seemed to agree that he was “ugly.” But Robert refused to let his face define him. He played pranks, got into trouble, had adventures with his big family, and finally found a sport that was perfect for him to play. And Robert came face to face with the biggest decision of his life, he followed his heart. This poignant memoir about overcoming bullying and thriving with disabilities shows that what makes us “ugly” also makes us who we are. It features a reflective foil cover and black-and-white illustrations throughout.
Documentary of bronze monuments, portraits, reliefs, and statuettes and the process of creating the sculpture.
Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.
The challenges we face can be difficult even to think about. Climate change, war, political polarization, economic upheaval, and the dying back of nature together create a planetary emergency of overwhelming proportions. This revised, tenth anniversary edition of Active Hope shows us how to strengthen our capacity to face these crises so that we can respond with unexpected resilience and creative power. Drawing on decades of teaching an empowerment approach known as the Work That Reconnects, the authors guide us through a transformational process informed by mythic journeys, modern psychology, spirituality, and holistic science. This process equips us with tools to face the mess we’re in and play our role in the collective transition, or Great Turning, to a life-sustaining society.
A pipe bomb in Seattle ... an armored car hijacking in California ... the high-stepping stomp of slam-dancing skinheads in Dallas ... & the bullet-ridden body of a talk show host in Denver. These are the harbingers of a new American culture-a culture that is "tight, right, & white." Blood in the Face is the first book to expose the racist far-right movements of America & Europe-movements whose participants range from armed underground extremists to mainstream lobbyists & state legislators. It tells their story from the inside out, in interviews, photos, recruiting pamphlets, cartoons, rants, sermons, threats, police reports, & famous last words before the final shootouts. Village Voice political correspondent James Ridgeway highlights the words & artifacts of the racist far right, & details the movement's volatile history & rapid expansion in the last decade, making Blood in the Face the most current & comprehensive survey to date of a culture that is too powerful-and too much a part of American culture-to be ignored or dismissed.